Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
Cross Stitch pattern from Silver Creek Samplers featuring a campfire with the phrase "Crisp cool air, moonlit night, warm bonfire, stars so bright, dancing flames, ancient lore, embers glowing, make a smore"!
Stitched on 'Hamlet' 18ct Aida by Under the Sea Fabrics, with DMC threads. Stitch count: 73 x 189.
Note from designer: I bought the original sampler two years ago at market from Dawn Lewis of The Needle's Work Antiques. I fell in love immediately with the organic nature of the sampler. My reproductions come with a page inside where I talk about the sampler, things I noticed, elements that are... Read more
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more
This is a revised version of an old design (#113). The original 2015 design has been out of print and I decided to rework it. JABC buttons are included. A cardinal is perched atop a basket of winterberry leaves berries.
Pattern is stitched on Fog Cashel using DMC threads. Stitch count is 80 x 112.
Sampler design from Teresa Kogut featuring the phrase "Remembrance is the sweetest flower of all this world's perfuming. Memory guards it sun and shower. Love keeps it blooming"!
Pattern is stitched on 40 ct Legacy by Picture This Plus using Classic Colorworks and DMC threads. Stitch Count 173 x 193.
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more
"Happy would it be for me, if in the rising bloom of youth, I did devote my life to thee, O thou the God of love and truth."
Jane Freebairn is another colorful Scottish sampler from approximately the same time period. Neither of the girls dated their samplers, but we can tell from... Read more
Cross Stitch pattern from Cosford Rise Stitchery featuring a sampler with flowers and the phrase "O, My love is like the melody. That's sweetly play'd in tune"!
Model stitched using The Gentle Arts thread, two strands over two, on 36 count Cocoa linen by Weeks Dye Works. DMC conversion included. Stitch count: 141W x 339H.
Ann Hunt inscribed the town she stitched her sampler in as Nailsea in 1805. Nailsea is a town in Somerset, England. Research does not reveal the existence of a Quaker school there, although at least one other very similar polychrome Quaker medallion sampler has been discovered stitched a year... Read more
Lydia's sampler is an example of a more decorative Quaker marking sampler containing four different alphabets, six dividing bands, and an often seen swan and birds motif, as well as a floral spray. The colors are muted as in the Quaker style, copying those found in nature. Lydia was a talented young... Read more
The initials appearing on the sampler, SI, in two places, may perhaps indicate the school where the sampler was stitched, and not the initials of the stitcher. The Suir Island Quaker School (SI) was a boarding and finishing school for girls established in 1787 in Clonmel in County Tipperary by... Read more
No clues have been provided by the stitcher as to her name, year of origin, or place where she stitched her sampler. The only clue as to place might be in the lettering she used itself, giving one an indication it was stitched in Ireland. "A slightly surprising source of lettering which became... Read more
Jane Hornibrook completed her sampler in March of 1806. She painstakingly stitched in cross stitch the tenets of the Catholic Faith over one and two threads of finely woven 52 count linen. The lettering for the large letters leads one to determine this to be of Irish origin, based on the Benezet... Read more
An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
Now in a private collection, this sampler was stitched in Lacolle, a southern municipality in Quebec, Canada in 1846 by Emeline Hotchkiss, aged 11. Research reveals an Emeline Hotchkiss was baptized in nearby Laprairie St. Luke's Anglican Church in 1834, around the year our stitcher would have been... Read more
This sampler's appeal was its similarity to Bristol orphanage motifs, bands and alphabets. While clearly not a Bristol school sampler, as it was stitched at Daglingworth School, curiosity leads one to wonder why similar motifs? Daglingworth lies only fifty miles from Bristol, England. It has been... Read more
Several girls named Sarah Welch appear in the historical records born in the year1756, in Devon and Berkshire, England, and so without more information it is hard to say which Sarah stitched this sampler at the age of eight in 1764. History does chronicle what was happening in England at that time:... Read more
Note from the designer: A Collection of Petite Samplers includes five samplers which were stitched from the years 1828 and 1894. The collection includes two small red samplers and another sampler worked in pastels. One of the most interesting samplers is worked in blue and was originally part of... Read more
I am delighted to share this antique with you. It is from 1840 of Dutch origin. The sampler had lots of great motifs and I loved the top rows of crowns and shields, but the composition did not please me, it had large blank spots on it. I saw this piece as more enjoyable in the vertical format as... Read more
Jan Hicks creates the design "CRS 1713", an antique sampler from the Saxon region of Germany. The original stitcher is known by the initials CRS.
Jan has released the sampler in three parts, making the stitching process manageable. The total stitch count for all three parts is 160 x 874.
... Read more
Laura Vorgensen 1853 is a reproduction of a gorgeous antique German sampler. Laura was a very skilled stitcher, using multiple specialty stitches and a variety of colors to create her beautiful sampler. I have provided stitch diagrams for the specialty stitches. The sampler is stitched in Hand-dyed... Read more
Years and years ago, I designed a piece called Pennsylvania Pinwheel. It was a Carriage House samplings design and a few months ago I saw a photo of it on someone's blog and loved the motion I saw in the design. I just had to recreate that feeling!
The sampler version of this design is... Read more
Cross Stitch pattern from Lucy Beam Love in Stitches featuring a sampler with the phrase "The lord is mu shepherd, I shall not want"!
The model was stitched on 36ct. Jackalope from Lapin Loops, suggested fabric listed, using Gentle Arts and Weeks Dye Work Threads. Stitch count is 124 x 152.
Cross Stitch pattern from Lucy Beam Love in Stitches featuring a sampler with the alphabet!
The model was stitched on 36ct. Small Potatoes from Lapin Loops, fabric suggestion listed using Weeks Dye Works and Gentle Arts threads. Stitch count is 139 x 245.
This pattern from La D D features a reproduction sampler with a large white house, flowers, birds and "Mary Collier, her work in the 9th year of her age, the year 1814."
Pattern is stitched on 36 ct Spiced Honey from Color and Cotton. Stitch count is 222 x 268.
Two new patterns from Little Robin Design - "Charlotte McGilis is a cheery sampler" and "Posy" features beautiful pink posies.
Pattern is stitched on 40 ct Bramble from Picture This Plus using Weeks Dye Works, Classic Colorworks, and Gentle Arts threads. Stitch count is 122 x 118.
This pattern from Little Robin Designs features two elements from an old sampler by Grace Gill in 1838.
Pattern is stitched on 40 ct Tobias from Seraphim using Classic Colorworks, Gentle Arts, and Weeks Dye Works threads. Stitch counts are 65 x 57 and 71 x 65.
This sampler features a house, trees, flowers and the saying "In books, or work or healthful play, let my first years be past that I may give for every day some good account at last."
Pattern is stitched on 40 Count Beige, suggested fabric listed, using Classic Colorworks and Gentle Arts and Weeks Dye Works threads. Stitch count is 237 x 201.
This is a set of three that all come together. Each chart has the same dimensions as "Plaid Tidings" and "United we Plaid" (the Christmas and 4th of July patterns in the same style).
Pattern is stitched on 28 count Linen in Mystic Gray using Gentle Art and Classic Colorworks threads. Stitch Count: Each chart is 75 x 75
Cross stitch pattern from My Sister's Samplers featuring a sampler!
Pattern is stitched on 46 ct Winter Woolens by Seraphim Fabrics using Gloriana Silk with DMC conversion. Gloriana Silk not listed: Peach Mimosa and Tudor Silk Northern Lights. Stitch count is 267 x 370.
Cross stitch pattern from My Sister's Samplers featuring a sampler!
Pattern is stitched on 36 ct Over the Moon from Colour and Cotton. Colour and Cotton threads not listed: Solstice, Spring Moss, Maize, Adobe(2), and Tusk(3). DMC conversion included. Stitch count is 211 x 228.
Cross stitch pattern from My Sister's Samplers featuring a sampler!
Pattern is stitched on 35 ct Dark Cappicciono from R&R Reproductions using Gloriana Silk threads (Swamp Grass). Stitch count is 179 x 185. If stitching on a lower count, two skeins of floss would be needed.
Cross stitch pattern from 1897 Schoolhouse Samplers featuring a sampler!
Patterns are stitched on 40 ct Parchment by Weeks Dye Works using Weeks Dye Works and Gentle Arts threads. Stitch count is 118w X 170h and 107w X 161h.
I have found throughout the years that my beliefs strongly affect my actions. I believe that most other drivers on the road will pay attention to the center line painted on the road and will stay on their side of it. I also believe that there are idiots among us, so I keep a sharp eye on the... Read more
I created Miss Campbell's Scissors Keep using a motif from an antique Scottish sampler in my collection, Margaret Campbell 1848. The Angus Trees on each side of her house caught my attention right away. These trees were just made to be turned into a scissors case. I did take a small liberty with the... Read more
Cross stitch pattern from NeedleWorkPress featuring Adam and Eve in a sampler!
The antique was stitched on slightly unevenweave linen, close in color to Baked Clay by Fox and Rabbit. Stitch count is 116 x 165. Finished size on 32 Ct is 7.25" x 10.3".
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