Reproduction Samplers Cross Stitch Patterns Page 6

This sampler features a lion, a camel, and large colorful flowers. The design was stitched over 2 threads on 40 Ct. linen and is suitable for all skill levels. The stitch count for each design is 244 W x 230 H. The finished piece will measure approximately 12-1/2″ x 11-1/2″.

This 19th century American reproduction sampler features a brown bird on a tree branch. Rated for beginners. Model stitched on 35 count hand dyed linen using either cotton or silk thread. Two versions of the sampler graph have been furnished: one executed with a drawn partially freehand split and... Read more about Bird in Bough - Cross Stitch Pattern

Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more about Mary Bailey 1818 - Cross Stitch Pattern

This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more about Eunice Morton 1794 - Cross Stitch Pattern

Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more about Ann Scutt circa 1675 - Cross Stitch Pattern

Note from the designer - This is the most symmetrical, balanced, counted thread sampler that we have ever charted from. It is also one of the most satisfying, challenging, and beautiful samplers in the world. Originally worked on a fine wool ground, the colors of our reproduction have been matched... Read more about Dorcas Haynes 1720 - Cross Stitch Pattern

This English sampler was made in Sheffield, South Yorkshire, featuring the Sheffield General Infirmary, a verse, a fashionably dressed man and woman, and a collection of animals in the lawn in front (sheep, fox, squirrels, rabbit, dog), all surrounded by a four sided berry border.

The... Read more about Elizabeth Gray 1832 - Cross Stitch Pattern

Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more about Elizabeth Eaton 1712 - Cross Stitch Pattern

This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more about Elizabeth Topham 1727 - Cross Stitch Pattern

Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more about Fanny Peachey Circa 1810 - Cross Stitch Pattern

Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more about Frances B Jones 1817 - Cross Stitch Pattern

Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more about Freelove Hazard 1792 - Cross Stitch Pattern

"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."

Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more about Grazing Sheep circa 1810 - Cross Stitch Pattern

Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:

... Read more about Hannah Breed 1756 - Cross Stitch Pattern

Note from the designer: "The flight into Egypt is a biblical event described in the Gospel of Matthew. Soon after Mary and Jesus were visited by the Magi, who had learned that King Herod intended to kill the male infants in that region, an angel appeared to Joseph in a dream telling him to flee... Read more about Harriot Ringrose 1852 - Christian Cross Stitch Pattern

Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more about Isabella Robeson circa 1809 - Cross Stitch Pattern

This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more about Katie Sym 1769 - Cross Stitch Pattern

Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more about Katharine Mitchel circa 1785 - Cross Stitch Pattern

Hannah Cummins stitched her sampler in Stockton, England in 1828 when she was 9 years old. A photo of the antique sampler is included in the package. "My thoughts before they are my own are to my God distinctly known. He knows the words I mean to speak ere from opning lips they break.

... Read more about Hannah Cummins - Cross Stitch Pattern

Note from the designer - "This picture was originally designed to be used as a cushion or footstool cover, or perhaps as a decorative vignette inserted into the top of a wooden box for storing precious objects. Executed entirely in cross stitch, its most prominent characters are a large squirrel... Read more about Elizabeth's Squirrel - Cross Stitch Pattern

Model stitched on 36 Ct. "beige" colored linen from Weeks Dye Works with DMC threads. Stitch Count: 286W x 324H. Finished size 16" x 18".

Model stitched on your choice of fabric using Soie d'Alger (or DMC floss 3753, 931, 3743, 155, 372, 524, 522, 3052, 3772, 223, 778, 316, 3726). Also required, but not listed above #3712 from Soie d'Alger. Stitch Count: 232x228.

Model stitched on 36 Ct. Beach Brew from R&R Reproduction using Weeks Dye Works. Stitch Count: 112W x 158H. Design Size: 6" x 9"

Model stitched two over two on 28 Ct. Summer Khaki using Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 76W x 120H. Design Size: 6" x 9"

A brown bird stands guard in the newest design in Bent Creek's Sampler Collection. Model stitched on 28 Ct. Lambswool Linen using Weeks Dye Works and Gentle Art Sampler threads. Stitch Count: 76W x 120H. Design Size: 6" x 9"

"Weep not for me my children dear. Angels weep when children mourn."

Model stitched on 36 Ct. Buttercream by Lakeside Linens with NPI Silks. Stitch Count: 419W x 269H.

"I myself am made entirely of flaws stitched together with good intentions." Model stitched on 36 Ct. Beige Linen with Needlepoint Silks. The design is worked over 2 threads and also over 1 thread for the girl's face. Stitch Count: 112W x 110H

Model is stitched on 32 Ct. Straw linen by Weeks Dye Works using one strand over two of Needlepoint Silk. Stitch Count: 116W x 146H

Model stitched on 32 Ct. Classic Homespun linen using Classic Colorworks floss over two. Stitch Count: 72W x 60H

"Come sit down, just me & you." Model stitched on 40 Ct. Straw linen with DMC floss. Stitch Count: 90x110.

"Stitch by Stitching, mending my heart."

Top design stitched on 32 Ct. Clay Pot by Lakeside Linens. Stitch Count: 62 x 51 and the finished size is 3.88" x 3.19".

Bottom design stitched on 32 Ct. linen and the Stitch Count is 35 x 36, the finished size is... Read more about Stitch By Stitch (Tender Heart Series 3)

Model stitched on 32 Ct. Charcoal Gray Belfast linen with Gentle Art Sampler threads. Stitch Count: 115 x 70. Finished Size: 7" x 4".

Model stitched over two on 30 Ct. Raw/Natural Belfast linen with Gentle Art Sampler threads. Stitch Count: 75x127. Finished Size: 5" x 8".

Model stitched on 32 Ct. Murkey by Picture This Plus with Gentle Art Sampler threads. Stitch Count: 153x95. Design Size: 10" x 6".

Model stitched on 36 Ct. Vintage Meadow Rue by Lakeside Linen using DMC floss. Stitch Count: 95W x 109H and the finished size is 5.28" x 6.06".

Model stitched on 36 Ct. Ligonier Latte using Classic Colorworks & Weeks Dye Works. Stitch count 144x73.

"Dwell not on Earthly treasures nor covet or envy or pout. Thou entered this world and brought nothing in it, and will carry with thee nothing out." Model stitched on 36 Ct. Vintage Pearled Barley over two using Weeks Dye Works. Stitch count 118x130.

Model stitched on 36 Ct. Wren using Classic Colorworks floss. Stitch count 115x91.

Pattern by La-D-Da featuring a primitive design of a house with the word "Virtue".

Model stitched over two threads on 36 Ct. Chocolate Milk linen using Gentle Art Sampler threads, Weeks Dye Works and DMC floss. Stitch Count: 150W x 98H and the finished size is 8.33" x 5.44".

"Miss Elizabeth Perkins Milliner and Dress Maker. 27 Main Street."

Model stitched over two threads on 40 Ct. Doubloon linen by Picture this Plus with DMC floss. Stitch count 141x222.

Model stitched over two on 32 Ct. Cream Belfast linen using Gentle Arts threads. Stitch Count for Ornament: 94 x 57. Finished Size: 6" x 4". Stitch Count for Pin keep: 123 x 97. Finished Size: 8" x 6".

Model stitched over 2 threads on 36 ct. Linen with Weeks Dye Works, Gentle Art Sampler threads, and Classic Colorworks floss. Stitch Count: 102W x 67H. Finished size: 5.67 in wide X 3.72 in high.

Model stitched over 2 threads on 40 Ct. Onyx linen by Weeks Dye Works with Classic Colorworks and Weeks Dye Works floss. Stitch Count: 89W x 81H. Finished size is 4.45 in wide X 4.05 in high.

Models stitched over 2 threads on 36 Ct. Vintage Light Examplar by Lakeside Linens with DMC floss. Stitch count for each design is approximately 43x49.

Model stitched over 2 threads on 32 Ct. Gray linen by Weeks Dye Works with DMC floss, Weeks Dye Works and Classic Colorworks floss. Stitch Count: 76W x 79H. Finishing instructions included.

Model stitched over two on 40 Ct. Beige by Weeks Dye Works using Kreinik Silk Mori (4073,4096, 4166e, 4204a, 4214, 7025 Needlepoint Inc. Classic Colorworks. Stitch Count: 186W x 424H. Finished size is approx 9.3 in wide X 21.2 in high.

Model stitched over two on 32 Ct. Raw Natural Belfast Linen using Gentle Arts threads. Stitch Count for Front: 50x76. Design Size: 3" x 5". Stitch Count for Back: 53x78. Design Size; 3" x 5".