Note from the designer - "This sweet English sampler is the first I've ever seen with a border made up of flying cherubs. It also features a "geode" (mosaic) parrot- a distinctively stylized bird that appears on other samplers made in England, New England, and the Netherlands throughout... Read more
Note from the designer - "Acquired in England, one might assume that this classic Quaker motif sampler was made at the Ackworth School in Yorkshire. However the influence of the designs promulgated by the Quaker School needleworkers stretched far beyond the confines of the school's walls. This... Read more
A derivative 17th-century canvas work picture. The Adam and Eve legend was a more popular theme on samplers after the early eighteenth century so this example is quite unusual. The pair are not often seen on earlier needleworks, even though most illustrated bibles of the sixteenth and seventeenth... Read more
This sampler features a lion, a camel, and large colorful flowers. The design was stitched over 2 threads on 40 Ct. linen and is suitable for all skill levels. The stitch count for each design is 244 W x 230 H. The finished piece will measure approximately 12-1/2″ x 11-1/2″.
This 19th century American reproduction sampler features a brown bird on a tree branch. Rated for beginners. Model stitched on 35 count hand dyed linen using either cotton or silk thread. Two versions of the sampler graph have been furnished: one executed with a drawn partially freehand split and... Read more
Note from the designer - "An intensely stitched and well-planned sampler, this unusual piece probably originated in Pennsylvania. The allegorical figure hovering over the house could represent Liberty. The unconnected border of floating honeysuckle is unique, as well as the little pastoral vignettes in the lower register." Rated for beginners.
Note from the designer - "Designed after a mid-eighteenth century New Hampshire sampler, this piece is delightfully naive with its oversized animals, insects, and birds. Around 1760, the New-Hampshire Gazette began publishing advertisements for girls' schools, placed by female instructresses,... Read more
Note from the designer - "ANN WHITTAKER created an almost comically theatrical sampler depicting Adam and Eve, angels, pious verses, and elaborate meandering vines beneath dramatic multi-colored draperies and tassels. Hovering over the verse which is framed by large columns, are two angels with... Read more
Note from the designer - "This is a very graceful and finely stitched sampler, an unusual combination for the late date. Nine ethereal female figures, like penitents in an Edward Gorey cartoon, march solemnly about the sampler, paying homage to the house. The huge house appears to be welcoming... Read more
Note from the designer - "As the purpose for making samplers evolved over the decades and the centuries, so did its form. This beautiful early 18th century English band sampler retains the shape of her predecessors, but has clearly changed into a form distinctly recognizable as a product of her... Read more
In the upper register of this finely stitched English sampler there is featured an unusual vignette of Adam and Eve beneath the tree of life (with a menacing black faced serpent) flanked by mirror image brick cottages, followed by a pious verse:
There is so much going on in this fascinating English sampler that it's hard to know where to begin looking. Apart from the somewhat conventional Adam and Eve at the top center, adorable flying cherubs flank them and the apple tree, bearing gold rings and sprays of flowers. The verse is as... Read more
This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more
This English sampler was made in Sheffield, South Yorkshire, featuring the Sheffield General Infirmary, a verse, a fashionably dressed man and woman, and a collection of animals in the lawn in front (sheep, fox, squirrels, rabbit, dog), all surrounded by a four sided berry border.
What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more
Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:
Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more
Note from the designer: "A beautiful meandering four-sided floral border in an unusually rich color palette surrounds this traditional Scottish sampler, also featuring a beautiful arcaded floral band at the top and a substantial mansion house in the lower register. Trees, tulips and flying birds... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
This sampler was made in Scotland and includes many of the traditional motifs associated with samplermaking in this region. Firstly, Janet has included many initials of family members. However the initials at the center- G R 3 -refer to the then-reigning monarch, King George III. The flowering... Read more
Model stitched over 2 threads on 35 Ct. Cocoa linen with Gentle Art Sampler threads, Weeks Dye Works floss and DMC floss. Stitch Count: 257W x 237H. Finished size: 14 3/4" x 13 1/2".
"The Christmas witch she loved to stitch. She stitched a hat for her black rat, she stitched a cake for her black snake. Oh for pity's sake, she stitched a mat for her black cat."
Model stitched over 2 threads on 40 Ct. Vintage Autumn Gold by Lakeside Linens with DMC floss and Gentle Art Sampler threads. Stitch Count: 162W x 168H.
Pattern by Plum Street Samplers featuring two older women surrounded by flowers with the phrase "Sew Sisters".
Model stitched over two on 36 Ct linen using Classic Colorworks, Weeks Dye Works and Gentle Art threads. Stitch count 150 x 81 and the finished size is 8.33" x 4.5".
Model stitched over 2 threads on 40 Ct. Onyx linen by Weeks Dye Works with Classic Colorworks and Weeks Dye Works floss. Stitch Count: 89W x 81H. Finished size is 4.45 in wide X 4.05 in high.
Model stitched over 2 threads on 32 Ct. Raw Natural linen with DMC floss. Stitch Count 115x53. Finished size of drum: 4 1/2" x 3 1/2". Finishing instructions included.
Model stitched over 2 threads on 36 Ct. Vintage Sand Dune by Lakeside Linens with Victorian Motto Sampler Shoppe Deep Orange with red (not listed), Gloriana Silk, and DMC threads. Stitch Count: 88 x 58
Model stitched over two on 40 Ct. Beige by Weeks Dye Works using Kreinik Silk Mori (4073,4096, 4166e, 4204a, 4214, 7025 Needlepoint Inc. Classic Colorworks. Stitch Count: 186W x 424H. Finished size is approx 9.3 in wide X 21.2 in high.
Model stitched on two different fabrics. One is 36 Ct. Cornsilk by Weeks Dye Works and the other on 36 Ct. Straw by Weeks Dye Works. Stitched using Weeks Dye Works floss. Stitch Count for Left Side: 37x98. Design Size: 2" x 5". Stitch Count for Right Side: 34x97. Design Size: 2" x 5".
Models all stitched over two on 36 Ct. Nantucket Brew by R&R Reproductions using Weeks Dye Works floss. Stitch Count for Pin Disk: 43 x 57. Design Size: 2" x 3". Stitch count for Needlebook: 76 x 43, 4" x 2". Stitch Count for Scissor Fob: 40 x 32, 2" x 2".
Pattern by Pineberry Lane features an antique sampler reproduction and pinkeep pattern from a young girl named Sarah Platt originally stitched in 1811.
Model stitched over two on 36 Ct. linen using Weeks Dye Works and Gentle Arts threads. Stitch count: 102 x 151 and the finished size is 5.67" x 8.39".
Model stitched over 2 threads on 40 Ct. Vintage Meadow Rue by Lakeside Linens with Gentle Art Sampler threads. Stitch Count: 219W x 264H. Some portions of the design are stitched over one thread - design not suitable for Aida.
"Jesus, My God to thee I fly. Thou art a refuge ever nigh when heart shall fail. When life is past, thou wilt receive my soul at last." Model stitched 28 Ct. Vintage Meadow Rue with DMC floss. Also required, but not listed above, DMC 3880 (can be found in the DMC 2013 New Colors Floss Pack). Specialty Stitches: One over One, Satin. Stitch Count: 172W x 281H. Design Size: 13" x 21"
Model stitched one over two on 40 count Vintage Meadow Rue linen using Au ver a Soie d'alger silks. Stitch count is 307W x 276H. Design size is 17.06" x 15.33"
Model stitched on 40 Ct. Sand Dune using Soie d'Alger. Specialty stitches used are satin stitch and eyelets. Stitch count is 333W x 386H. Finished size is 16.65" x 19.3"
Model stitched two over two on 32 Ct. Colonial Parchment using Gentle Art Sampler Threads and Classic Colorworks. Also required for the chenille trim, but not listed above Lady Dot Creates Thundercloud. Stitch Count: 51W x 51H. Design Size: 3" x 3".