A beautifully detailed sampler inspired by an antique schoolgirl piece, featuring delicate florals and a heartfelt verse. Stitched in soft, muted tones, this design captures a timeless elegance perfect for those who love classic, heirloom-style stitching.
The model was stitched on Zweigart-based linen overdyed. We recommend that you stitch Amelia on your preferred colour, fabric, and count of fabric. Aida, Linaida, or linen can be used. Amelia's cheery sampler has been reproduced with a palette of only 8 colours from Au Ver Soie's range of Soie... Read more about Amelia Bachelor 1863 - Cross Stitch Pattern
This sampler design by Hello From Liz Mathews features flowers, trees, and "Youth and vigor soon will flee. Blooming beauty lose it's charms. All that's mortal soon will be enclosed in death's cold arms." A second chart combines a collection of the motifs from the large sampler... Read more about Vanity Sampler - Cross Stitch Pattern
Cross stitch pattern from Lila's Studio featuring a reproduction sampler with the Lord's Prayer.
The model was stitched with 1 strand of floss over 2 threads of fabric on 40 Ct. Old Massachusetts by The Primitive Hare with Gloriana Silk floss. Stitch Count: 144 x 172. Finished size: 7.2" x 8.6"
Note from the designer - "Reproduction of a French sampler dated 1888.
Claudia was 8 years old when she embroidered her sampler. A very elegant monochrome sampler."
Model stitched on 40ct Linen using Soie d'Alger thread.
Stitch Count: 259 x 260.
Cross stitch pattern from Reflets de Soie featuring a beautiful Virgin Mary surrounded by colored motifs.
Pattern is stitched on 40 ct linen using Soie D'Alger silk floss. Stitch count is 312 x 235. Required Au Ver A Soie Soie d'Alger 2928 and 3996 have been discontinued.
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Note: Fabric listed is with a 3 inch border
Note from the designer - This needlework was designed after an English sampler in the collection of the Museum of Fine Arts-Boston. The lush border flowers are similar to those on a sampler made by Sarah Brignell from around the same period, suggesting the existence of a school or teacher whose... Read more about Jane Atkinson circa 1780 - Cross Stitch Pattern
Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more about Elizabeth Masterton 1838 - Cross Stitch Pattern
Note from the designer - "This finely stitched German sampler begins with a single row of alphabets above an immensely intricate collection of symbolic cross stitched motifs, including battling angels, the figure of Justice with her scales, the spies of Canaan, the crucifixion, Adam and Eve... Read more about Hanna Katerina 1734 German Sampler - Cross Stitch Pattern
Note from the designer - "At age nine in 1818, Sarah Dutnel created this unusual "tree of life" sampler. A traditional carnation and tulip border in subtle, earthy shades of gold, brown, and cream surrounds the tree. Dogs, deer, birds, stars, potted plants, trees and flowers flank the... Read more about Sarah Dutnel 1818 - Cross Stitch Pattern
This is a beautiful sampler from Norwich (Norfolk, United Kingdom), possibly stitched at a school run by one Mrs. Wright or her descendent (hence the initials "MW" below Elizabeth's name in the attribution). A list of teachers in Norwich in 1783 includes Wright, Massey, and Cheetleburgh. The... Read more about Elizabeth Gooding 1790 - Cross Stitch Pattern
Note from the designer - "This is a very graceful and finely stitched sampler, an unusual combination for the late date. Nine ethereal female figures, like penitents in an Edward Gorey cartoon, march solemnly about the sampler, paying homage to the house. The huge house appears to be welcoming... Read more about Ann Cottee 1848 - Cross Stitch Pattern
This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more about Elizabeth Cheetham 1824 - Cross Stitch Pattern
According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more about Elizabeth Mitchell 1828 - Cross Stitch Pattern
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more about Elizabeth Topham 1727 - Cross Stitch Pattern
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more about EN 1657 A 17th Century Band Sampler - Cross Stitch Pattern
What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more about Frances Marshall 1838 - Cross Stitch Pattern
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more about Janet Burnet 1830 - Cross Stitch Pattern
This sampler was made in Scotland and includes many of the traditional motifs associated with samplermaking in this region. Firstly, Janet has included many initials of family members. However the initials at the center- G R 3 -refer to the then-reigning monarch, King George III. The flowering... Read more about Janet Carsels 1787 - Cross Stitch Pattern
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more about Katharine Mitchel circa 1785 - Cross Stitch Pattern
Model stitched on 30 Ct. "Linen" by Weeks Dye works with Gentle Art Sampler threads (or DMC 844, 975, 640, 738, 310, 611). Stitch Count: 133W x 193H. Design Size: 9" x 13".
Model stitched on 35 Ct. Creek Bed Brown Linen by R&R Reproductions with Gentle Art Sampler threads. Stitch Count: 215W x 177H. Design Size: 12" x 10".
Model stitched on 36 Ct. fabric of your choice with Classic Colorworks, Gentle Art Sampler threads, and Weeks Dye Works floss. Stitch Count: 154 x 83. Finished Size is 8.56 in wide X 4.61 in high.
Model stitched on 36 Ct. Ligonier Latte by R&R Reproductions with Gentle Art Sampler threads. Stitch Count: 67W x 65H. Design shown finished in a 4.75" min tart pan tin.
"I myself am made entirely of flaws stitched together with good intentions." Model stitched on 36 Ct. Beige Linen with Needlepoint Silks. The design is worked over 2 threads and also over 1 thread for the girl's face. Stitch Count: 112W x 110H
Model stitched on 20 Ct. Straw linen by Weeks Dye Works with one thread over two using with Classic Colorworks, Gentle Art Simply Wool & Sampler threads and Weeks Dye Works floss. Stitch Count: 182x224. Finished size: 18.2" x 22.4".
"Dwell not on Earthly treasures nor covet or envy or pout. Thou entered this world and brought nothing in it, and will carry with thee nothing out." Model stitched on 36 Ct. Vintage Pearled Barley over two using Weeks Dye Works. Stitch count 118x130.
Model stitched over two on 32 Ct. Cream Belfast linen using Gentle Arts threads. Stitch Count for Ornament: 94 x 57. Finished Size: 6" x 4". Stitch Count for Pin keep: 123 x 97. Finished Size: 8" x 6".