Note from the designer - "The design of this piece was inspired by fine examples of early eighteenth century American and English needlework pictures. A picture like this would have been stitched as a painting, with great attention to detail, shading, color, and composition." The design... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
A unique four-sided geometric border is the highlight of this American sampler, consisting of nine rows of letters and numerals surrounded by a counted satin stitch sawtooth inner border. The design looks like something that might have inspired the Dutch artist Piet Mondrian. I have not been able... Read more
Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "This Dover, Massachusetts, sampler features an unusual border surrounding alphabetical and numerical tests, and a four-line verse often found on early 19th century American samplers. The colors are remarkably well preserved. The maker, Ann Harding (who was actually... Read more
This sampler is a fanciful adaptation of 19th century American and English sampler motifs. Fluffy white sheep are outstanding on a large green lawn that stretches between two elegant red brick houses that are flanked by flying eagles. Needlework pictures of this type can be considered as traditional... Read more
Note from the designer - "Harrisburg, Pennsylvania. Elisabeth Hoover and one other student of the former Mrs. Galligher of Lancaster are known to have named Mrs. Leah Bratten on their samplers in 1803. The twin Bratten sisters, Leah and Rachel, both married schoolmasters, kept schools with them,... Read more
Note from the designer: "A gift from the collection of Rosalind and Edwin Miller to the museum. Emma Lerch was born in Northampton County, Pennsylvania, in 1830, and she stitched this sampler in her thirteenth year. It is a very simple work, with a lovely meandering floral border. While perhaps... Read more
This sweet little American sampler features two little houses above alphabets and a short verse:
Would you be wise
Each moment prize
It is surrounded on four sides by a double sided satin stitched sawtooth border. Stitches used include cross, outline, stem filling, counted... Read more
Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more
Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more
Note from the designer: "Samplers worked with black backgrounds are unique to New England, and this one is designed after a late 18th century Massachusetts piece. A portly clergyman is depicted strolling between a fashionable lady under a parasol, and a church or meeting -house; with a frisky... Read more
Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more
This is a reproduction of an English sampler made in Bradford, Yorkshire, that shows distinct influences of Scottish needlework traditions, particularly in the illuminated alphabets. The bold primary colors were reproduced from the front of the original sampler, which retains its amazing... Read more
The original Scottish antique sampler had never been framed and so it was in excellent condition with the same vibrant, unfaded colors on the front as well as on the back. An unusual, elaborate four-sided undulating floral and leaf border surrounds a central reserve with a brief moral verse. Adam... Read more
The original sampler, made in England in 1848, was stitched with cross, counted satin, petit point, and eyelet stitches on an extremely fine glazed linen of approximately fifty threads per inch.
It is unusual to find such a meticulously and finely stitched sampler at this late date, when... Read more
This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."
The work is extremely fine and accomplished,... Read more
This mid-eighteenth-century Scottish band sampler features many classic seventeenth-century patterns, executed in cross, eyelet, double running, counted satin, back, and queen stitches.
The virtually unfaded color was reproduced from the front of the sampler. Six pattern bands precede... Read more
This is a redesign of a previously released in the Summer 2023 Punch Needle & Primitive Stitcher Magazine.
The model was stitched on 36 count Gray by Weeks Dye Works with Classic Colorworks and Southern Fried Floss. (Farmhouse White & Old Flag). Stitch Count: 81W x 99H.
Note: Southern Fried Floss is not available on 123Stitch.com
This pattern from Stacy Nash features three nautical pinkeep designs.
Patterns are stitched on 46 ct Antique Lace by Seraphim Linen using Weeks Dye Works threads.
Stitch Counts:
Whale 145 x 112
Ship 77 x 73
Compass 68 x 65
A patriotic design from Stitching with the Housewives that features Uncle Sam, fireworks, American flags, a mason jar, "Hello America, Land of the Free, 4th of July, Liberty, USA."
The model was stitched over 2 threads on 28 Ct. Black Evenweave with Classic Colorworks. Stitch Count: 84x111. Finished size: 6"x8".
Cross stitch pattern from Stitching With The Housewives featuring a red, white and blue bicycle and a patriotic train!
The model was stitched over 2 threads on 28 Ct. black evenweave fabric with Classic Colorworks floss. Stitch Count: 98 x 70 each. Finished size: 7" x 5" each.
Cross stitch pattern from Stitching With The Housewives featuring Uncle Sam holding a flag on the Fourth of July!
The model was stitched over 2 threads on 28 Ct. Black Evenweave fabric with Classic Colorworks floss. Stitch Count: 98 x 70 each. Finished size: 7" x 5" each.
Zinnia Lane is the July monthly for the Blooming Roots Series.
The model was stitched over 2 threads on 28 Ct. White Monaco fabric with Classic Colorworks floss. Stitch count is 84 x 28 and 83 x 83. Finished size approx 6" x 2" and 6" x 6".
"The best thing about the future is it comes one day at a time." Model stitched over 2 threads on 28 Ct. Bramble linen with Weeks Dye Works, Classic Colorworks and DMC floss. Stitch Count: 137W x 137H. Design Size: 9.25" x 8.75"
Model was stitched over 2 threads on 30 Ct. Cocoa Weeks Dye Works linen with Weeks Dye Works and DMC floss. Stitch Count: 193W x 153H. Finished size: 12" x 10".
Model stitched 2 over 2 on 35 Ct. Tin Roof linen using Weeks Dye Works. Stitch Count: 128 x 128. Design Size: 7" x 7".
NOTE FROM TERESA KOGUT - Oscar and Terripan are switched. Oscar is the lighter green and is the inside color of the leaves and border pattern. Terripan which is the darker green in the outline.
Patriotic designs are some of my favorites. This one was worked on #32 Vintage Country Mocha Belfast using Weeks Dye Works floss. Stitch count: 71 W x 79 H
This cube design from Ladybug Stitches features "Happy 4th of July", fireworks, stars, the American flag, and firecrackers. Stitched on 14 count fabric using DMC threads. Stitch count is 86 x 114. Finished size: 2" x 2" x 2"
⇅
Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Large Spools - all colors
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Small Spools - all colors
Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Large Spools - all colors
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Small Spools - all colors
Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Large Spools - all colors
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Small Spools - all colors
801-495-0908
Cart
Wishlist
