Note from the designer - "This picture was originally designed to be used as a cushion or footstool cover, or perhaps as a decorative vignette inserted into the top of a wooden box for storing precious objects. Executed entirely in cross stitch, its most prominent characters are a large squirrel... Read more
Note from the designer - "At age nine in 1818, Sarah Dutnel created this unusual "tree of life" sampler. A traditional carnation and tulip border in subtle, earthy shades of gold, brown, and cream surrounds the tree. Dogs, deer, birds, stars, potted plants, trees and flowers flank the... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "Designed after a mid-eighteenth century New Hampshire sampler, this piece is delightfully naive with its oversized animals, insects, and birds. Around 1760, the New-Hampshire Gazette began publishing advertisements for girls' schools, placed by female instructresses,... Read more
This is a beautiful sampler from Norwich (Norfolk, United Kingdom), possibly stitched at a school run by one Mrs. Wright or her descendent (hence the initials "MW" below Elizabeth's name in the attribution). A list of teachers in Norwich in 1783 includes Wright, Massey, and Cheetleburgh. The... Read more
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more
Note from the designer - "This Quaker sampler came from the vicinity of York, England, where a Quaker school existed at the same time as the more famous Ackworth School, not far from there. The Parnell name is still fairly common in the district, and the family was Quaker.
Linen count and finished size: 35-count 18-3/4" x 24"; or 40 count 16-1/2" x 21"
This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more
What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "The flight into Egypt is a biblical event described in the Gospel of Matthew. Soon after Mary and Jesus were visited by the Magi, who had learned that King Herod intended to kill the male infants in that region, an angel appeared to Joseph in a dream telling him to flee... Read more
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
This is a reproduction of an unfinished German sampler which bears typical characteristics of Saxon samplers. Uses cross stitch, back stitch, a few Algerian eyes, and Satin stitch. Model stitched over 2 threads on 40 Ct. "linen" colored linen from Weeks Dye Works with Gentle Art Sampler threads. Stitch Count: 237W x 670H. Finished size: 11.85" x 33.5".
Model stitched over 2 threads on 36 Ct. Legacy linen by Picture This Plus with Weeks Dye Works floss, DMC floss, and Gentle Art Sampler threads. Stitch Count: 126W x 165H
Model stitched two over two on 28 Ct. Summer Khaki using Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 76W x 120H. Design Size: 6" x 9"
Model stitched one over two on 40 Ct. Straw Linen using Classic Colorworks, DMC floss, and Weeks Dye Works. Stitch Count: 264W x 320H. Design Size: 13 1/4" x 16"
"Jesus, My God to thee I fly. Thou art a refuge ever nigh when heart shall fail. When life is past, thou wilt receive my soul at last." Model stitched 28 Ct. Vintage Meadow Rue with DMC floss. Also required, but not listed above, DMC 3880 (can be found in the DMC 2013 New Colors Floss Pack). Specialty Stitches: One over One, Satin. Stitch Count: 172W x 281H. Design Size: 13" x 21"
Model stitched over 2 threads on 36 Ct. Vintage Pearled Barley linen with Classic Colorworks floss and Weeks Dye Works. Stitch Count: 291H x 243H. Design Size: 17" x 14"
Model stitched on 36 ct. Legacy Linen from Picture this Plus using Weeks Dye Works, Classic Colorworks, and The Gentle Art threads. Stitch count is 286 x 323.
"Next unto God Dear Parents I address Myself to you in Humble Thankfulness For all your care and Charge on me bestowed The means of Learning unto me Allowed Go on I pray and Let me still Pursue Those Golden Arts the Vulgar never knew."
Model stitched one over two on your choice... Read more
Model stitched one over two on 40 count Vintage Meadow Rue linen using Au ver a Soie d'alger silks. Stitch count is 307W x 276H. Design size is 17.06" x 15.33"
Model stitched on 36 Ct. Vintage Meadow Rue using Soie d'Alger. Specialty stitches used are satin stitch, four sided stitch and 2 different variations of a rice stitch. Stitch count is 240W x 271H. Design is 13.33" x 15.06" Color Chart.
"Jesus permit thy gracious Name to stand As the first efforts of a female hand And her fingers on the canvas move Engage her tender heart to seek thy love With thy dear children may she have apart And write thy name thyself upon her heart"
Model stitched one over two on 40 Ct. Vintage Sand... Read more
Model stitched on 36 Ct. Pecan Butter from Lakeside Linens using Soie d'Alger threads. Stitched mainly in cross stitch over 2 linen threads with a small amount of cross stitch over 1 linen thread. Stitch Count: 266W x 301H. Design size: 14.78" x 16.72"
Model stitched two over two on 40 Ct. Espresso from R&R Reproductions using Classic Colorworks and DMC floss. Stitch Count: 426W x 186H. Design Size: 21 1/4" x 9 1/4"
"Lead me to heaven the seat of bliss where pleasure in perfection is" Model stitched over two on 36 Ct. Parchment linen using Au Ver A Soie 100.3. We have also provided Soie d'Alger and DMC conversions. Stitch Count: 191W x 183H. Design Size: 10.61" 10.17"
Model stitched one over two on 36 Ct. Examplar from Lakeside Linens using Soie d'Alger. Specialty Stitches Used: Algerian Eyelets, Stem Stitch & Satin Stitch. Stitch Count: 242W x 341H. Design Size: 13.44" x 18.94"
Model stitched over two on 36 Ct. Beige linen using Gentle Art Sampler Threads, Weeks Dye Works, and DMC floss. Stitch Count: 156W x 164H. Design Size: 8 5/8" x 9"
Model stitched one over two on 32 Ct. Straw linen using Classic Colorworks, Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 141W x 139H. Design Size: 8.81" x 8.68"
Model stitched on 46 Ct. Cocoa Linen by Weeks Dye Works with Needlepoint Inc. floss (or DMC floss 310, 902, (2) 732, 934, 817, 352, 351, 350, 758, 976, ecru, 612, 926, 3750, 869). Stitch count: 244 x 290. Finished size is 10.61 in wide X 12.61 in high.
Model stitched one over two on 40 Ct. Vintage Autumn Gold from Lakeside Linens using Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 100W x 231H. Design Size: 5" x 11 1/2"
Model stitched over two on 46 ct. Straw with one strand Au Ver A Soie Silk from their D'Alger Range. There are also conversions for the Au Ver A soie 100.3 range together with DMC. Soie 100.3 #245 discontinued. Stitch count 201x246.
Model stitched over two on 36 Ct. Cornsilk linen from Weeks Dye Works using DMC floss. Finishing uses Black Mini Pom-Pom trim. Stitch Count: 101W x 101H. Design Size: 11" x 11"
Model stitched on 36 count Vintage Tarnished Silver using 1 strand of cotton over two linen threads. Uses Classic Color Works. Stitch count: 101W x 104H.
"Up the hill around the bend through the woods and home again." Model stitched on 30 Ct. Straw Linen with Classic Colorworks, Weeks Dye Works, Gentle Art Sampler Threads, and DMC floss. Stitch Count: 271W X 101H.
Model stitched on 30 Ct. "Linen" by Weeks Dye works with Gentle Art Sampler threads (or DMC 844, 975, 640, 738, 310, 611). Stitch Count: 133W x 193H. Design Size: 9" x 13".
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