Cross stitch pattern from Hands Across The Sea Samplers featuring a beautiful sampler reproduction!
The sampler was executed with cross stitches laid over two threads of linen and four-sided stitch. The sampler is suitable for needleworkers of all levels of ability and can be worked on... Read more
Cross stitch pattern from La D Da featuring a vintage sampler!
Stitched on 30 count Cocoa by Weeks Dye Works, using either Weeks Dye Works or DMC threads. Stitch count is 168 x 191. Finished size is 11.2 in wide X 12.73 in high.
Reproduced from a teeny-tiny, antique, petit-point picture from Prague (say that 10 times fast!), this charming scene is reminiscent of Delft tiles. The calming colorway and the gentle landscape subject were such a pleasure to stitch and to inspire some moments of rest. I hope stitching it brings... Read more
Armande stitched her sampler from 1888 to 1891, it is actually very finely stitched and the original measures only 37 cm x 34 cm (14.6 inch x 13.4 inch). Multiple motifs are inserted among the alphabets. Stitch count is 491 x 439.
Made in Providence, Rhode Island, this sampler is a superb example of the work done at Miss Mary (Polly) Balch's school, one of the most important female learning institutions in America at that time. Combining sophisticated architectural, landscape and figural motifs with elaborate and unusual... Read more
This wonderfully symmetrical English sampler features a pair of silky floating swans and large twin sunflowers, executed in a rich natural palette of color. Birds fly over the tops of three flower-trees in the top third. A sumptuous basket of fruit is stitched between the golden swans, and towering... Read more
This is a reproduction of an English sampler made in Bradford, Yorkshire, that shows distinct influences of Scottish needlework traditions, particularly in the illuminated alphabets. The bold primary colors were reproduced from the front of the original sampler, which retains its amazing... Read more
This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."
The work is extremely fine and accomplished,... Read more
Model stitched on 36 Ct. "beige" colored linen from Weeks Dye Works usong Weeks Dye Works threads with DMC conversions. Stitch Count: 287W x 295H. Finished size 16" x 16.5".
"This I have done to let you see how my parents did educated me. Amelia Prescott in the year 1824." Model stitched one over two on 40 Ct. Dapple using Needlepoint Inc. Silk. Stitch Count: 260W x 212H. Design Size: 13" x 10 1/2".
Mary's sampler has been reproduced on 40ct Lakeside Linen in Vintage Buttercream with Soie d'Alger floss. The stitch count is 278 x 354. Stitch on fabric of your choice.
Note: 2 QTY of Soie 100.3 thread 705 is not available.
Model stitched on 36ct. Beige linen from Weeks Dye Works using Weeks Dye Works and DMC floss. The tiny pumpkin on the top was made using "Onion Skin" velveteen from Lady Dot Creates Stitch count is 170W x 78H.
Reproduction cross stitch pattern from Hands Across the Sea Samplers! Mary stitched her delightful sampler with cross stitch over two threads of linen and four-sided stitch. The sampler is suitable for needleworkers of all levels of ability and can be stitched on Aida, Linaida or linen.
Who was Mrs Campbell? Without a first name for Mrs Campbell, it has proved impossible to trace her. We believe that Mrs Campbell was most probably a needlework teacher and that her colourful sampler was used as a teaching tool.
Model was stitched on Woodsmoke by Tabby Cat Linens. Stitch... Read more
A banner from Needlework Press featuring alphabets! Model was stitched on 40 count Paperbark hand dyed linen from Fox & Rabbit and stitched with silks from Soie 100/3. DMC conversion is included in the chart. Stitch count is 436 x 40. Finished size is 21.8" x 2".
A collection of 3 designs sharing a similar schoolgirl theme. Alice Garner was stitched on 40 ct. Grey, Clara Beacher was stitched on 40 ct. Legacy or any cream linen, and Edith Greyson was stitched on 40 ct. Aztec Red.
Stitch counts:
Alice Garner: 109 x 70
Clara Beacher: 80 x 80
Edith Greyson: 117 x 61.
Cross stitch pattern from Hands Across The Sea Samplers featuring a sampler from Elizabeth Garrod Wells in 1799!
Pattern is stitched on the linen of your choice using either Soie 100.3, Soie SDA or DMC floss. can be stitched on Aida or linen. Stitch count is 127 x 110.
This sampler design by Hello From Liz Mathews features flowers, trees, and "Youth and vigor soon will flee. Blooming beauty lose it's charms. All that's mortal soon will be enclosed in death's cold arms." A second chart combines a collection of the motifs from the large sampler... Read more
This sampler features a lion, a camel, and large colorful flowers. The design was stitched over 2 threads on 40 Ct. linen and is suitable for all skill levels. The stitch count for each design is 244 W x 230 H. The finished piece will measure approximately 12-1/2″ x 11-1/2″.
Note from the designer - "In 1779, the Quaker Friends School at Ackworth, Yorkshire, was established for the purpose of educating young people of both sexes, and instilling the values of their Society; equality, simplicity, peace. Girls received nearly the same instruction as boys. Out of this... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more
Note from the designer - "This unusual sampler is probably of Scottish origin. The distinctive French-inspired mansion house and the peacocks are commonly found on Scottish samplers. Adam and Eve are realistically stitched in the Garden, by effectively working two quite simple stitches together:... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "This Dover, Massachusetts, sampler features an unusual border surrounding alphabetical and numerical tests, and a four-line verse often found on early 19th century American samplers. The colors are remarkably well preserved. The maker, Ann Harding (who was actually... Read more
Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:
Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more