Three bears are keeping watch over everything at this peaceful lakeside lodge. Model stitched on 32 Ct. Country French Latte linen with DMC floss and Gentle Art Sampler threads . Stitch Count: 71W x 223H
A cat keeps watch over a tall and skinny home with "snap" smoke coming from the chimney. Welcome to the Snapperville series. Model stitched on 32 Ct. Natural linen with Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 50W x 50H. Design Size: 4" x 4". Can be stitched individually or together for the series.
"A bird does not sing because it has an answer...it sings because it has a song." Model stitched on 32 count jobelan using DMC floss. Stitch count: 151x70. Book # 128. Finished size is 9.44 in wide X 4.38 in high.
Model stitched over 2 threads on 28 count Dirty Cashel linen using Weeks Dye Works, Gentle Arts & DMC. (DMC alternates are white 543 930 931 3371 610 869 221 902 355 3777 612 842) Stitch count: 52x80. Embellished with Olde brass bird button and ice skate and snowflake charms.
Model stitched on 35 Ct. Straw linen by Weeks Dye Works using one strand of Classic Colorworks Belle Soie silk over two threads. Stitch Count: 110W x 138H.
Model stitched on 36 count Vintage Tarnished Silver using 1 strand of cotton over two linen threads. Uses Classic Color Works. Stitch count: 101W x 104H.
"Up the hill around the bend through the woods and home again." Model stitched on 30 Ct. Straw Linen with Classic Colorworks, Weeks Dye Works, Gentle Art Sampler Threads, and DMC floss. Stitch Count: 271W X 101H.
"She looketh well to the ways of her household and eateth not the bread of idleners." Model stitched on 30 count Cocoa Linen by Weeks Dye Works with Classic Colorworks Belle Soie. Stitch count: 132W x 144H.
"I sigh not for beauty nor languish for wealth but grant me kind Providence, virtue and health. Then richer thankings and more happy than they, my days shall pass sweetly and swiftly away. Elizabeth Hancock 1831." Model stitched on 30 count Straw Linen with Classic Color Works Bella Soie Silk floss. Stitch count is 271 x 237.
"Perfect love casteth out fear - I wish I was a little seed, I'd grow & grow & grow, I'd twine myself around your heart & never let you go".
Model stitched on 35 Ct. Cream Linen with Gentle Arts Sampler Threads, and Weeks Dye Works thread. Stitch count is 201 x 228. Finished Size: 12" x 14"
Model stitched on 30 Ct. "Linen" by Weeks Dye works with Gentle Art Sampler threads (or DMC 844, 975, 640, 738, 310, 611). Stitch Count: 133W x 193H. Design Size: 9" x 13".
Cross stitch pattern from Summer House Stitche Workes. Eliza was just 17 years old when she stitched this sampler. Her sampler, with rustic elegance, features an urn with a three dimensional look. The flowers filling the urn are whimsical, each having their own "personality." Enjoy stitching... Read more
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
Note from designer: George Wishart Creighton was born 22 June 1856 in Philadelphia, Pennsylvania. The words Native American (with emphasis on the capitalization of the N and A) on the sampler refer not to George's lineage but rather to a group of Protestants. We believe that the motif immediately to... Read more
Note from designer: The only part I left off of the reproduction is the section just below the alphabet. This sampler does have a lot of over 1 & eyelets.
Pattern is stitched on 36 ct Baked Clay from Fox and Rabbit using Classic Colorworks and DMC. Stitch Count 140 x 240. Finished size is 7.78 in wide X 13.33 in high.
A derivative 17th-century canvas work picture. The Adam and Eve legend was a more popular theme on samplers after the early eighteenth century so this example is quite unusual. The pair are not often seen on earlier needleworks, even though most illustrated bibles of the sixteenth and seventeenth... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "Designed after an early eighteenth century tent stitched picture, this expansive needlework scene depicts many episodes in the life of an affluent English family including its elaborate parterre and gardens, a stately brick and stone house, domestic, exotic and wild... Read more
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
A unique four-sided geometric border is the highlight of this American sampler, consisting of nine rows of letters and numerals surrounded by a counted satin stitch sawtooth inner border. The design looks like something that might have inspired the Dutch artist Piet Mondrian. I have not been able... Read more
This is a beautiful sampler from Norwich (Norfolk, United Kingdom), possibly stitched at a school run by one Mrs. Wright or her descendent (hence the initials "MW" below Elizabeth's name in the attribution). A list of teachers in Norwich in 1783 includes Wright, Massey, and Cheetleburgh. The... Read more
Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "This unusual sampler is probably of Scottish origin. The distinctive French-inspired mansion house and the peacocks are commonly found on Scottish samplers. Adam and Eve are realistically stitched in the Garden, by effectively working two quite simple stitches together:... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more
Note from the designer - "This is a beautifully balanced, intensely stitched transitional sampler. Worked originally in brightly colored silk threads on a fine tammy (wool) ground, it features a repeating, four-sided carnation border, surrounding five horizontal bands interspersed by lines of... Read more
Note from the designer - "This Dover, Massachusetts, sampler features an unusual border surrounding alphabetical and numerical tests, and a four-line verse often found on early 19th century American samplers. The colors are remarkably well preserved. The maker, Ann Harding (who was actually... Read more