Six folksy florals to stitch as separate motifs or combined into one retro wall hanging! Bellpull stitched on 14 Ct. Chalkboard Aida with DMC floss. Stitch Count: 49W x 324H. Color chart.
Model is stitched on Zweigart 28 count linen in Platinum. This design will work well on many fabrics, including black. White and red fabrics are not recommended. Stitch size: 158 wide x 158 high - 11" x 11" when stitched on 14 ct fabric (or 28 ct over two threads). A 18" x 18" piece of fabric is recommended for this project.
This Satsuma Street design features a colorful house with wild animals peeking out of the windows!
Model stitched on 28 ct. Cashel linen in Raw Natural using DMC thread. Stitch count is 107 x 197.
Model stitched on 14 count fabric of your choice using DMC floss, Kreinik braid, and Mill Hill beads. Stitch Count: 50x50 each. Finished size: 3.57" x 3.5" each.
A beautiful woman is dressed for Christmas in a red and green gown trimmed with white fur.
Model stitched on 14 ct fabric of your choice using DMC, Kreinik very fine braids, and Mill Hill beads. Stitch Count: 105w by 145h. Finished size is 7.50" x 10.36".
Cross stitch pattern from Shannon Christine Designs featuring a colorful Easter egg tree with a chick at the top!
Model stitched on 14 ct. Aida using DMC thread. Stitch count is 59 x 126.
Cross stitch pattern from Shannon Christine Designs featuring nine colorful Easter eggs!
Model stitched on 14 ct. Aida using DMC thread. Stitch count is 75 x 87.
Note from the designer - "The design of this piece was inspired by fine examples of early eighteenth century American and English needlework pictures. A picture like this would have been stitched as a painting, with great attention to detail, shading, color, and composition." The design... Read more
This sampler features a lion, a camel, and large colorful flowers. The design was stitched over 2 threads on 40 Ct. linen and is suitable for all skill levels. The stitch count for each design is 244 W x 230 H. The finished piece will measure approximately 12-1/2″ x 11-1/2″.
Note from the designer - "An intensely stitched and well-planned sampler, this unusual piece probably originated in Pennsylvania. The allegorical figure hovering over the house could represent Liberty. The unconnected border of floating honeysuckle is unique, as well as the little pastoral vignettes in the lower register." Rated for beginners.
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "Samplers depicting children - particularly such large children - are uncommon. Not only the children make this an outstanding sampler, but also the multi-floral border, the charming verse, the scene at the top with its menagerie of creatures, and the beautiful... Read more
Note from the designer - "This unusual sampler is probably of Scottish origin. The distinctive French-inspired mansion house and the peacocks are commonly found on Scottish samplers. Adam and Eve are realistically stitched in the Garden, by effectively working two quite simple stitches together:... Read more
Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more
Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more
This sampler is a fanciful adaptation of 19th century American and English sampler motifs. Fluffy white sheep are outstanding on a large green lawn that stretches between two elegant red brick houses that are flanked by flying eagles. Needlework pictures of this type can be considered as traditional... Read more
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
Note from the designer: "This sampler is a fine example of work done by Pennsylvania German girls in the early-to-mid nineteenth century. Similar motifs appear on the show towels that decorated kitchen and bedroom doors in these immigrant German households. It is thought that while the show... Read more
Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more
What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more
Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more