Note from the designer - "Designed after a mid-eighteenth century New Hampshire sampler, this piece is delightfully naive with its oversized animals, insects, and birds. Around 1760, the New-Hampshire Gazette began publishing advertisements for girls' schools, placed by female instructresses,... Read more about Susan Singleton - Cross Stitch Pattern
This is a beautiful sampler from Norwich (Norfolk, United Kingdom), possibly stitched at a school run by one Mrs. Wright or her descendent (hence the initials "MW" below Elizabeth's name in the attribution). A list of teachers in Norwich in 1783 includes Wright, Massey, and Cheetleburgh. The... Read more about Elizabeth Gooding 1790 - Cross Stitch Pattern
A RED BRICK MANSION HOUSE is at the center of this wildly engaging English sampler featuring a small
zoo/conservatory/aviary of flora and fauna as interpreted by an exceptionally talented young
woman of the early nineteenth century. The verse is common enough on nineteenth-century samplers, unlike... Read more about Jane Moore 1820 - Cross Stitch Pattern
Note from the designer - "A characteristically northern German sampler, this example from Hamburg consists of random symbolic spot motifs, with a unifying central scene and borders. Religious symbols are commonly found on almost all continental samplers, and Adam and Eve in particular is often... Read more about German Sampler by AEDEGNES 1746 - Cross Stitch Pattern
Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15 1/2" x 12 1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71 by 62 squares on the graph,... Read more about Country Life Sampler 1783 - Cross Stitch Pattern
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more about Elizabeth Topham 1727 - Cross Stitch Pattern
Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more about Harriet Boardman 1804 - Cross Stitch Pattern
This sampler was made in Scotland and includes many of the traditional motifs associated with samplermaking in this region. Firstly, Janet has included many initials of family members. However the initials at the center- G R 3 -refer to the then-reigning monarch, King George III. The flowering... Read more about Janet Carsels 1787 - Cross Stitch Pattern
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more about Katharine Mitchel circa 1785 - Cross Stitch Pattern
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
Hannah Cummins stitched her sampler in Stockton, England in 1828 when she was 9 years old. A photo of the antique sampler is included in the package. "My thoughts before they are my own are to my God distinctly known. He knows the words I mean to speak ere from opning lips they break.
All that is known of the sampler are the stitcher's initial - ES. The sampler appears to be English and from around the mid 19th Century.
The model was stitched over 2 threads on 36 Ct. Light Sand linen with Needlepoint Inc Silks (DMC conversions are provided). Stitch Count: 114W x 164H. Finished Size: 5 5/8" x 8 1/8"
The model was stitched over 2 threads on 35 Ct. Straw linen by Weeks Dye Works with The Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 151W x 208H. Finished size: 8 3/4" x 11 3/4".
Model stitched one over two on 40 Ct. Vintage Autumn Gold from Lakeside Linens using Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 100W x 231H. Design Size: 5" x 11 1/2"
Reprint of a previously discontinued pattern. Model stitched over two on 28 Ct. Unbleached Linen using DMC floss. Stitch Count: 78W x 58H. Finished Size: 6" x 4"
Model stitched on 32 Ct. Old Farmhouse linen by Notforgotten Farm. Stitch counts are 46 x 37 (x2) and 35 x 43. Approximate sizes are 3" x 2.5" (x2), 2.25" x 2.75". Stitch using DMC floss.
Model stitched on 18 Ct. Natural linen (no longer available) over two using DMC Perle Cotton, and Weeks Dye Works #5 Perle. Also required, but no longer available is Classic Colorworks Pearl Cotton #5 Black Coffee. We suggest Weeks Dye Works Perle Cotton #5 Mascara or DMC Perle Cotton #5 3799 or 310. Stitch Count: 117x170. Cut Size: 18" x 24".
Model stitched over 2 threads on 36 Ct. Legacy linen by Picture This Plus with Weeks Dye Works floss, DMC floss, and Gentle Art Sampler threads. Stitch Count: 126W x 165H
Model stitched over 2 threads on 32 Ct. Gray linen by Weeks Dye Works with DMC floss, Weeks Dye Works and Classic Colorworks floss. Stitch Count: 76W x 79H. Finishing instructions included.
Model stitched over two on 32 Ct. Raw Natural Belfast Linen using Gentle Arts threads. Stitch Count for Front: 50x76. Design Size: 3" x 5". Stitch Count for Back: 53x78. Design Size; 3" x 5".
Models all stitched over two on 36 Ct. Nantucket Brew by R&R Reproductions using Weeks Dye Works floss. Stitch Count for Pin Disk: 43 x 57. Design Size: 2" x 3". Stitch count for Needlebook: 76 x 43, 4" x 2". Stitch Count for Scissor Fob: 40 x 32, 2" x 2".
"Jesus, My God to thee I fly. Thou art a refuge ever nigh when heart shall fail. When life is past, thou wilt receive my soul at last." Model stitched 28 Ct. Vintage Meadow Rue with DMC floss. Also required, but not listed above, DMC 3880 (can be found in the DMC 2013 New Colors Floss Pack). Specialty Stitches: One over One, Satin. Stitch Count: 172W x 281H. Design Size: 13" x 21"
Model stitched over 2 threads on 36 Ct. Vintage Sand Dune linen with Weeks Dye Works floss, Gentle Art Sampler threads and DMC floss. Stitch Count: 115W x 181H
"Next unto God Dear Parents I address Myself to you in Humble Thankfulness For all your care and Charge on me bestowed The means of Learning unto me Allowed Go on I pray and Let me still Pursue Those Golden Arts the Vulgar never knew."
Pattern by Chessie and Me featuring an antique inspired sampler with the words "By MY Hand LSL 1818" and "Cherish Peace and Goodwill Be Plenteous in Mercy".
Model stitched over two on 36 Ct. Beige linen using Gentle Art Sampler Threads, Weeks Dye Works, and DMC floss. Stitch Count: 156W x 164H. Design Size: 8 5/8" x 9"
Model stitched on 46 Ct. Cocoa Linen by Weeks Dye Works with Needlepoint Inc. floss. Stitch count: 244 x 290. Finished size is 10.61 in wide X 12.61 in high.