This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more
According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more
Note from the designer: "This band sampler was designed after a piece in the collection of the Fitzwilliam Museum, most remarkable for the colorful, solidly filled geometric and floral sections. It also features double running stitch sections found on Italian embroideries of the sixteenth and... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more
This sweet little American sampler features two little houses above alphabets and a short verse:
Would you be wise
Each moment prize
It is surrounded on four sides by a double sided satin stitched sawtooth border. Stitches used include cross, outline, stem filling, counted... Read more
Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more
Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more
"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:
Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more
Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more
Note from the designer: "A beautiful meandering four-sided floral border in an unusually rich color palette surrounds this traditional Scottish sampler, also featuring a beautiful arcaded floral band at the top and a substantial mansion house in the lower register. Trees, tulips and flying birds... Read more
Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
This sampler was made in Scotland and includes many of the traditional motifs associated with samplermaking in this region. Firstly, Janet has included many initials of family members. However the initials at the center- G R 3 -refer to the then-reigning monarch, King George III. The flowering... Read more
This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more
Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more
Agnes Binnie was born in Stirlingshire, Scotland, on March 22, 1808, to Robert Binnie and Mary Addie. She married James Barclay on March 16, 1832, in Falkirk, Stirlingshire. The couple had at least six sons and three daughters. Around 1870 they emigrated to Scotland Township in McDonough, Illinois.... Read more
This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."
The work is extremely fine and accomplished,... Read more
Note from the designer: A marking sampler reproduction featuring an optional verse, this is part of my marking sampler series and includes another collectible full-color alphabet card. Louisa used a soothing color palette with interesting dividing bands - it's a unique and lovely sampler.
Cross stitch pattern from From The Heart featuring a lovely reproduction sampler!
The pattern is stitched on 40 Ct Hogbristle linen from Fox and Rabbit with Gloriana Silks. There are thread conversions for Gentle Art Sampler Threads and DMC. Stitch count is 216 x 216. Finished size is 10.8" x 10.8".
This adorable vintage sampler reproduction is from Ann Lambeth, age 10, in 1798.
The model is stitched on 38 count Legacy Linen Himalayan Fog 1 over 2 with
Silk N Colors from The Thread Gatherer. It is framed with a premade 5" by 7" frame. Stitch count is 72 x 108 and the finished size is 3.79" x 5.68".
This adorable vintage sampler reproduction is from Ann Lambeth, age 10, in 1798. This pattern is the large size of the Little Ann's Sampler design.
Pattern is stitched on 38 count Legacy Linen Himalayan Fog over two threads with one ply of Au Ver a Soie 100.3 silk. Stitch count is 177 x 205 and the finished size is 9.31" x 10.78".
Stitched on 36 ct Sanguine from Weeks Dye Works with one ply of sampler threads from the Gentle Art. Stitch count is 189 x 273 and the finished size is 10.5" x 15.17".
This reproduction sampler by Mille Fleur is filled with beautiful floral motifs! Stitched on 28 count Cream Belfast linen using DMC threads. Stitch Count: 191W x 197H. Finished size is 13.6 x 14.1 for 28 count fabric.
"The leaves is green, the rose is red, here is my name when I am dead. Look on this and may you see, what care my parents took of me. Mary Knowles, her work 1824." Model stitched over 2 threads on 36 Ct. Beige linen by Weeks Dye Works with DMC floss, Weeks Dye Works and Gentle Art Sampler threads. Stitch Count: 257W x 237H. Finished size: 14 1/2" x 13".
"Our life is never at a stand, Tis like a fading flower. Death, which is always near at hand, comes nearer every hour. And those who are now young and gay, like roses in their bloom, will very soon be old and grey, and wither in the tomb. Then let us all prepare to die, since death is near and... Read more
The model was stitched over 2 threads on 32 Ct. Parchment linen with Classic Colorworks threads, Weeks Dye Works floss, and Gentle Art Sampler threads. Stitch Count: 156W x 153H. Finished size: 9 3/4" x 9 1/2".
"My Dear Mother 1820" Model stitched over 2 threads on 40 Ct. Beige linen with Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 80W x 96H. Finished size: 4" x 4 3/4"
Model stitched over 2 threads on 35 Ct. Beige linen with Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 198W x 127H. Finished size: 11 1/4" x 7 1/4".
Model stitched over 2 threads on 35 Ct. Cocoa linen with Gentle Art Sampler threads, Weeks Dye Works floss and DMC floss. Stitch Count: 257W x 237H. Finished size: 14 3/4" x 13 1/2".
This is a reproduction of an antique European sampler, circa 1790. Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss, Gentle Art Sampler threads and DMC floss. Stitch Count: 326W x 186H. Finished size: 16 1/4" x 9 1/4".
This is a reproduction of an antique English sampler made by Hannah Hammond in 1845. Model stitched over 2 threads on 32 Ct. Cocoa linen with Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 192W x 206H. Finished size: 12" x 12 3/4".
Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss, Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 306W x 383H. Finished size: 15 1/4" x 19 1/4".
Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss, Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 989W x 180H. Finished size: 49 1/2" x 9".
This is a reproduction of an undated antique Dutch sampler. The model was stitched over 2 threads on 40 Ct. Beige linen with Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 263W x 276H. Finished size: 13 1/4" x 13 3/4".
The model was stitched over 2 threads on 35 Ct. Beige linen with Gentle Art Sampler threads, Weeks Dye Works floss and Classic Colorworks floss. Stitch Count: 221W x 261H. Finished size: 12 3/4" x 15".
Model stitched over two threads on 40 count Parchment by Weeks Dye Works using Classic Colorworks, Gentle Arts, Weeks Dye Works, and DMC Light Effects threads.
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Large Spools - all colors
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Small Spools - all colors
Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Large Spools - all colors
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Small Spools - all colors
Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Large Spools - all colors
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Small Spools - all colors
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