Pattern by Antique Needleworkers featuring a vintage sampler design.
Stitched on 36 count linen with Gentle Art, Classic Colorworks, and Weeks Dye Works floss. The stitch count is 227 x 246 and the finished size is 12.61" x 13.67".
Cross stitch pattern from Samplers And Primitives featuring a beautiful rose sampler design.
Pattern is stitched on your choice of aged/vintage neutral fabric with DMC, Weeks Dye Works, Classic Colorworks, and ThreadworX floss. The stitch count is 157 x 118 and the finished size is 11.21" x 8.43" on 28 count fabric.
A Reproduction of a sampler from Hutterite Colony, South Dakota.
The pattern was stitched on 46 ct. Cream linen with DMC and Weeks Dye Works floss. The stitch count is 383 x 359 and the finished size is 19.15" x 17.95".
S is for Sampler Stitcher With logo from Cross Stitch Antiques
Pattern is stitched on 46 ct. Dirty Teacup by Needle and Flax with Painters Threads Soie 100/3. The stitch count is 48 x 63 and the finished size is 2.08" x 2.74".
SS Harris is Sarah Sylyina Harris who stitched her sampler in the thirteenth year of her life. With no year and no place provided it is difficult to find out more about her. What we do know from the way she carried her thread and misspelled a word or two, perhaps even her middle name, is that she... Read more
This beautiful sampler was finely stitched by Anne when she was 16 years old. Her stitching is exquisite. I found this sampler at an antique shop in Tennessee, and was immediately smitten. I am thrilled with the way she turned out.
Pattern is stitched on 46 count linen with... Read more
Adelaide Underwood 1846 - A Norfolk Antique Sampler Reproduction
Pattern is stitched on 46 ct. Vintage Buttercream by Lakeside Linens with 100/3 silks. The stitch count is 300 x 462 with a finished size of 13.04" x 20.09".
The Sandery Sisters Samplers - Sarah aged 8, September 1837 and Mary aged 10, 1846. Sarah Sandery Model (over two threads) Graph to stitch as antique looks over two and over one thread included in Pattern as well as Muted Color tone Thread Legend Alternate.
Pattern is stitched on 40 ct. Dirty Teacup by Needle and Flax with 100/3 silks by Au Ver a Soie. The stitch count is 145 x 173 and the finished size is 7.25" x 8.65".
Mary and Meribah Chandler Sisters Samplers - New Jersey and Massachusetts Bay Colony Connections circa 1810.
Mary's Verse: "Tho' griefs unnumbered throng thee round, Still in thy God confide, Whose finge marks the seas their bound, And curbs the headlong tide."
Little Alice, An Original Design - Taken from Alice Clark, 1844. I Had A Father Kind & True. Honor Alice and yourself as you stitch her lovely border surrounding your initials and year stitched.
Pattern is stitched on 46 ct. linen using Au Ver a Soie 100/3 silks floss. The stitch count is 89 x 85 and the finished size is 3.87" x 3.70".
How Sweetly They Sing, Inspired by an antique sampler, this sampler celebrates all the beauty God has placed right in our backyards. The antique is available for stitching as well via a QR code included in the pattern.
Pattern is stitched on 40 ct. linen with NPI and Thread Gatherer Silk n Color floss. The stitch count is 230 x 157 and the finished size is 11.5" x 7.85".
The Sandery Sisters Samplers - Sarah aged 8, September 1837 and Mary aged 10, 1846. Mary Sandery Model (over one version) Graph to stitch completely over two Included in Pattern as well as Muted Color Tone Thread Legend Alternate
Pattern is stitched on 46 ct. Dirty Teacup by Needle and... Read more
A Reproduction of a sampler from Brooklyn Kings County, New York.
The pattern was stitched on 40 ct. Natural Brown linen with Gloriana Silks and NPI silk floss. The stitch count is 210 x 118 and the finished size is 10.50" x 5.90".
Mary and Meribah Chandler Sisters Samplers - New Jersey and Massachusetts Bay Colony Connections circa 1810.
Meribah's Verse: "Let no fond love for earth exact a sigh; No doubts divit our steady steps aside: Nor let us long to live, nor dread to die: Heaven is our hope, and Providence... Read more
Matilda loves all things sewing. Fabric and floss. Pins and needles. Old and new. There is room for everything in her sewing room and always room for more stash. This drum celebrates those who are much like Matilda and their crafts cross over from one to the other and the sky is no limit when... Read more
This sampler is for all of your customers who love to stitch alphabets and who love to learn the history of a sampler. I took this as an opportunity to learn about the Hutterites and I share a bit of their interesting history in the chart as well as some details about the stitcher, Sarah.
... Read more
Introducing a new monthly home series. These are small and fun to stitch bowl fillers. Stitch one or stitch all. These designs will be perfect to add to already stitched pieces for each month. They will use a color scheme matching the month/season of the year. Only small details will change from... Read more
nspired by an 1874 antique, this adaptation sampler has been beautifully reproduced in collaboration with Cherry Hill Stitchery. Bright florals, elegant birds, and a radiant central motif create a cheerful and timeless heirloom piece.
Pattern is stitched on 36 ct. linen with Treenway... Read more
This design was inspired by my collection of antique samplers, and several of the motifs were lovingly pulled from those treasured pieces. I wanted to capture that same timeless charm- simple motifs, a glorious red house, and a message that feels both comforting and enduring. The verse spoke to me:... Read more
My Sampler Petite line is a way for stitchers to enjoy my antique reproductions without doing the larger sampler. Antonia Pueyo showcases the larger alphabet and some of the borders, all done beautifully as a white on red sampler.
Stitched on 37 ct. linen with Classic Colorworks floss... Read more
M. Seckel is a sampler brimming with floral beauty. The color inspiration was taken from the unfaded back of the sampler. The second photo shows the front.
Stitched on 40 ct. linen with NPI silk floss (DMC conversion included). The stitch count is 234 x 229 and the finished size is 11.7" x 11.45".
Introducing a new monthly home series. These are small and fun to stitch bowl fillers. Stitch one or stitch all. These designs will be perfect to add to already stitched pieces for each month. They will use a color scheme matching the month/season of the year. Only small details will change from... Read more
NOTE: Although the picture shows all 4 seasonal bands in the series, this pattern is for the top "Spring" band. Subsequent seasons will be sold separately. The model was stitched on 36 Ct. Flax linen and has a stitch count of 162x49.
In her roses garden... the peacock unfurls its silken silence. Each feather seems like a captive ray of daylight, each thread a caress of time. Motionless beauty, it reigns-proud and gentle-over the stitcher's garden.
Stitched on 40 count linen. The stitch count is 184 x 180 and the finished size is 9.2" x 9".
In 1857, little Mariette let her needle wander like a gentle breath. From her diligent hands was born a sampler full of delicacy, touched with softness and grace. Its floral border, rich with varied motifs, still seems to whisper the secrets of her young stitcher's heart.
Stitched on 40 count linen. The stitch count is 300 x 217 and the finished size is 15" x 10.85".
Reproduction of a French Sampler. In 1861, Mademoiselle Leroux let a delicate vase of flowers bloom beneath her needle, a gift for her uncle and aunt. A timeless bouquet, suspended in the grace of passing day.
Stitched on 16 count Zweigart linen. The stitch count is 271 x 206 and the finished size is 16.94" x 12.88".
Here we find an alphabet intertwined with irises, religious symbols with singular shapes, and a border of stylized roses that seems to whisper the elegance of days gone by.
Stitched on 40 count linen. The stitch count is 400 x 411 and the finished size is 20" x 20.55".
In 1892, the young stitcher Josephine poured all her patience into creating her large sampler. Garlands of roses, delicate bouquets, singing birds- a whole garden seems to bloom beneath her stitches, vibrant with tenderness and color. Her work, offered to her parents, carries a touching tribute- and... Read more
It was stitched in a quiet house where words were scarce and time moved
slowly, measured not in hours but in repetitions-the return of spring, the
fading of color, the steady hum of afternoons. Each letter was sewn not to
teach language, but to hold it still, the way you might press flowers
... Read more