Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 833, 3746, 931, 927, 3810, 524, 834, 832, 400, 3746, 522, 3011, 3363, 760, 3722, 3726, 3042, 3041). Also required, but not listed above 1343 from Soie d'Alger. Stitch Count: 253x264. Design Size on 32 Ct. Fabric: 16" x 17"
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 336, 501, 500, 581, 834, 3820, 150, 3013, 225, 746, 819, 3862, 433, 3756, 712, 433, 3042, 310, 3865). Also required, but not listed above 3712, 3390, and 3996 from Soie d'Alger. Stitch Count: 348x359. Design Size on 32 Ct. Fabric: 22" x 22"
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 321, 946, 155, 333, 336, 503, 989, 3345, 732, 3821, 677, 3820, 945, 352, 3865, 3042, 3835, 154, 155, 762, 437, 435, 434, 902, 3753, 3807, 310). Also required, but not listed above 1343,... Read more
Cross stitch pattern from Reflets De Soie featuring a sampler with different vases of flowers.
Pattern is stitched on 40 ct linen using Au Ver a Soie with DMC Conversion. Also required but not listed for Au Ver a Soie option: 95 and 607. Stitch count is 249 x 236.
Note from the designer: A marking sampler reproduction featuring an optional verse, this is part of my marking sampler series and includes another collectible full-color alphabet card. Louisa used a soothing color palette with interesting dividing bands - it's a unique and lovely sampler.
Cross stitch pattern from From The Heart featuring a lovely reproduction sampler!
The pattern is stitched on 40 Ct Hogbristle linen from Fox and Rabbit with Gloriana Silks. There are thread conversions for Gentle Art Sampler Threads and DMC. Stitch count is 216 x 216. Finished size is 10.8" x 10.8".
"The leaves is green, the rose is red, here is my name when I am dead. Look on this and may you see, what care my parents took of me. Mary Knowles, her work 1824." Model stitched over 2 threads on 36 Ct. Beige linen by Weeks Dye Works with DMC floss, Weeks Dye Works and Gentle Art Sampler threads. Stitch Count: 257W x 237H. Finished size: 14 1/2" x 13".
Model stitched over 2 threads on 35 Ct. Cocoa linen with Gentle Art Sampler threads, Weeks Dye Works floss and DMC floss. Stitch Count: 257W x 237H. Finished size: 14 3/4" x 13 1/2".
Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss, Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 306W x 383H. Finished size: 15 1/4" x 19 1/4".
Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss, Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 989W x 180H. Finished size: 49 1/2" x 9".
The model was stitched over 2 threads on 35 Ct. Beige linen with Gentle Art Sampler threads, Weeks Dye Works floss and Classic Colorworks floss. Stitch Count: 221W x 261H. Finished size: 12 3/4" x 15".
A reproduction of an antique English wool work sampler. Model stitched over 2 threads on 35 Ct. Cocoa linen with Classic Colorworks, Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 368W x 332H. Finished size: 53 1/2" x 48 1/2".
The model was stitched over 2 threads on 40 Ct. "linen" colored linen from Weeks Dye Works with Gentle Art Sampler threads, Weeks Dye Works floss and Classic Colorworks floss. Stitch Count: 276W x 342H. Finished size: 13 3/4" x 17 1/4".
The model was stitched over 2 threads on 35 Ct. Cocoa linen from Weeks Dye Works with Gentle Art Sampler threads, Weeks Dye Works floss and Classic Colorworks floss. Stitch Count: 259W x 236H. Finished size: 14 3/4" x 13 1/2".
The model was stitched over 2 threads on 35 Ct. Parchment linen from Weeks Dye Works with Gentle Art Sampler threads. Stitch Count: 104x72. Finished Size: 6" x 4 1/2".
The model was stitched over 2 threads on 35 Ct. linen from Weeks Dye Works with Gentle Art Sampler threads. The stitch count is 545 x 437 for a finished size of 31" x 25".
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
Note from the designer - "Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15-1/2" x 12-1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71... Read more
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
This is a beautiful sampler from Norwich (Norfolk, United Kingdom), possibly stitched at a school run by one Mrs. Wright or her descendent (hence the initials "MW" below Elizabeth's name in the attribution). A list of teachers in Norwich in 1783 includes Wright, Massey, and Cheetleburgh. The... Read more
Note from the designer - "At the age of fourteen, Mary Lee stitched this beautiful band sampler with a good assortment of flowers, birds, swans, squirrels, and other traditional motifs. Worked into the center of a band in tight, precise stitches, is the cautionary aphorism "In thy youth... Read more
Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more
Note from the designer - "In Scandinavia, as in England and America, sampler patterns (called navneklude meaning, literally, "name cloths") were passed along from teacher to pupil, mother to daughter, generation to generation. The designs were used to mark ownership of domestic textiles,... Read more
Note from the designer - "A characteristically northern German sampler, this example from Hamburg consists of random symbolic spot motifs, with a unifying central scene and borders. Religious symbols are commonly found on almost all continental samplers, and Adam and Eve in particular is often... Read more
Note from the designer - "Although there has not been the extensive research and study of English Quaker samplers as there has been of their American counterparts, we believe that this sampler was created under the tutelage of a Quaker sewing instructress in England. The fine bleached linen and... Read more
Note from the designer - "This unusual sampler is probably of Scottish origin. The distinctive French-inspired mansion house and the peacocks are commonly found on Scottish samplers. Adam and Eve are realistically stitched in the Garden, by effectively working two quite simple stitches together:... Read more
Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more
Note from the designer - "This Quaker sampler came from the vicinity of York, England, where a Quaker school existed at the same time as the more famous Ackworth School, not far from there. The Parnell name is still fairly common in the district, and the family was Quaker.
Linen count and finished size: 35-count 18-3/4" x 24"; or 40 count 16-1/2" x 21"
Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15 1/2" x 12 1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71 by 62 squares on the graph,... Read more
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
Note from the designer: "A Pennsylvania German sampler that may not be, strictly speaking, a miniature, but is nonetheless small for its type. Typical Pennsylvania German folk culture motifs - birds, trees, hearts, flowers, crowns and stars - adorn it."
This sweet little American sampler features two little houses above alphabets and a short verse:
Would you be wise
Each moment prize
It is surrounded on four sides by a double sided satin stitched sawtooth border. Stitches used include cross, outline, stem filling, counted... Read more
Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more
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