Model stitched over 2 threads on 30 or 35 Ct. Gravestone by Stitches and Spice (or fabric of your choice) with Weeks Dye Works Blue Jeans or DMC 932. Stitch Count: 290x277. If stitched on 30 Ct fabric, the finished size is 19.5" x 18.5" and will required 10 skeins of Weeks Dye Works floss or... Read more
Model stitched over 2 threads on 30 or 35 Ct. Gray linen with Weeks Dye Works floss Snowflake or DMC White. Stitch Count: 446x358. If stitched on 30 Ct fabric, the finished size is 30" x 24" and will required 16 skeins of Weeks Dye Works floss or 9 skeins of DMC. If stitched on 35 Ct fabric,... Read more
Model stitched over 2 threads on 30 or 35 Ct. "linen" colored linen with Weeks Dye Works floss Bordeaux or DMC 814. Stitch Count: 341x311. If stitched on 30 Ct fabric, the finished size is 23"x21" and will required 13 skeins of Weeks Dye Works floss or 8 skeins of DMC. If stitched on... Read more
Model stitched over 2 threads 30 or 35 Ct. Onyx linen with Weeks Dye Works Dolphin or DMC 928. Stitch Count: 338x319. if stitched on 30 Ct. linen, the finished size is 23" x 22" and will required 13 skeins of Weeks Dye Works floss or 7 skeins of DMC. If stitched on 35 Ct. fabric, the finished size is 20" x 19" and will require 12 skeins of Weeks Dye Works floss or 7 skeins of DMC.
Model stitched over 2 threads 30 or 35 Ct. "Moon Shadows Charcoal" from Stitches and Spice (or fabric of your choice) with Weeks Dye Works Snowflake. Stitch Count: 409x412. If stitched on 30 Ct fabric, the finished size is 27.5" x 27.5" and will require 18 skeins of Weeks Dye Works ... Read more
Model stitched over 2 threads 30 or 35 Ct. "Hunter Shirez" from Stitches and Spice (or fabric of your choice) with DMC B5200. Stitch Count: 444x358. If stitched on 30 Ct fabric, the finished size is 30"x24" and will require 10 skeins of DMC floss. If stitched on 35 Ct. fabric, the finished size is 25.5" x 20.5" and will require 9 skeins of DMC.
Model stitched over 2 threads on 30 or 35 Ct "linen" colored Linen with Weeks Dye Works Galvanized or DMC 414. Stitch count: 362x317. If stitched on 30 Ct fabric, the finished size is 25" x 22" and you will need 14 skeins of Weeks Dye Works floss or 8 of DMC. If stitched on 35 Ct... Read more
Model stitched over 2 threads on 30 or 35 Ct "linen" colored Linen with Weeks Dye Works Williamsburg Blue or DMC floss 3835. Stitch count: 377x385. If stitched on 30 Ct fabric, the finished size is 25.5" x 26" and you will need 15 skeins of Weeks Dye Works floss or 8 of DMC. If... Read more
An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
This sampler was obtained from the M. Finkel and Daughter antique collectors who describe this sampler in their catalog as follows: "Documented Irish samplers are rare, and this one offers strong visual appeal with excellent color and composition. A fine, large alphabet, little house, pots of... Read more
Model stitched over two on 32 Ct. Summer Khaki Belfast with Needlepoint, Inc. Silk. Also uses key, heart, acorn, scissors, and spool charms, and a 1/4" white button. Stitch Count: 108W x 204H. Design Size: 7" x 13".
Model stitched over two threads on 32 Ct. Cream Belfast linen with Needlepoint Inc silk, DMC Pearl Cotton, Thread Gatherer Silk N Colors and Mill Hill beads. Stitch Count: 34x137. Design Size: 2" x 9".
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
The stitching in this beautiful sampler with the sacred hearts includes the name Malvina Roisset and the date 1891. I think Marie Louise Malvina Roisset, who would have been 10 years old in 1891, could very well be the stitcher.
Pattern is stitched on 36ct linen using Caron Impressions. Stitch count is 166 x 172. Finished size is 10" x 10".
Cross stitch pattern from SamBrie Stitches featuring the phrase "If they can get along, why can't we?"
Pattern is stitched on 18 ct Eucalyptus from Fox and Rabbit Aida using Bestitchme Silks, 1 Gloriana, 1 Weeks Dye Works, Accentuate & Wisper threads. Stitch count is 136 X 166. Finished size is 7.56 in wide X 9.22 in high.
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more
Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more
Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more
There is so much going on in this fascinating English sampler that it's hard to know where to begin looking. Apart from the somewhat conventional Adam and Eve at the top center, adorable flying cherubs flank them and the apple tree, bearing gold rings and sprays of flowers. The verse is as... Read more
Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15 1/2" x 12 1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71 by 62 squares on the graph,... Read more
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more
According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more
Note from the designer: "A Pennsylvania German sampler that may not be, strictly speaking, a miniature, but is nonetheless small for its type. Typical Pennsylvania German folk culture motifs - birds, trees, hearts, flowers, crowns and stars - adorn it."
The Temperance Movement of the early nineteenth century began in the United States prior to 1808. Preachers, most notably John Bartholomew Gough, promulgated a pledge of abstinence from members of his congregation. While temperance efforts have existed as long as spirits have, the movement was not... Read more
This sweet little American sampler features two little houses above alphabets and a short verse:
Would you be wise
Each moment prize
It is surrounded on four sides by a double sided satin stitched sawtooth border. Stitches used include cross, outline, stem filling, counted... Read more
Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
This sampler features two uncommon verses taken from the book Sentences and Maxims Divine, Moral and Historical, in Prose and Instruction of Human Life: and Particularly for the Improvement of Youth in Good Sence and correct English by George Shelley, published in London in 1712.
Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:
Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more
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