Model stitched over 2 threads 30 or 35 Ct. Onyx linen with Weeks Dye Works Dolphin or DMC 928. Stitch Count: 338x319. if stitched on 30 Ct. linen, the finished size is 23" x 22" and will required 13 skeins of Weeks Dye Works floss or 7 skeins of DMC. If stitched on 35 Ct. fabric, the finished size is 20" x 19" and will require 12 skeins of Weeks Dye Works floss or 7 skeins of DMC.
Model stitched over 2 threads 30 or 35 Ct. "Moon Shadows Charcoal" from Stitches and Spice (or fabric of your choice) with Weeks Dye Works Snowflake. Stitch Count: 409x412. If stitched on 30 Ct fabric, the finished size is 27.5" x 27.5" and will require 18 skeins of Weeks Dye Works ... Read more
Model stitched over 2 threads 30 or 35 Ct. "Hunter Shirez" from Stitches and Spice (or fabric of your choice) with DMC B5200. Stitch Count: 444x358. If stitched on 30 Ct fabric, the finished size is 30"x24" and will require 10 skeins of DMC floss. If stitched on 35 Ct. fabric, the finished size is 25.5" x 20.5" and will require 9 skeins of DMC.
Model stitched over 2 threads on 30 or 35 Ct "linen" colored Linen with Weeks Dye Works Galvanized or DMC 414. Stitch count: 362x317. If stitched on 30 Ct fabric, the finished size is 25" x 22" and you will need 14 skeins of Weeks Dye Works floss or 8 of DMC. If stitched on 35 Ct... Read more
Note from designer: "A reproduction miniature blanket chest I had made from an antique I found on line is available through a vendor listed in the chart. Tray lifts out for more storage beneath. Quilt serves as a floss and utensil holder. The needle book contains its own mattress style... Read more
This reproduction sampler from Hands To Work features "How many children in the street half naked I behind while I am clothed from head to foot, and sheltered from the cold."
The model was stitched over 2 threads on 40 Ct. Cappuccino from Fiber on a Whim with Classic Colorworks,... Read more
This original sampler from Hands To Work features a house, flowers, and "The glow of one warm though is to me worth more than money."
The model was stitched over 2 threads on 40 Ct. Creme Brulee by R&R Reproductions with Needlepoint Inc Silks. Stitch Count: 135W x 103H. Finished size: 6.75" x 5.15"
A sampler in the style of the Quaker samplers of the 17th and 18th centuries. Stitched with a single color of dark floss (Gentle Arts and Vikki Clayton Hand Dyed Fibers (not available) Stitch Count: 108W x 170H.
A nostalgic look back to a simpler place and time. This quaint sampler shows a Swiss Shepherd and his family standing in their band-sampler garden in the shadow of the alphabet mountains. The stitch count is 194W x 245H. Choose your favorite fabric and one color of any thread (you will need 63 yards).
This pattern features two designs - a small sampler worked in red, and two prairie girls by a home with "Home Sweet Home". Instructions in French.
Model can be stitched on 35 ct. or 32 ct. tea colored linen using DMC thread. Stitch count is 85 x 85.
This Marjorie Massey pattern comes with two designs - a Prairie Girl Sampler and a small pincushion that says "With my Needles & Thread." Instructions are in French.
Pattern is stitched on 35 or 32 ct tea dyed linen using DMC floss. Stitch count is 106 x 259.
Hannah Alexander, a Sweet Little Sampler, is my first reproduction sampler
Hannah Alexander is stitched on 36 count Hawthorne by Needle and Flax, fabric suggestion is listed, using Au Ver A Soie threads. Stitch Count is 106 x 131
Two Marjorie Massey designs featuring sheep and "When Winter comes again, wear your woolens."
Model stitched on 35 ct. linen (or 32 ct. using 2 strands of floss) using DMC thread. Stitch count is 153 x 87.
Cross stitch pattern from Marjorie Massey featuring seven different floral patterns! Instructions are in French. Please note: Photo from designer states PDF, however this will be sent as a hard copy.
Pattern is stitched on the fabric of your choice using DMC floss. Stitch count is 124 x 184.
An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
This sampler's appeal was its similarity to Bristol orphanage motifs, bands and alphabets. While clearly not a Bristol school sampler, as it was stitched at Daglingworth School, curiosity leads one to wonder why similar motifs? Daglingworth lies only fifty miles from Bristol, England. It has been... Read more
This sampler was obtained from the M. Finkel and Daughter antique collectors who describe this sampler in their catalog as follows: "Documented Irish samplers are rare, and this one offers strong visual appeal with excellent color and composition. A fine, large alphabet, little house, pots of... Read more
Inspired by the Father Lee sampler. Includes first three charted ornaments in the series of four releases (three Christmas ornaments each, twelve total). Pattern includes cross-stitch, straight stitch and back stitch.
Model is stitched on 36 ct Zweigart Edinburgh Linen, dark Cobblestone using Soie d'alger. Stitch count is 40 w x 40 h for each pattern.
Note from the designer: A marking sampler reproduction featuring an optional verse, this is part of my marking sampler series and includes another collectible full-color alphabet card. Louisa used a soothing color palette with interesting dividing bands - it's a unique and lovely sampler.
Note from the designer - "Acquired in England, one might assume that this classic Quaker motif sampler was made at the Ackworth School in Yorkshire. However the influence of the designs promulgated by the Quaker School needleworkers stretched far beyond the confines of the school's walls. This... Read more
Note from the designer - "Rhode Island samplers were among the first American schoolgirl embroideries to be recognized by serious collectors and textile scholars as a distinctive group with extraordinary visual appeal. The Sheffield sampler is delicately worked with an unusually pleasing... Read more
This 19th century American reproduction sampler features a brown bird on a tree branch. Rated for beginners. Model stitched on 35 count hand dyed linen using either cotton or silk thread. Two versions of the sampler graph have been furnished: one executed with a drawn partially freehand split and... Read more
Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more
Note from the designer - "This picture was originally designed to be used as a cushion or footstool cover, or perhaps as a decorative vignette inserted into the top of a wooden box for storing precious objects. Executed entirely in cross stitch, its most prominent characters are a large squirrel... Read more
Note from the designer - "This finely stitched German sampler begins with a single row of alphabets above an immensely intricate collection of symbolic cross stitched motifs, including battling angels, the figure of Justice with her scales, the spies of Canaan, the crucifixion, Adam and Eve... Read more
Note from the designer - "In 1779, the Quaker Friends School at Ackworth, Yorkshire, was established for the purpose of educating young people of both sexes, and instilling the values of their Society; equality, simplicity, peace. Girls received nearly the same instruction as boys. Out of this... Read more
Note from the designer - "An intensely stitched and well-planned sampler, this unusual piece probably originated in Pennsylvania. The allegorical figure hovering over the house could represent Liberty. The unconnected border of floating honeysuckle is unique, as well as the little pastoral vignettes in the lower register." Rated for beginners.
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "Designed after a mid-eighteenth century New Hampshire sampler, this piece is delightfully naive with its oversized animals, insects, and birds. Around 1760, the New-Hampshire Gazette began publishing advertisements for girls' schools, placed by female instructresses,... Read more
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more
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