This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more
Note from the designer: "Who would love this world or prize whats in it
that gives and takes and chops and changes every minute.
This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
Try as we might, we cannot find another sampler to compare with this one by Sarah Brignell. It is a sampler unto itself: truly an original piece of folk art. The tiny central cartouche with the densely stitched scene floats like a little world unto itself in the midst of the exuberant garden of... Read more
Note from the designer: A marking sampler reproduction featuring an optional verse, this is part of my marking sampler series and includes another collectible full-color alphabet card. Louisa used a soothing color palette with interesting dividing bands - it's a unique and lovely sampler.
This reproduction sampler by Mille Fleur is filled with beautiful floral motifs! Stitched on 28 count Cream Belfast linen using DMC threads. Stitch Count: 191W x 197H. Finished size is 13.6 x 14.1 for 28 count fabric.
"The leaves is green, the rose is red, here is my name when I am dead. Look on this and may you see, what care my parents took of me. Mary Knowles, her work 1824." Model stitched over 2 threads on 36 Ct. Beige linen by Weeks Dye Works with DMC floss, Weeks Dye Works and Gentle Art Sampler threads. Stitch Count: 257W x 237H. Finished size: 14 1/2" x 13".
Model stitched over 2 threads on 35 Ct. Cocoa linen with Gentle Art Sampler threads, Weeks Dye Works floss and DMC floss. Stitch Count: 257W x 237H. Finished size: 14 3/4" x 13 1/2".
Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss, Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 989W x 180H. Finished size: 49 1/2" x 9".
Reproduction of a lovely and colorful Scottish Sampler. The model was stitch over 2 threads on 40 Ct. Cocoa linen by Weeks Dye Works with Classic Colorworks floss, The Gentle Art Sampler threads, Weeks Dye Works floss and DMC floss. Stitch Count: 209W x 269H. Finished size; 10 1/2" x 13... Read more
The model was stitched over 2 threads on 35 Ct. Cocoa linen from Weeks Dye Works with Gentle Art Sampler threads, Weeks Dye Works floss and Classic Colorworks floss. Stitch Count: 259W x 236H. Finished size: 14 3/4" x 13 1/2".
The model was stitched over 2 threads on 40 Ct. Parchment linen from Weeks Dye Works with Gentle Art Sampler threads. Stitch Count: 162x153. Finished size: 9" x 8.6".
The model was stitched over 2 threads on 35 Ct. Cocoa linen from Weeks Dye Works with Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 139x150. Finished size: 8" x 8 1/2".
The model was stitched over 2 threads on 36 Ct. Cocoa linen by Weeks Dye Works with DMC floss. The stitch count is 152W x 240H for a finished size of 8.5" x 13.5".
A nostalgic look back to a simpler place and time. This quaint sampler shows a Swiss Shepherd and his family standing in their band-sampler garden in the shadow of the alphabet mountains. The stitch count is 194W x 245H. Choose your favorite fabric and one color of any thread (you will need 63 yards).
Hannah Alexander, a Sweet Little Sampler, is my first reproduction sampler
Hannah Alexander is stitched on 36 count Hawthorne by Needle and Flax, fabric suggestion is listed, using Au Ver A Soie threads. Stitch Count is 106 x 131
"The dew upon the berry, reflects the morning sun. It glistens like a diamond, until the rabbits come." Stitched on 28 count Natural Pearl Linen with Classic Colorworks floss. The stitch count is 53W x 204H.
Note: The designer did not provide a DMC conversion for Classic Colorowrks Dulce de Leche
"Let love and faithfulness never leave you." Model Stitched on 32 Ct. Vintage Buttercream Linen using Classic Colorworks, Weeks Dye Works and Gentle Art Sampler Threads. Stitch Count 130 x 150.
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more
"Happy would it be for me, if in the rising bloom of youth, I did devote my life to thee, O thou the God of love and truth."
Jane Freebairn is another colorful Scottish sampler from approximately the same time period. Neither of the girls dated their samplers, but we can tell from... Read more
Ada Mary Hornsey of Wellingborough, England stitched her sampler at age 10. "My father, my mother I know I cannot your kindness repay, but I hope that, as older I grow, I shall learn your commands to obey."
The model was stitched over 2 threads on 40 Ct Light Sand linen with Needlepoint Inc Silks. Stitch Count: 184W x 238H. Finished Size: 9 1/8" x 12".
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