Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15 1/2" x 12 1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71 by 62 squares on the graph,... Read more
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Note from the designer: "Adapted from a mid eighteenth century English sampler. The combination of several unusual stitch techniques with bold primary colors, makes this sampler outstandingly beautiful and a rewarding project to stitch.
While the majority is done in cross stitch, large... Read more
The Temperance Movement of the early nineteenth century began in the United States prior to 1808. Preachers, most notably John Bartholomew Gough, promulgated a pledge of abstinence from members of his congregation. While temperance efforts have existed as long as spirits have, the movement was not... Read more
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
Note from the designer: "Who would love this world or prize whats in it
that gives and takes and chops and changes every minute.
This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more
Note from the designer: "The figures depicted on this original design were derived from wood block engravings of the 17th, 18th and 19th centuries. The format of the hornbook follows actual examples from the late 18th century. Hornbooks functioned as primers, used to teach young children their... Read more
Note from the designer: "German and Dutch samplers are known for their iconography, especially the symbolic religious motifs. This piece, reproduced from the collection of the Allentown Art Museum in Allentown, Pennsylvania, portrays many of these motifs. Adam and Eve, in particular, are often... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
This is a reproduction of a Quaker sampler made in Chester County, Pennsylvania consisting of alphabets, numerals, ligatures* and lineal patterns executed in a variety of stitches. The uppermost border with the dangling central flower is often seen on American Quaker samplers of this period (see... Read more
This English sampler features a three-sided floral border surrounding thirteen lines of alphabets, neatly cross-stitched in several different lettering styles. Mary Wagstaff was likely born in Huyton, Lancashire in 1809, completing this sampler when she was ten years old. She passed away in... Read more
Here is a dainty and colorful mid-eighteenth-century English sampler executed entirely in cross and petit point stitches making it a suitable project for any skill level.
A four-sided arcaded border of daisies and dianthus surrounds three pious verses with delicate horizontal floral bands... Read more
Try as we might, we cannot find another sampler to compare with this one by Sarah Brignell. It is a sampler unto itself: truly an original piece of folk art. The tiny central cartouche with the densely stitched scene floats like a little world unto itself in the midst of the exuberant garden of... Read more
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more
Cross stitch pattern from Samplers Not Forgotten featuring a lovely sampler with the phrase "Thou, before whose face the children's angels stand grant me a helpless child the grace that thy angelic band. May watch my ways and guard my bed and minister to me till I in death shall bow my head and... Read more
Delicate and colorful sampler filled with insects, flowers and fruit! Standard DMC colors are used for this pattern. Pattern is shown in easy-to-read full color blocks with symbols. Stitch count is 96 x 99.
A pattern inspired by a certain little person my son! This bell pull is the perfect stitch for anyone welcoming new life or wanting to decorate a nursery (especially if it is woodland themed like ours).
"Beneath the pines, where breezes sway. A newborn comes to greet the day. The... Read more
Model stitched two over two on 28 Ct. Pampas Cashel Linen with Weeks Dye Works thread Matte Spruce Teenie Round Buttons (included with the pattern), and Mill Hill Beads. Stitch Count: 60W x 60H. Design Size: 4" x 4".
Sampler design from Teresa Kogut featuring the phrase "Remembrance is the sweetest flower of all this world's perfuming. Memory guards it sun and shower. Love keeps it blooming"!
Pattern is stitched on 40 ct Legacy by Picture This Plus using Classic Colorworks and DMC threads. Stitch Count 173 x 193.
Cross Stitch pattern from The Nebby Needle with a tree, flowers and alphaet."
The model was stitched over 2 threads on 36 Ct. fabric with Weeks Dye Works and Classic Colorworks floss. Stitch Count: 115W x 112H. Finished size: 6.3" x 6.2"
A red barn, horses, a cow and chickens are at the center of this sampler from The Nebby Needle.
The model was stitched over 2 threads on 36 Ct. Latte by Fiber on a Whim with Classic Colorworks and Weeks Dye Works floss. Stitch Count: 136W x 143H. Finished size: 7.5" x 7.9"
This beauty is perfect for a wedding, anniversary or welcome gift, or any loving event. This design is set up to be personalized with large (29 st high) upper case letters, set up to be easily inserted into the design, on each side of the lacy heart. The featured alphabet is 29 stitches high. There... Read more
The Crazy Quilt Explosion is filled with color and fun for both cross stitchers and quilters alike!
Model stitched on 32 ct white linen using Dinky Dyes floss. Follow the charted colors, or use any color/scraps of your choice! Stitch count is 126x126.
"Stitch by stitch row by row I'm gonna make my sampler grow. All it takes is a needle 'n' threads, Stitch it up in purple 'n' red." Tempting Tangles filled their sampler with all the goodies they love to use when creating their needlework, especially cross stitch. Have fun!!
Model stitched on 32 ct Antique White linen using DMC or Dinky Dyes threads. Stitch count is 190 x 164.
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more
"Happy would it be for me, if in the rising bloom of youth, I did devote my life to thee, O thou the God of love and truth."
Jane Freebairn is another colorful Scottish sampler from approximately the same time period. Neither of the girls dated their samplers, but we can tell from... Read more
"Amour Bonds Cupid Darling Embrace Faith Gift Honey Infatuation Joy Kiss Love Marry Nurture Osculation Passion Queen Romance Sweet Token Us Valentine Warmth Exquisite Yearning Zest." Model stitched on 32 Ct. Platinum Belfast linen with Gentle Art Sampler threads and DMC floss. Stitch Count: 160W x 157H. Design Size: 10" x 10" Color chart.
Thirza Hudson 1825 is a reproduction of a gorgeous original sampler in our collection from Colne, Lancashire in the North West of England.
The patterns stitch count is 95 x 134 stitches and our model is stitched using 1 strand of floss over 2 linen threads on 36ct linen. We have used Weeks... Read more
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