Reproduction Cross Stitch Page 5

Note from the designer - "This picture was originally designed to be used as a cushion or footstool cover, or perhaps as a decorative vignette inserted into the top of a wooden box for storing precious objects. Executed entirely in cross stitch, its most prominent characters are a large squirrel... Read more about Elizabeth's Squirrel - Cross Stitch Pattern

Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more about Mary Bailey 1818 - Cross Stitch Pattern

Amelia Boyce's pictorial sampler demonstrates two popular art forms of the early 19th century manifested in the sampler mode: the image of an architectural engraving, and the influence of Berlin patterns in the naturalistic (rather than nave or stylized) floral patterns. A widely mixed floral... Read more about Amelia Boyce 1829 - Cross Stitch Pattern

Note from the designer - "This wonderful English sampler has to be an original inspired composition by a very clever young girl with a singular artistic vision! Potbellied cherubs fly trumpeting alongside a doughy, asexual Adam and Eve, beneath whom perch an enormous plumed Bird of Paradise on a... Read more about Ann Hall 1812 - Christian Cross Stitch Pattern

Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more about Ann Scutt circa 1675 - Cross Stitch Pattern

Note from the designer - This is the most symmetrical, balanced, counted thread sampler that we have ever charted from. It is also one of the most satisfying, challenging, and beautiful samplers in the world. Originally worked on a fine wool ground, the colors of our reproduction have been matched... Read more about Dorcas Haynes 1720 - Cross Stitch Pattern

This English sampler was made in Sheffield, South Yorkshire, featuring the Sheffield General Infirmary, a verse, a fashionably dressed man and woman, and a collection of animals in the lawn in front (sheep, fox, squirrels, rabbit, dog), all surrounded by a four sided berry border.

The... Read more about Elizabeth Gray 1832 - Cross Stitch Pattern

Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more about Elizabeth Eaton 1712 - Cross Stitch Pattern

This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more about Elizabeth Topham 1727 - Cross Stitch Pattern

Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more about Fanny Peachey Circa 1810 - Cross Stitch Pattern

Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more about Frances B Jones 1817 - Cross Stitch Pattern

Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more about Freelove Hazard 1792 - Cross Stitch Pattern

"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."

Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more about Grazing Sheep circa 1810 - Cross Stitch Pattern

Note from the designer: "The flight into Egypt is a biblical event described in the Gospel of Matthew. Soon after Mary and Jesus were visited by the Magi, who had learned that King Herod intended to kill the male infants in that region, an angel appeared to Joseph in a dream telling him to flee... Read more about Harriot Ringrose 1852 - Christian Cross Stitch Pattern

Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more about Isabella Robeson circa 1809 - Cross Stitch Pattern

Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more about Katharine Mitchel circa 1785 - Cross Stitch Pattern

Hannah Cummins stitched her sampler in Stockton, England in 1828 when she was 9 years old. A photo of the antique sampler is included in the package. "My thoughts before they are my own are to my God distinctly known. He knows the words I mean to speak ere from opning lips they break.

... Read more about Hannah Cummins - Cross Stitch Pattern

Rosa's sampler has been reproduced on 56 fabric of your choice with Au Ver A Soie - Silk 100/3. Stitch count is 126x170. Finished size on 40 count is 6.3" x 8.5". Stitched on fabric of your choice.

Also required, but currently out of production - Au Ver A Soie Silk 100/3 #410. ... Read more about Rosa Sugars 1881 - Cross Stitch Pattern

Model was stitched on 52/60 Ct. Sycamore Seedpod linen by Legacy Linen, using Soie Surfine 2681. You can use whatever fabric you prefer, with whatever shade of red you'd like! The chart recommends Soie d'Alger 936 or 945, Soie 100.3 335 (previously 2646), 499, 500 or 779 OR Soie Surfine 2681... Read more about Mary 395-1869 - Cross Stitch Pattern

Model stitched over two on 40 Ct. Beige by Weeks Dye Works using Kreinik Silk Mori (4073,4096, 4166e, 4204a, 4214, 7025 Needlepoint Inc. Classic Colorworks. Stitch Count: 186W x 424H. Finished size is approx 9.3 in wide X 21.2 in high.

Model stitched over 2 threads on 32 Ct. Examplar linen with Needlepoint Inc silks. Stitch Count: 230W x 379H and the finished size is 14.38" x 23.69".

Pattern by Pineberry Lane features an antique sampler reproduction and pinkeep pattern from a young girl named Sarah Platt originally stitched in 1811.

Model stitched over two on 36 Ct. linen using Weeks Dye Works and Gentle Arts threads. Stitch count: 102 x 151 and the finished size is 5.67" x 8.39".

Model stitched on 32 Ct. Ale Linen using Gentle Art Sampler Threads and Weeks Dye Works threads. Stitch count is 135W x 131H.

Model stitched over 2 threads on 36 Ct. Parchment linen by Weeks Dye Works with DMC floss. Stitch Count: 221W x 223H.

Model stitched over 2 threads on 36 Ct. Aspen linen by Picture This Plus with Classic Colorworks floss and Weeks Dye Works floss. Stitch Count: 123H x 255W. Finished Size: 7" x 15"

"See the kind shepherd Jesus stands and calls his sheep by name gathers the feeble in his arms and feeds each tender lamb. Sarah Stewart Hardman Work Age 7 1824"

Model stitched on 28 Ct. Vintage Light Examplar using Classic Colorworks. Also can be stitched with Tudor Silk. Stitch... Read more about Sarah Stewart Hardman 1824 - Cross Stitch Pattern

Model stitched on 40 Ct. Vintage Meadow Rue using Soie d'Alger. Stitch count is 292W x 523H. Design is 14.7" x 36.15"

Model stitched on 36 Ct. Vintage Meadow Rue using Soie d'Alger. Specialty stitches used are satin stitch, four sided stitch and 2 different variations of a rice stitch. Stitch count is 240W x 271H. Finished Size is 13.33" x 15.06" Color Chart.

Pattern by Scarlett House featuring a vintage inspired sampler design originally stitched by Elizabeth Hunter in 1853.

Model stitched one over two on 40 Ct. Sand Dune from Lakeside Linens using Classic Colorworks and Weeks Dye Works. Stitch count: 191W x 197H. Design size is 9 1/2" x 9 3/4"

Model stitched one over two on 36 Ct. Doubloon using Classic Colorworks, Gentle Art Sampler Threads, and Weeks Dye Works. Stitch count for Mat: 166 x 119, for Needlebook: 54 x 52, for Fob: 22 x 22.

Model stitched on 36 Ct. Pecan Butter from Lakeside Linens using Soie d'Alger threads. Stitched mainly in cross stitch over 2 linen threads with a small amount of cross stitch over 1 linen thread. Stitch Count: 266W x 301H. Design size: 14.78" x 16.72"

Model stitched over two on 40 Ct. Vintage Sand Dune using Glorianna Silk. Stitch Count: 246W x 280H. Finished Size: 18.3" x 20"

Model was reversibly stitched over two and three threads on 36 Ct. linen of your choice using Soie d'Alger. Specialty Stitches Used. Stitch Count: 258W x 304H. Finished Size: 7.78" X 27.22"

"Yea though I walk through the valley of the shadow of death I will fear no evil for thou art with me."

Model stitched over two on 40 Ct. Parchment from Weeks Dye Works, using Au Ver A Soie - Soie d'Alger. Soie 100.3 and DMC equivalents given. Stitch Count: 303W x 324H. Design Size: 15.15" x 16.20"

Model stitched one over two on 36 Ct. Vintage Sand Dune linen from Lakeside Linens using Au Ver A Soie. Also required, but not listed above #2578, #945 from Au Ver A Soie. Stitch Count: 249W x 250H. Design Size: 15.56" x 15.62"

Model stitched on 46 Ct. Cocoa Linen by Weeks Dye Works with Needlepoint Inc. floss. Stitch count: 244 x 290. Finished size is 10.61 in wide X 12.61 in high.

Model stitched one over two on 36 Ct. Wren using Dinky Dyes Silk, Classic Colorworks Belle Soie, and Glorianna Silks. Stitch Count: 155W x 130H. Design Size: 8.5" x 7.25"

Model stitched over 2 threads on 40 Ct. Meadow Rue by Lakeside Linens with DMC floss. Stitch Count: 110W x 98H. Finished size: 5 1/2" x 4 7/8".

Model stitched one over two on 40 Ct. Heartland using Gentle Art Sampler Threads. Stitch Count: 95W x 109H. Design Size: 4 3/4" x 5 3/8"

Pattern by Hands Across the Sea Samplers featuring an antique reproduction originally from 1835.

Model stitched over two on 46 ct. Straw with one strand Au Ver A Soie Silk from their D'Alger Range. There are also conversions for the Au Ver A soie 100.3 range together with DMC. Soie 100.3 #245 discontinued. Stitch count 201 x 246 and the finished size is 8.74" x 10.7".

"Dark the night and wild the wave, Christ the boat is keeping, Trust in Him and have no fear, Though he seemeth sleeping." Included with the pattern are four color ways of floss that you can mix to get your perfect palette and four linens for you to choose from (not listed above: 28 count Cocoa, Cappuccino, and Mocha from Weeks Dye Works). Stitch Count: 155x193

Model stitched one over two on 36 Ct. Parchment using DMC floss and Weeks Dye Works. Stitch Count: 300W x 126H. Design Size: 17" x 7" Frame by Huneywwod #3462.

Model stitched one over two on 36 Ct. Straw using Weeks Dye Works. Stitch Count: 147W x 221H. Design Size: 8" x 12.5"

Model stitched on 35 Ct. Creek Bed Brown Linen by R&R Reproductions with Gentle Art Sampler threads. Stitch Count: 215W x 177H. Design Size: 12" x 10".

Pattern by Plum Street Samplers featuring a vintage design with the words "What's in thy mind let no one know, nor to they friends thy secrets show. For if thy friends should prove thy foe, then all the world thy secrets know."

Model stitched on 36 Ct. Vintage Navy Bean with... Read more about On Prudence - Cross Stitch Pattern

"Mary Cotton Her Work in the year 1827." Model stitched over two threads on 40 Count Light Examplar by Lakeside Linens with Needlepoint inc Silks. Stitch Count: 213W x 195W.

"If solid happiness we prize within our breast this jewel lies, and they are fools who roam the world has nothing to bestow, from our own selves our joys must flow and that dear hut our home."

Model stitched on 35 Ct. Gray linen by Weeks Dye Works with Needlepoint Inc Silks. Stitch Count: 286w x 257h.