Cross stitch kit from Colonial Needle featuring a sampler design with a hen sitting on her nest. This kit includes 16ct Sea Lily Aida Cloth, Presencia Floss, Tapestry Needle, Black & White Pattern, and Illustrated Basic Cross Stitch Instructions.
Cross stitch kit from Colonial Needle featuring a beautiful Chaparral alphabet design. This kit includes 18ct Ivory Aida Cloth, Presencia Floss, Tapestry Needle, Black & White Pattern, and Illustrated Basic Cross Stitch Instructions.
Cross stitch kit from Colonial Needle featuring a beautiful springtime Easter alphabet design. This kit includes 18ct Ivory Aida Cloth, Presencia Floss, Tapestry Needle, Black & White Pattern, and Illustrated Basic Cross Stitch Instructions.
Cross Stitch pattern from Cosford Rise Stitchery featuring a sampler with flowers and the phrase "O, My love is like the melody. That's sweetly play'd in tune"!
Model stitched using The Gentle Arts thread, two strands over two, on 36 count Cocoa linen by Weeks Dye Works. DMC conversion included. Stitch count: 141W x 339H.
About the Sampler: No name or year appears on this beautiful sampler to offer a clue about the maker. It is adorned with numerous Christian motifs and symbols. The sampler is representative of an Italian sampler style, as evidenced by the existence of other similar Italian
samplers, done in rows of... Read more
Lydia's sampler is an example of a more decorative Quaker marking sampler containing four different alphabets, six dividing bands, and an often seen swan and birds motif, as well as a floral spray. The colors are muted as in the Quaker style, copying those found in nature. Lydia was a talented young... Read more
No clues have been provided by the stitcher as to her name, year of origin, or place where she stitched her sampler. The only clue as to place might be in the lettering she used itself, giving one an indication it was stitched in Ireland. "A slightly surprising source of lettering which became... Read more
Jane Hornibrook completed her sampler in March of 1806. She painstakingly stitched in cross stitch the tenets of the Catholic Faith over one and two threads of finely woven 52 count linen. The lettering for the large letters leads one to determine this to be of Irish origin, based on the Benezet... Read more
An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
This sampler is an original design based on the layout of eighteenth century Irish Quaker samplers with the lettering and sampler motifs taken from a Mountmellick Irish Quaker sampler in the collection of Cross Stitch Antiques, Elizabeth Martin circa 1789. The town names at the bottom are the... Read more
Now in a private collection, this sampler was stitched in Lacolle, a southern municipality in Quebec, Canada in 1846 by Emeline Hotchkiss, aged 11. Research reveals an Emeline Hotchkiss was baptized in nearby Laprairie St. Luke's Anglican Church in 1834, around the year our stitcher would have been... Read more
This sampler's appeal was its similarity to Bristol orphanage motifs, bands and alphabets. While clearly not a Bristol school sampler, as it was stitched at Daglingworth School, curiosity leads one to wonder why similar motifs? Daglingworth lies only fifty miles from Bristol, England. It has been... Read more
Several girls named Sarah Welch appear in the historical records born in the year1756, in Devon and Berkshire, England, and so without more information it is hard to say which Sarah stitched this sampler at the age of eight in 1764. History does chronicle what was happening in England at that time:... Read more
This chart contains all sixteen pattern pages from a tiny paper pattern album passed out as a souvenir in 1851 at Prince Albert's Crystal Palace Great Exhibition. They were mass produced inexpensively but are rarely found today due to the nature of the flimsy paper and the effects of time. Other... Read more
A Prequel to the Carter House Sampler, Franklin, Tennessee, The Sampler of Fountain Branch Carter's Mother, For the Battle of Franklin Trust, An Antique Sampler Reproduction.
Pattern is stitched on 36 count Hemingway by Needle and Flax. Stitch Count: 171 stitches wide x 224 stitches high.... Read more
The Antique: Amelia stitched her sampler at the age of seventeen while living at the North Wing, 3 New Orphan House, Ashley Down, Bristol, in 1868. The original sampler's stitched area measures 13.5 inches wide by 15.25 inches high on a cream cotton ground fabric measuring 76 threads to the inch,... Read more
This page from an Antique Pattern Album made in Germany contains common motifs used in Bristol samplers and English day schools. These pattern booklets from France, England and Germany were published widely and used for embellishing samplers. The motifs on this particular page appear on The Amelia... Read more
On the back of this framed antique, was found a very aged handwritten note: "This Sampler was worked by Mary Coleby of Kelvedon, Essex when Eleven years of age at Ackworth School Yorkshire. Born 1792 - married in 1814 to Edward Gripper of Layer Breton Hall, Essex - had thirteen children - died... Read more
This beautiful sampler was obtained from the collection of Stephen and Carol Huber. The framed antique contained handwritten notes on the genealogy of Sarah which was written on the back in ink on the sealing paper. It contained the lineage of Sarah Hewes, and the names of her children. Extensive... Read more
This sampler was obtained from the M. Finkel and Daughter antique collectors who describe this sampler in their catalog as follows: "Documented Irish samplers are rare, and this one offers strong visual appeal with excellent color and composition. A fine, large alphabet, little house, pots of... Read more
Cross stitch pattern from Dirty Annie's Southern Style featuring a sampler with two sisters and the phrase "Two are better than one....for if they fall, one will pick up the other"!
Model was stitched on 32ct Gray linen from Weeks Dye Works. Due to "one over one" stitching on the wording, this design is not suitable for Aida. Stitch count is 76 x 140.
Note from designer: This sampler features the historic home surrounded by Southern Live Oak trees and sitting on the bank of Bayou Black. The border depicts delicate cotton blossoms, another major crop grown in Louisiana. My great grandfather and his 17 children were sharecroppers who picked cotton... Read more
Model was stitched on 32ct "Cold Foam" linen from Be Stitch Me using threads from Classic Colorworks, Weeks Dye Works, and Colour and Cotton. We trimmed the model with "Birds Nest" ric rac from Lady Dot
The handcrafted wooden star button is included with the chart. Stitch count is 119 x 119.
Bring the timeless beauty of faith and devotion into your stitching with the Franciscan Prayer Sampler from Dirty Annie's Southern Style. This exquisite sampler features the beloved Vocation Prayer of St. Francis of Assisi, accompanied by symbolic imagery deeply rooted in Franciscan tradition.... Read more
Model stitched on 32 Ct. Summer Khaki Belfast using Dinky Dyes Silk, Needlepoint Inc Silk and Mill Hill Beads.
Also required, but not listed above, 4mm gold star charm, 8mm gold star charm, 6mm heart charm, four 4mm burgundy buttons, four 4mm green buttons, 4mm white button, 6mm white... Read more
Model stitched over two on 32 Ct. Dark Cobblestone linen with Dinky Dyes Silk floss and Needlepoint Inc. Silk floss or Gentle Art Sampler threads, DMC floss, and Mill Hill Beads. Also needed is a 4mm Black Button. Stitch Count: 47W x 190H. Design Size: 3" x 12".
Mill Hill beads 03040 Flat Black discontinued, we suggest 62014 Frosted Black as a substitute.
Sampler Model stitched over two on 32 Ct. Dirty Linen with Dinky Dyes Silk thread, or Gentle Arts Sampler Threads. Also needed are four 4mm Black Buttons. Stitch Count: 35W x 177H. Design Size: 2" x 11". Options for the small "Boo" patterns are also included.
Model stitched over two threads on 32 Ct. Cream Belfast linen with Needlepoint Inc silk, DMC Pearl Cotton, Thread Gatherer Silk N Colors and Mill Hill beads. Stitch Count: 34x137. Design Size: 2" x 9".
Model stitched over two threads on 32 Ct. Cream Belfast linen with Needlepoint Inc silk, DMC Pearl Cotton, Thread Gatherer Silk N Colors and Mill Hill beads. Stitch Count: 34x137. Design Size: 2" x 9".
Cross stitch pattern from The Elegant Thread featuring a lovely sampler!
Pattern is stitched on 36 ct Dark Cobblestone or Woodsmoke using Soie d'Alger threads. Also required but not listed: Mill Hill Magnifica 10028. Stitch count is 105 x 78.
A beautiful band sampler fit for royalty in shades of dusty blue and rose silk featuring twin hares, a crown and peacock. The pattern is cross-stitch, satin stitch and Algerian Eye. Finishing instructions are included.
Model stitched on 36 ct Linen, using Treenway silk floss. Stitch count is 260 w x 75 h. Finished size is 14.44" x 4.17".
Model stitched on 32 Count Newcastle Linen, Cafe Mocha Soie d'alger and Mill Hill Petite Glass Beads. Stitch count is 110W x 80L. Finished size is 6.88" x 5".
Note from the designer: "Count the days with a design which can be stitched three ways! Create the calendar (perhaps stitch a bit each day throughout the month), a December drum, or a berry for the big day!"
Pattern is stitched on 36 count Tycho linen from Picture This Plus using... Read more
Note from the designer: A marking sampler reproduction featuring an optional verse, this is part of my marking sampler series and includes another collectible full-color alphabet card. Louisa used a soothing color palette with interesting dividing bands - it's a unique and lovely sampler.
Here is the summer version of these seasonal buttoned-up designs - sundrenched days and starlit nights. It's another quick stitch using a sunny color palette - again with hand-dyed buttons included.
Pattern is stitched on 36 ct Linen from Weeks Dye Works using Weeks Dye Works floss. Stitch count is 65 x 80 and 127 x 72.
150 years ago, in September of 1874, Anna Funk arrived in New York as part of a large and organized immigration of Mennonites from what is now Ukraine to the central plains of the United States. Her sampler of motifs, requested of her friends before her departure, is a small part of the larger story... Read more