Samplers Cross Stitch Page 57

Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more about Ann Scutt circa 1675 - Cross Stitch Pattern

There is so much going on in this fascinating English sampler that it's hard to know where to begin looking. Apart from the somewhat conventional Adam and Eve at the top center, adorable flying cherubs flank them and the apple tree, bearing gold rings and sprays of flowers. The verse is as... Read more about Catharine Metcalf 1836 English Pictorial

This English sampler was made in Sheffield, South Yorkshire, featuring the Sheffield General Infirmary, a verse, a fashionably dressed man and woman, and a collection of animals in the lawn in front (sheep, fox, squirrels, rabbit, dog), all surrounded by a four sided berry border.

The... Read more about Elizabeth Gray 1832 - Cross Stitch Pattern

Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more about Elizabeth Eaton 1712 - Cross Stitch Pattern

Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15 1/2" x 12 1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71 by 62 squares on the graph,... Read more about Country Life Sampler 1783 - Cross Stitch Pattern

This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more about Dutch Sampler of 1773 - Cross Stitch Pattern

Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:

By this ingenous Maids
may see what by the
needl wrought
may be

... Read more about Elizabeth Hicks 1745 - Cross Stitch Pattern

This is a reproduction of an English sampler that features a four-sided carnation border, centering many intricate organic petit point motifs. The large mansion house dominates the central reserve, standing above an extensive pasture occupied by two very large and cockeyed sheep. These imaginative... Read more about Elizabeth Lilly 1801 - Cross Stitch Pattern

Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more about Elizabeth Mansfield 1792 - Cross Stitch Pattern

According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more about Elizabeth Mitchell 1828 - Cross Stitch Pattern

Note from the designer: "A Pennsylvania German sampler that may not be, strictly speaking, a miniature, but is nonetheless small for its type. Typical Pennsylvania German folk culture motifs - birds, trees, hearts, flowers, crowns and stars - adorn it."

Origin and date: Pennsylvania... Read more about Elizabeth Raysor 1834 - Cross Stitch Pattern

This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more about Elizabeth Topham 1727 - Cross Stitch Pattern

Note from the designer: "This sampler is a fine example of work done by Pennsylvania German girls in the early-to-mid nineteenth century. Similar motifs appear on the show towels that decorated kitchen and bedroom doors in these immigrant German households. It is thought that while the show... Read more about Elizabeth Wisler 1845 - Cross Stitch Pattern

Note from the designer: "Adapted from a mid eighteenth century English sampler. The combination of several unusual stitch techniques with bold primary colors, makes this sampler outstandingly beautiful and a rewarding project to stitch.
While the majority is done in cross stitch, large... Read more about Emily Lucille - Cross Stitch Pattern

Note from the designer: "A gift from the collection of Rosalind and Edwin Miller to the museum. Emma Lerch was born in Northampton County, Pennsylvania, in 1830, and she stitched this sampler in her thirteenth year. It is a very simple work, with a lovely meandering floral border. While perhaps... Read more about Emma Lerch 1843 - Cross Stitch Pattern

Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more about EN 1657 A 17th Century Band Sampler - Cross Stitch Pattern

Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more about FAK-MEK 1779 - Cross Stitch Pattern

This sweet little American sampler features two little houses above alphabets and a short verse:

Would you be wise
Each moment prize

It is surrounded on four sides by a double sided satin stitched sawtooth border. Stitches used include cross, outline, stem filling, counted... Read more about Fanny M Forister 1828 - Cross Stitch Pattern

Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more about Fanny Hancock 1796 - Cross Stitch Pattern

Note from the designer: "Mourning pictures were not an uncommon art form in England and America during the late eighteenth and early nineteenth centuries. Evolving from European commemorative art honoring deceased heroes, mourning pictures were a cherished way to remember loved ones, designed to... Read more about Four Angels Mourning Sampler - Cross Stitch Pattern

What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more about Frances Marshall 1838 - Cross Stitch Pattern

Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more about Freelove Hazard 1792 - Cross Stitch Pattern

Note from the designer: "Who would love this world or prize whats in it that gives and takes and chops and changes every minute.

This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more about Grace Catlin 1719 - Cross Stitch Pattern

"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."

Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:

... Read more about Hannah Breed 1756 - Cross Stitch Pattern

Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more about Hannah Mosher 1798 - Cross Stitch Pattern

Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more about Harriet Boardman 1804 - Cross Stitch Pattern

Note from the designer: "The flight into Egypt is a biblical event described in the Gospel of Matthew. Soon after Mary and Jesus were visited by the Magi, who had learned that King Herod intended to kill the male infants in that region, an angel appeared to Joseph in a dream telling him to flee... Read more about Harriot Ringrose 1852 - Christian Cross Stitch Pattern

Note from the designer: "This original design blends a mid-18th century floral sampler border with a late 18th century lettering and cartouche style, and a mid-19th century sentiment. Instructions are provided for working the sampler in a different color scheme (red, blues, greens) on a neutral... Read more about Home Sweet Home Sampler - Cross Stitch Pattern

Note from the designer: "The figures depicted on this original design were derived from wood block engravings of the 17th, 18th and 19th centuries. The format of the hornbook follows actual examples from the late 18th century. Hornbooks functioned as primers, used to teach young children their... Read more about Hornbook Bestiary - Cross Stitch Pattern

Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more about A German Sampler Dated 1704 "IES" - Pattern

Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more about Isabella Robeson circa 1809 - Cross Stitch Pattern

Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more about Janet Burnet 1830 - Cross Stitch Pattern

This sampler was made in Scotland and includes many of the traditional motifs associated with samplermaking in this region. Firstly, Janet has included many initials of family members. However the initials at the center- G R 3 -refer to the then-reigning monarch, King George III. The flowering... Read more about Janet Carsels 1787 - Cross Stitch Pattern

This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more about Katie Sym 1769 - Cross Stitch Pattern

Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more about Katharine Mitchel circa 1785 - Cross Stitch Pattern

Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."

Finished size on 35... Read more about Judeth Payne 1668 - Cross Stitch Pattern

Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more about Rose Shenamon Mitchell 1816 - Cross Stitch Pattern

Agnes Binnie was born in Stirlingshire, Scotland, on March 22, 1808, to Robert Binnie and Mary Addie. She married James Barclay on March 16, 1832, in Falkirk, Stirlingshire. The couple had at least six sons and three daughters. Around 1870 they emigrated to Scotland Township in McDonough, Illinois.... Read more about Agnes Binnie 1824 - Cross Stitch Pattern

This wonderfully symmetrical English sampler features a pair of silky floating swans and large twin sunflowers, executed in a rich natural palette of color. Birds fly over the tops of three flower-trees in the top third. A sumptuous basket of fruit is stitched between the golden swans, and towering... Read more about Jane Smith 1814 - Cross Stitch Pattern

This is a reproduction of an English sampler made in Bradford, Yorkshire, that shows distinct influences of Scottish needlework traditions, particularly in the illuminated alphabets. The bold primary colors were reproduced from the front of the original sampler, which retains its amazing... Read more about Sarah Hutchinson 1762 - Cross Stitch Pattern

The original Scottish antique sampler had never been framed and so it was in excellent condition with the same vibrant, unfaded colors on the front as well as on the back. An unusual, elaborate four-sided undulating floral and leaf border surrounds a central reserve with a brief moral verse. Adam... Read more about Margaret Reid 1837- Cross Stitch Pattern

The original sampler, made in England in 1848, was stitched with cross, counted satin, petit point, and eyelet stitches on an extremely fine glazed linen of approximately fifty threads per inch.

It is unusual to find such a meticulously and finely stitched sampler at this late date, when... Read more about Emma Miles 1848 - Cross Stitch Pattern

This design was excerpted from the top of an early nineteenth-century English sampler. It features an unusual and amusing hunting scene with a solo hunter on horseback pursuing a single hapless stag with a pack of ten spotted hounds on its trail.

The verse reads: Give me O Lord thy early... Read more about Mary Randal 1803 - Cross Stitch Pattern

This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."

The work is extremely fine and accomplished,... Read more about Elizabeth Ginger 1735 - Cross Stitch Pattern

This mid-eighteenth-century Scottish band sampler features many classic seventeenth-century patterns, executed in cross, eyelet, double running, counted satin, back, and queen stitches.

The virtually unfaded color was reproduced from the front of the sampler. Six pattern bands precede... Read more about MS Dated 1752 - Cross Stitch Pattern

This is a reproduction of a Quaker sampler made in Chester County, Pennsylvania consisting of alphabets, numerals, ligatures* and lineal patterns executed in a variety of stitches. The uppermost border with the dangling central flower is often seen on American Quaker samplers of this period (see... Read more about Ann Ward 1808 - Cross Stitch Pattern

This English sampler features a three-sided floral border surrounding thirteen lines of alphabets, neatly cross-stitched in several different lettering styles. Mary Wagstaff was likely born in Huyton, Lancashire in 1809, completing this sampler when she was ten years old. She passed away in... Read more about Mary Wagstaff 1819 - Cross Stitch Pattern