Cross Stitch pattern from Cosford Rise Stitchery featuring a joyful spring scene with frolicking rabbits!
Model stitched using Roxy Floss, two strands over two, on 32 count Panettone linen by Roxy Floss Co. DMC conversion included. Stitch count is 130W x 162H
Cross Stitch pattern from Cosford Rise Stitchery featuring a sampler with flowers and the phrase "O, My love is like the melody. That's sweetly play'd in tune"!
Model stitched using The Gentle Arts thread, two strands over two, on 36 count Cocoa linen by Weeks Dye Works. DMC conversion included. Stitch count: 141W x 339H.
About the Sampler: Given the few clues provided, a scattering of initials and a year only, it is impossible to know more about the stitcher of this lovely sampler with its motifs of delicately arching floral stems, oval leafed cartouche, paired birds and potted florals. The motifs themselves are... Read more
Lydia's sampler is an example of a more decorative Quaker marking sampler containing four different alphabets, six dividing bands, and an often seen swan and birds motif, as well as a floral spray. The colors are muted as in the Quaker style, copying those found in nature. Lydia was a talented young... Read more
The initials appearing on the sampler, SI, in two places, may perhaps indicate the school where the sampler was stitched, and not the initials of the stitcher. The Suir Island Quaker School (SI) was a boarding and finishing school for girls established in 1787 in Clonmel in County Tipperary by... Read more
No clues have been provided by the stitcher as to her name, year of origin, or place where she stitched her sampler. The only clue as to place might be in the lettering she used itself, giving one an indication it was stitched in Ireland. "A slightly surprising source of lettering which became... Read more
Jane Hornibrook completed her sampler in March of 1806. She painstakingly stitched in cross stitch the tenets of the Catholic Faith over one and two threads of finely woven 52 count linen. The lettering for the large letters leads one to determine this to be of Irish origin, based on the Benezet... Read more
An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
Now in a private collection, this sampler was stitched in Lacolle, a southern municipality in Quebec, Canada in 1846 by Emeline Hotchkiss, aged 11. Research reveals an Emeline Hotchkiss was baptized in nearby Laprairie St. Luke's Anglican Church in 1834, around the year our stitcher would have been... Read more
This sampler's appeal was its similarity to Bristol orphanage motifs, bands and alphabets. While clearly not a Bristol school sampler, as it was stitched at Daglingworth School, curiosity leads one to wonder why similar motifs? Daglingworth lies only fifty miles from Bristol, England. It has been... Read more
Several girls named Sarah Welch appear in the historical records born in the year1756, in Devon and Berkshire, England, and so without more information it is hard to say which Sarah stitched this sampler at the age of eight in 1764. History does chronicle what was happening in England at that time:... Read more
This chart contains all sixteen pattern pages from a tiny paper pattern album passed out as a souvenir in 1851 at Prince Albert's Crystal Palace Great Exhibition. They were mass produced inexpensively but are rarely found today due to the nature of the flimsy paper and the effects of time. Other... Read more
Pattern is stitched on 32 count vintage sahara with DMC and Romy's Creations threads. Stitch count: 100 x 100.
Note from designer: "As you can see from the cover I had fun replacing some objects with real ones (buttons, pins, ribbons, the skein etc.) but in the pattern ALL the elements are designed for those who are lazy or too scared to do my version, LOL."
This 10-page booklet includes two extra borders, a small to finish as a needlebook cover anda lovely WELCOME. The smaller "samplers" in the piece can easily be stitched separately! It also includes several BE CREATIVE! ideas.
Pattern is stitched on 28 ct Grace Note Fabrics Sarah using DMC floss. Stitch count is 278 x 149.
This 10-page booklet includes two extra borders, six minis to finish as needlebook covers or ornaments, three minis to finish as scissor fobs, one small to finishing as pin drum and a lovely welcome!
Pattern is stitched on 32ct Cream Linen using Threadworx floss. Stitch count is 171 x 137.
Model is stitched on 40 ct. Cafe Au Lait by Zweigart using Classic Colorworks, The Gentle Arts, Weeks Dye Works and DMC floss. Stitch count is 404 x 404.
Note from designer: I have designed these patterns to honor the sacrifices the Jewish people endured during the Spanish Inquisition. Includes both designs.
Pattern is stitched on 18ct Colleen by Grace Notes Fabrics using Weeks Dye Works with DMC conversions. Stitch count is "Here I Am" 143 x 91 "Biscornu" 61 x 61
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
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