The final installment in the Dance Series (Reindeer Dance, Bunny Hop & Squirrel Frolic), Butterfly Dance was stitched on #32 Wexford from Silkweaver in the color Deep Caribbean. The following Weeks Dye Works threads were used: Amethyst, Begonia, Buttercup, Emerald, Emma's Pink, Merlin, Monkey Grass & Purple Majesty. DMC & Sullivans thread substitutes are given. Stitch count: 57 W x 57 H
This darling biscornu is based on a quilt square. It was worked on #32 Antique White Lugana using two colors of Sullivan's threads: #45162 & #45470. Stitch count: 64 W x 64 H
This elegant Quaker heart makes a lovely Valentine's Day, Wedding or Anniversary gift. Choose a small alphabet to personalize the design with names, initials and dates. It was worked on 35 ct Weeks Dye Works Kirs Bon Bon. Don't shy away from the dark fabric - use a white cloth on your lap to make... Read more
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more
A three-dimensional cross stitch flower - how fun! I called this five-petal flower a wild rose, because of a sweet memory of a time spent with these flowers in the midwest. But, truly, it can be any five-petal flower, especially keeping in mind that you can change the color.
Peace, in all senses of the word, is needed in our world and perhaps stitching a design that includes that word in 20 different languages can help remind us of that.
A portion of the proceeds of the sale of this chart will be donated to Doctors Without Borders
Model stitched on 32 count Blueberry Pie from Grace Notes Fabrics using DMC floss. Stitch count: 166 x 115.
Cross Stitch pattern from Cosford Rise Stitchery featuring a sampler with flowers and the phrase "O, My love is like the melody. That's sweetly play'd in tune"!
Model stitched using The Gentle Arts thread, two strands over two, on 36 count Cocoa linen by Weeks Dye Works. DMC conversion included. Stitch count: 141W x 339H.
Lydia's sampler is an example of a more decorative Quaker marking sampler containing four different alphabets, six dividing bands, and an often seen swan and birds motif, as well as a floral spray. The colors are muted as in the Quaker style, copying those found in nature. Lydia was a talented young... Read more
The initials appearing on the sampler, SI, in two places, may perhaps indicate the school where the sampler was stitched, and not the initials of the stitcher. The Suir Island Quaker School (SI) was a boarding and finishing school for girls established in 1787 in Clonmel in County Tipperary by... Read more
Jane Hornibrook completed her sampler in March of 1806. She painstakingly stitched in cross stitch the tenets of the Catholic Faith over one and two threads of finely woven 52 count linen. The lettering for the large letters leads one to determine this to be of Irish origin, based on the Benezet... Read more
This sampler is an original design based on the layout of eighteenth century Irish Quaker samplers with the lettering and sampler motifs taken from a Mountmellick Irish Quaker sampler in the collection of Cross Stitch Antiques, Elizabeth Martin circa 1789. The town names at the bottom are the... Read more
Now in a private collection, this sampler was stitched in Lacolle, a southern municipality in Quebec, Canada in 1846 by Emeline Hotchkiss, aged 11. Research reveals an Emeline Hotchkiss was baptized in nearby Laprairie St. Luke's Anglican Church in 1834, around the year our stitcher would have been... Read more
This sampler's appeal was its similarity to Bristol orphanage motifs, bands and alphabets. While clearly not a Bristol school sampler, as it was stitched at Daglingworth School, curiosity leads one to wonder why similar motifs? Daglingworth lies only fifty miles from Bristol, England. It has been... Read more
Several girls named Sarah Welch appear in the historical records born in the year1756, in Devon and Berkshire, England, and so without more information it is hard to say which Sarah stitched this sampler at the age of eight in 1764. History does chronicle what was happening in England at that time:... Read more