This is a revised version of an old design (#113). The original 2015 design has been out of print and I decided to rework it. JABC buttons are included. A cardinal is perched atop a basket of winterberry leaves berries.
Pattern is stitched on Fog Cashel using DMC threads. Stitch count is 80 x 112.
Cross stitch pattern from My Sister's Samplers featuring a sampler!
Pattern is stitched on 35 ct Dark Cappicciono from R&R Reproductions using Gloriana Silk threads (Swamp Grass). Stitch count is 179 x 185. If stitching on a lower count, two skeins of floss would be needed.
Model stitched on 36 Ct. "beige" colored linen from Weeks Dye Works usong Weeks Dye Works threads with DMC conversions. Stitch Count: 287W x 295H. Finished size 16" x 16.5".
A reproduction sampler from Saybrook Village, Middlesex County, Connecticut. "Jannette Kirtland, aged 11 years, Remember thy Creator. Sweet is the dream, divinely sweet, when absent friends in fancy meet."
The model was stitched over 2 threads on 37 Ct. Wild Honey Legacy linen with... Read more
A re-released sampler from Shakespeare's Peddler! Model stitched on 40ct Vintage Pear from Lakeside Linens, using NPI, Gloriana and Belle Soie silks. Stitch count: 402 x 531. Finished size on 40ct: 20" x 26 1/2"
"Dark the night and wild the wave, Christ the boat is keeping, Trust in Him and have no fear, Though he seemeth sleeping." Included with the pattern are four color ways of floss that you can mix to get your perfect palette and four linens for you to choose from (not listed above: 28 count Cocoa, Cappuccino, and Mocha from Weeks Dye Works). Stitch Count: 155x193
"This I have done to let you see how my parents did educated me. Amelia Prescott in the year 1824." Model stitched one over two on 40 Ct. Dapple using Needlepoint Inc. Silk. Stitch Count: 260W x 212H. Design Size: 13" x 10 1/2".
Reproduction cross stitch pattern from Hands Across the Sea Samplers dated 1887.
The sampler has been rated as suitable for all levels of ability. The design is worked in cross stitch over one and two threads of linen and running stitch. The sampler could be stitched over 1 or 2 threads... Read more
I fell in love with the unique border on this diminutive antique sampler the moment I saw it. I've modified the border from the antique to bring what I loved most about it - the subtle gradation of greens - into greater... Read more
"When time who steals our years away
Shall steal our pleasures too
The memory of the past will stay
And half our joys renew
Then think no more of future gloom
These joys will always last
For hope will brighten days to come
And memory guild the... Read more
A collection of 3 designs sharing a similar schoolgirl theme. Alice Garner was stitched on 40 ct. Grey, Clara Beacher was stitched on 40 ct. Legacy or any cream linen, and Edith Greyson was stitched on 40 ct. Aztec Red.
Stitch counts:
Alice Garner: 109 x 70
Clara Beacher: 80 x 80
Edith Greyson: 117 x 61.
Eugenia is a lovely slip of a sampler that I am thrilled to have in my collection and to offer to you. Her name is shared with my grandmother (her middle name), and the sweet bird and poppies grabbed my attention as well, She was a very damaged antique, and had... Read more
Model stitched on 40 ct. Sheep's Straw linen using DMC and Weeks Dye Works thread. Stitch count is 234 x 314. Finished size is approx. 11.7 in wide X 15.7 in high on 40 ct.
The model was stitched using Foxtail Millett by Legacy Linen which is available in 45ct. The comparable colours in Legacy's Linen's range are Victoria Sponge Cake in 30ct, Corn Tassel in 37ct and Sycamore Seedpod in 53/63ct.The model was stitched using Soie 100.3 from Au Ver Soie. We have included below conversions for Soie d'Alger and DMC.
Chart suggests 40 ct. linen in the color of your choice. Thread suggestion for both samplers: Soie d'Alger Rouge 946 (6 meters each). Stitch counts are 139 x 100 and 123 x 91.
Note from the designer - "Acquired in England, one might assume that this classic Quaker motif sampler was made at the Ackworth School in Yorkshire. However the influence of the designs promulgated by the Quaker School needleworkers stretched far beyond the confines of the school's walls. This... Read more
A derivative 17th-century canvas work picture. The Adam and Eve legend was a more popular theme on samplers after the early eighteenth century so this example is quite unusual. The pair are not often seen on earlier needleworks, even though most illustrated bibles of the sixteenth and seventeenth... Read more
This 19th century American reproduction sampler features a brown bird on a tree branch. Rated for beginners. Model stitched on 35 count hand dyed linen using either cotton or silk thread. Two versions of the sampler graph have been furnished: one executed with a drawn partially freehand split and... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "Designed after an early eighteenth century tent stitched picture, this expansive needlework scene depicts many episodes in the life of an affluent English family including its elaborate parterre and gardens, a stately brick and stone house, domestic, exotic and wild... Read more
Note from the designer - "ANN WHITTAKER created an almost comically theatrical sampler depicting Adam and Eve, angels, pious verses, and elaborate meandering vines beneath dramatic multi-colored draperies and tassels. Hovering over the verse which is framed by large columns, are two angels with... Read more
Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more
Note from the designer - "A characteristically northern German sampler, this example from Hamburg consists of random symbolic spot motifs, with a unifying central scene and borders. Religious symbols are commonly found on almost all continental samplers, and Adam and Eve in particular is often... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "This unusual sampler is probably of Scottish origin. The distinctive French-inspired mansion house and the peacocks are commonly found on Scottish samplers. Adam and Eve are realistically stitched in the Garden, by effectively working two quite simple stitches together:... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "This is a very graceful and finely stitched sampler, an unusual combination for the late date. Nine ethereal female figures, like penitents in an Edward Gorey cartoon, march solemnly about the sampler, paying homage to the house. The huge house appears to be welcoming... Read more
Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more
Note from the designer - "This is a beautifully balanced, intensely stitched transitional sampler. Worked originally in brightly colored silk threads on a fine tammy (wool) ground, it features a repeating, four-sided carnation border, surrounding five horizontal bands interspersed by lines of... Read more
Note from the designer - "This Dover, Massachusetts, sampler features an unusual border surrounding alphabetical and numerical tests, and a four-line verse often found on early 19th century American samplers. The colors are remarkably well preserved. The maker, Ann Harding (who was actually... Read more
In the upper register of this finely stitched English sampler there is featured an unusual vignette of Adam and Eve beneath the tree of life (with a menacing black faced serpent) flanked by mirror image brick cottages, followed by a pious verse:
Note from the designer - "This Quaker sampler came from the vicinity of York, England, where a Quaker school existed at the same time as the more famous Ackworth School, not far from there. The Parnell name is still fairly common in the district, and the family was Quaker.
Linen count and finished size: 35-count 18-3/4" x 24"; or 40 count 16-1/2" x 21"
Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more
There is so much going on in this fascinating English sampler that it's hard to know where to begin looking. Apart from the somewhat conventional Adam and Eve at the top center, adorable flying cherubs flank them and the apple tree, bearing gold rings and sprays of flowers. The verse is as... Read more
Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more
Note from the designer: "This band sampler was designed after a piece in the collection of the Fitzwilliam Museum, most remarkable for the colorful, solidly filled geometric and floral sections. It also features double running stitch sections found on Italian embroideries of the sixteenth and... Read more
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more
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