Reproduction Samplers Cross Stitch Page 5

This design features the text "Vivez longtemps soyez heureux Bien chers Parents ce sont mes voeux." A wish from a child to her parents, for long and happy lives. They are surrounded by birds and flowers, while shepherding lambs in the French countryside.

Stitch count is 339 x 402.

This design from Reflets de Soie has lots of bright pink roses, an alphabet sampler, and the text "Heloise Cornu 1896".

Model stitched on your choice of 16ct Linen by Zweigart using Soie d'Alger thread. Stitch count: 283 x 320.

Cross stitch pattern from Reflets de Soie featuring a beautiful Virgin Mary surrounded by colored motifs.

Pattern is stitched on 40 ct linen using Soie D'Alger silk floss. Stitch count is 312 x 235. Required Au Ver A Soie Soie d'Alger 2928 and 3996 have been discontinued.

Note from the designer - "This sweet English sampler is the first I've ever seen with a border made up of flying cherubs. It also features a "geode" (mosaic) parrot- a distinctively stylized bird that appears on other samplers made in England, New England, and the Netherlands throughout... Read more about Elizabeth Eyles 1799 - Cross Stitch Pattern

Note from the designer - "Rhode Island samplers were among the first American schoolgirl embroideries to be recognized by serious collectors and textile scholars as a distinctive group with extraordinary visual appeal. The Sheffield sampler is delicately worked with an unusually pleasing... Read more about Elizabeth Sheffield 1784 - Cross Stitch Pattern

This reproduction sampler is from the Ackworth Quaker School and is dated 1800. It is rated for beginners.

Linen count and finished size: 35 or 40 count using either cotton or silk floss, 19" x 21" or 17" x 18-1/2"

Chart only.

A derivative 17th-century canvas work picture. The Adam and Eve legend was a more popular theme on samplers after the early eighteenth century so this example is quite unusual. The pair are not often seen on earlier needleworks, even though most illustrated bibles of the sixteenth and seventeenth... Read more about And All Was For An Appil - Cross Stitch Pattern

This sampler features a lion, a camel, and large colorful flowers. The design was stitched over 2 threads on 40 Ct. linen and is suitable for all skill levels. The stitch count for each design is 244 W x 230 H. The finished piece will measure approximately 12-1/2″ x 11-1/2″.

This 19th century American reproduction sampler features a brown bird on a tree branch. Rated for beginners. Model stitched on 35 count hand dyed linen using either cotton or silk thread. Two versions of the sampler graph have been furnished: one executed with a drawn partially freehand split and... Read more about Bird in Bough - Cross Stitch Pattern

Note from the designer - "This picture was originally designed to be used as a cushion or footstool cover, or perhaps as a decorative vignette inserted into the top of a wooden box for storing precious objects. Executed entirely in cross stitch, its most prominent characters are a large squirrel... Read more about Elizabeth's Squirrel - Cross Stitch Pattern

Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more about Mary Bailey 1818 - Cross Stitch Pattern

Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more about Ann Scutt circa 1675 - Cross Stitch Pattern

Note from the designer - This is the most symmetrical, balanced, counted thread sampler that we have ever charted from. It is also one of the most satisfying, challenging, and beautiful samplers in the world. Originally worked on a fine wool ground, the colors of our reproduction have been matched... Read more about Dorcas Haynes 1720 - Cross Stitch Pattern

This English sampler was made in Sheffield, South Yorkshire, featuring the Sheffield General Infirmary, a verse, a fashionably dressed man and woman, and a collection of animals in the lawn in front (sheep, fox, squirrels, rabbit, dog), all surrounded by a four sided berry border.

The... Read more about Elizabeth Gray 1832 - Cross Stitch Pattern

Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more about Elizabeth Eaton 1712 - Cross Stitch Pattern

This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more about Elizabeth Topham 1727 - Cross Stitch Pattern

Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more about Fanny Peachey Circa 1810 - Cross Stitch Pattern

Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more about Frances B Jones 1817 - Cross Stitch Pattern

Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more about Freelove Hazard 1792 - Cross Stitch Pattern

"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."

Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more about Grazing Sheep circa 1810 - Cross Stitch Pattern

Note from the designer: "The flight into Egypt is a biblical event described in the Gospel of Matthew. Soon after Mary and Jesus were visited by the Magi, who had learned that King Herod intended to kill the male infants in that region, an angel appeared to Joseph in a dream telling him to flee... Read more about Harriot Ringrose 1852 - Christian Cross Stitch Pattern

Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more about Isabella Robeson circa 1809 - Cross Stitch Pattern

Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more about Katharine Mitchel circa 1785 - Cross Stitch Pattern

Hannah Cummins stitched her sampler in Stockton, England in 1828 when she was 9 years old. A photo of the antique sampler is included in the package. "My thoughts before they are my own are to my God distinctly known. He knows the words I mean to speak ere from opning lips they break.

... Read more about Hannah Cummins - Cross Stitch Pattern

Rosa's sampler has been reproduced on 56 fabric of your choice with Au Ver A Soie - Silk 100/3. Stitch count is 126x170. Finished size on 40 count is 6.3" x 8.5". Stitched on fabric of your choice.

Also required, but currently out of production - Au Ver A Soie Silk 100/3 #410. ... Read more about Rosa Sugars 1881 - Cross Stitch Pattern

Model was stitched on 52/60 Ct. Sycamore Seedpod linen by Legacy Linen, using Soie Surfine 2681. You can use whatever fabric you prefer, with whatever shade of red you'd like! The chart recommends Soie d'Alger 936 or 945, Soie 100.3 335 (previously 2646), 499, 500 or 779 OR Soie Surfine 2681... Read more about Mary 395-1869 - Cross Stitch Pattern

Model stitched over 2 threads on 32 Ct. Gray linen by Weeks Dye Works with DMC floss, Weeks Dye Works and Classic Colorworks floss. Stitch Count: 76W x 79H. Finishing instructions included.

Model stitched over two on 40 Ct. Beige by Weeks Dye Works using Kreinik Silk Mori (4073,4096, 4166e, 4204a, 4214, 7025 Needlepoint Inc. Classic Colorworks. Stitch Count: 186W x 424H. Finished size is approx 9.3 in wide X 21.2 in high.

Pattern by Pineberry Lane features an antique sampler reproduction and pinkeep pattern from a young girl named Sarah Platt originally stitched in 1811.

Model stitched over two on 36 Ct. linen using Weeks Dye Works and Gentle Arts threads. Stitch count: 102 x 151 and the finished size is 5.67" x 8.39".

Model stitched over two threads on 36 Ct. Vintage Beeswax by R&R Reproductions using Weeks Dye Works, Classic Colorworks and DMC. Stitch Count: 116x72.

Model stitched over two threads on 36 Ct. Vintage Lentil by Lakeside Linens using DMC floss. Stitch Count: 114x151.

Model stitched over 2 threads on 35 Ct. Gray linen with Weeks Dye Works floss. Stitch Count: 232W x 152H. Design Size: 13" x 9".

Model stitched on 32 Ct. Ale Linen using Gentle Art Sampler Threads and Weeks Dye Works threads. Stitch count is 135W x 131H.

Model stitched over 2 threads on 36 Ct. Parchment linen by Weeks Dye Works with DMC floss. Stitch Count: 221W x 223H.

Model stitched over 2 threads on 36 Ct. Aspen linen by Picture This Plus with Classic Colorworks floss and Weeks Dye Works floss. Stitch Count: 123H x 255W. Finished Size: 7" x 15"

"See the kind shepherd Jesus stands and calls his sheep by name gathers the feeble in his arms and feeds each tender lamb. Sarah Stewart Hardman Work Age 7 1824"

Model stitched on 28 Ct. Vintage Light Examplar using Classic Colorworks. Also can be stitched with Tudor Silk. Stitch... Read more about Sarah Stewart Hardman 1824 - Cross Stitch Pattern

Model stitched on 40 Ct. Vintage Meadow Rue using Soie d'Alger. Stitch count is 292W x 523H. Design is 14.7" x 36.15"

Model stitched on 36 Ct. Vintage Meadow Rue using Soie d'Alger. Specialty stitches used are satin stitch, four sided stitch and 2 different variations of a rice stitch. Stitch count is 240W x 271H. Finished Size is 13.33" x 15.06" Color Chart.

Model stitched two over two on 32 Ct. Colonial Parchment using Gentle Art Sampler Threads and Classic Colorworks. Also required for the chenille trim, but not listed above Lady Dot Creates Thundercloud. Stitch Count: 51W x 51H. Design Size: 3" x 3".

Pattern by Scarlett House featuring a vintage inspired sampler design originally stitched by Elizabeth Hunter in 1853.

Model stitched one over two on 40 Ct. Sand Dune from Lakeside Linens using Classic Colorworks and Weeks Dye Works. Stitch count: 191W x 197H. Design size is 9 1/2" x 9 3/4"

Model stitched one over two on 36 Ct. Doubloon using Classic Colorworks, Gentle Art Sampler Threads, and Weeks Dye Works. Stitch count for Mat: 166 x 119, for Needlebook: 54 x 52, for Fob: 22 x 22.

Model stitched on 36 Ct. Pecan Butter from Lakeside Linens using Soie d'Alger threads. Stitched mainly in cross stitch over 2 linen threads with a small amount of cross stitch over 1 linen thread. Stitch Count: 266W x 301H. Design size: 14.78" x 16.72"

Model stitched one over two on 40 Ct. Wren using Weeks Dye Works. Stitch Count: Front 74W x 88H, Back 77W x 106H. Finished Size: 3 1/4" x 4 3/4" Finishing Instructions Included.

Model stitched over two on 40 Ct. Vintage Sand Dune using Glorianna Silk. Stitch Count: 246W x 280H. Finished Size: 18.3" x 20"

Model was reversibly stitched over two and three threads on 36 Ct. linen of your choice using Soie d'Alger. Specialty Stitches Used. Stitch Count: 258W x 304H. Finished Size: 7.78" X 27.22"

"Yea though I walk through the valley of the shadow of death I will fear no evil for thou art with me."

Model stitched over two on 40 Ct. Parchment from Weeks Dye Works, using Au Ver A Soie - Soie d'Alger. Soie 100.3 and DMC equivalents given. Stitch Count: 303W x 324H. Design Size: 15.15" x 16.20"

Model stitched one over two on 36 Ct. Vintage Sand Dune linen from Lakeside Linens using Au Ver A Soie. Also required, but not listed above #2578, #945 from Au Ver A Soie. Stitch Count: 249W x 250H. Design Size: 15.56" x 15.62"