Note from the designer - "This sweet English sampler is the first I've ever seen with a border made up of flying cherubs. It also features a "geode" (mosaic) parrot- a distinctively stylized bird that appears on other samplers made in England, New England, and the Netherlands throughout... Read more
Note from the designer - "Rhode Island samplers were among the first American schoolgirl embroideries to be recognized by serious collectors and textile scholars as a distinctive group with extraordinary visual appeal. The Sheffield sampler is delicately worked with an unusually pleasing... Read more
This sampler features a lion, a camel, and large colorful flowers. The design was stitched over 2 threads on 40 Ct. linen and is suitable for all skill levels. The stitch count for each design is 244 W x 230 H.
Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more
Note from the designer - "This picture was originally designed to be used as a cushion or footstool cover, or perhaps as a decorative vignette inserted into the top of a wooden box for storing precious objects. Executed entirely in cross stitch, its most prominent characters are a large squirrel... Read more
Note from the designer - "This finely stitched German sampler begins with a single row of alphabets above an immensely intricate collection of symbolic cross stitched motifs, including battling angels, the figure of Justice with her scales, the spies of Canaan, the crucifixion, Adam and Eve... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
A unique four-sided geometric border is the highlight of this American sampler, consisting of nine rows of letters and numerals surrounded by a counted satin stitch sawtooth inner border. The design looks like something that might have inspired the Dutch artist Piet Mondrian. I have not been able... Read more
Note from the designer - "At the age of fourteen, Mary Lee stitched this beautiful band sampler with a good assortment of flowers, birds, swans, squirrels, and other traditional motifs. Worked into the center of a band in tight, precise stitches, is the cautionary aphorism "In thy youth... Read more
Note from the designer - "A characteristically northern German sampler, this example from Hamburg consists of random symbolic spot motifs, with a unifying central scene and borders. Religious symbols are commonly found on almost all continental samplers, and Adam and Eve in particular is often... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "This unusual sampler is probably of Scottish origin. The distinctive French-inspired mansion house and the peacocks are commonly found on Scottish samplers. Adam and Eve are realistically stitched in the Garden, by effectively working two quite simple stitches together:... Read more
Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more
Note from the designer: "Who would love this world or prize whats in it
that gives and takes and chops and changes every minute.
This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more
Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
All that is known of the sampler are the stitcher's initial - ES. The sampler appears to be English and from around the mid 19th Century.
The model was stitched over 2 threads on 36 Ct. Light Sand linen with Needlepoint Inc Silks (DMC conversions are provided). Stitch Count: 114W x 164H. Finished Size: 5 5/8" x 8 1/8"
Model stitched over two on 36 Ct Stars Hollow Blend by R&R Reproductions using Classic Colorworks, Weeks Dye Works and Gentle Art threads. Stitch count 150x81.
Model stitched over two on 32 Ct. Parchment Linen by Weeks Dye Works using DMC floss. Stitch count 79h x 74w.
Additional supplies needed: Backing fabric (cotton) approximate size 9"x7", small piece of cardboard for the bottom, cord or ribbon for bow, and fiber-fill for stuffing.
Model stitched over 2 threads on 40 Ct. Onyx linen by Weeks Dye Works with Classic Colorworks and Weeks Dye Works floss (or DMC 400, 610, 647, 833, 898, 3857, 640, 370, 3051, 918, 310). Stitch Count: 89W x 81H. Finished size is 4.45 in wide X 4.05 in high.
Models stitched over 2 threads on 36 Ct. Vintage Light Examplar by Lakeside Linens with DMC floss. Stitch count for each design is approximately 43x49.
Model stitched over two on 32 Ct. Raw Natural Belfast Linen using Gentle Arts threads. Stitch Count for Front: 50x76. Design Size: 3" x 5". Stitch Count for Back: 53x78. Design Size; 3" x 5".
Model stitched over 2 threads on 36 Ct. Aspen linen by Picture This Plus with Classic Colorworks floss and Weeks Dye Works floss. Stitch Count: 123H x 255W. Design Size: 7" x 15"
"Next unto God Dear Parents I address Myself to you in Humble Thankfulness For all your care and Charge on me bestowed The means of Learning unto me Allowed Go on I pray and Let me still Pursue Those Golden Arts the Vulgar never knew."
Model stitched one over two on your choice... Read more
Model stitched one over two on your choice of 36 Ct. fabric using Soie d'Alger. Also required but not listed above 163, Stitch count is 309W x 319H. Design size is 17.17" x 17.72"
Model stitched on 36 Ct. Pecan Butter from Lakeside Linens using Soie d'Alger threads. Stitched mainly in cross stitch over 2 linen threads with a small amount of cross stitch over 1 linen thread. Stitch Count: 266W x 301H. Design size: 14.78" x 16.72"
Model stitched two over two on 40 Ct. Espresso from R&R Reproductions using Classic Colorworks and DMC floss. Stitch Count: 426W x 186H. Design Size: 21 1/4" x 9 1/4"
Model stitched over two on 36 Ct. Beige linen using Gentle Art Sampler Threads, Weeks Dye Works, and DMC floss. Stitch Count: 156W x 164H. Design Size: 8 5/8" x 9"
"O my soul, what canst thou do, with eternity in view? Flee to Jesus, flee away not to-morrow, come to-day, come this moment, for to thee, next may be eternity."
Model stitched one over two on 40 Ct. Pecan Butter linen using Soie d'Alger threads. Stitch Count: 320W x 378H. Design Size: 16" x 18.90".
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