A reproduction sampler from Reflets de Soie, worked all in red, featuring 6 alphabets and "Emerence Van Shembrouck Ostende 1896."
Model stitched on 16 ct. Zweigart linen using DMC and Soie d' Alger thread. Stitch count is 293 x 307.
This design by Reflets de Soie features an alphabet and number sampler with lots of flower. The bottom of the design reads "Marie Soulard Cholet Annee 1896".
Model stitched on 40ct Linen of your choice using Gloriana thread.
Stitch count: 455 x 432.
Note from the designer - "Reproduction of a French sampler dated 1888.
Claudia was 8 years old when she embroidered her sampler. A very elegant monochrome sampler."
Model stitched on 40ct Linen using Soie d'Alger thread.
Stitch Count: 259 x 260.
Cross stitch pattern from Reflets de Soie featuring a beautiful Virgin Mary surrounded by colored motifs.
Pattern is stitched on 40 ct linen using Soie D'Alger silk floss. Stitch count is 312 x 235. Required Au Ver A Soie Soie d'Alger 2928 and 3996 have been discontinued.
Note from the designer - "This sweet English sampler is the first I've ever seen with a border made up of flying cherubs. It also features a "geode" (mosaic) parrot- a distinctively stylized bird that appears on other samplers made in England, New England, and the Netherlands throughout... Read more
Note from the designer - "This design was inspired by an early eighteenth century English picture executed in tent stitch." The designs features a lion, a leopard and a parrot surrounded by bright flowers.
The design is stitched over one thread on 35 Ct. linen. It uses cross stitch,... Read more
This Irish Quaker sampler features an alphabet at the tope, verse, bands, and flowers. The verse reads "Great Almighty God above plant in my heart a fund of love, that I my mercies may adore and bless and praise thee evermore."
Model is stitched on 40 ct linen using either cotton or silk floss. Stitch count is 181 x 477.
Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "This is a very graceful and finely stitched sampler, an unusual combination for the late date. Nine ethereal female figures, like penitents in an Edward Gorey cartoon, march solemnly about the sampler, paying homage to the house. The huge house appears to be welcoming... Read more
Note from the designer - "As the purpose for making samplers evolved over the decades and the centuries, so did its form. This beautiful early 18th century English band sampler retains the shape of her predecessors, but has clearly changed into a form distinctly recognizable as a product of her... Read more
This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more
Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more
Note from the designer: "A gift from the collection of Rosalind and Edwin Miller to the museum. Emma Lerch was born in Northampton County, Pennsylvania, in 1830, and she stitched this sampler in her thirteenth year. It is a very simple work, with a lovely meandering floral border. While perhaps... Read more
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
Note from the designer: "Samplers worked with black backgrounds are unique to New England, and this one is designed after a late 18th century Massachusetts piece. A portly clergyman is depicted strolling between a fashionable lady under a parasol, and a church or meeting -house; with a frisky... Read more
"Come to the Garden. Thy senses shall be overjoyed."
Model stitched one over two on 40 Ct. Colonial Parchment Linen from Handmade by Stephanie using DMC floss, Classic Colorworks, Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 225x295. Design Size: 11.25" x 14.25".
Model stitched two over two on 32 Ct. Cornsilk using DMC floss, Classic Colorworks and Weeks Dye Works. Stitch Count: 198x198. Design Size: 12 3/4" x 13".
Model stitched over 2 threads on 28 Ct. Amber/Toasted Almond linen with DMC floss and Gentle Art Sampler threads. Stitch Count: 178W x 165H. Finished size: 5" x 10 10 1/2", Finishing instructions included.
Model stitched two over two on 29 Ct. Cottonfields Glenshee Line from The Hearts Content using DMC floss. Stitch count: 96W x 674H. Design size: 44 2/3" x 6 3/8"
"Our life is never at a stand, Tis like a fading flower. Death, which is always near at hand, comes nearer every hour. And those who are now young and gay, like roses in their bloom, will very soon be old and grey, and wither in the tomb. Then let us all prepare to die, since death is near and... Read more
The model was stitched over 2 threads on 32 Ct. Parchment linen with Classic Colorworks threads, Weeks Dye Works floss, and Gentle Art Sampler threads. Stitch Count: 156W x 153H. Finished size: 9 3/4" x 9 1/2".
This is a reproduction of an antique European sampler, circa 1790. Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss, Gentle Art Sampler threads and DMC floss. Stitch Count: 326W x 186H. Finished size: 16 1/4" x 9 1/4".
"Little deeds of kindness, little words of love make our earth an Eden like to heaven above. Elizabeth A Wenden October 1864." Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss (or DMC 939). Stitch Count: 170W x 187H. Finished size: 8 1/2" x 9 1/4".
The model was stitched over 2 threads on 35 Ct. Straw linen by Weeks Dye Works with The Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 151W x 208H. Finished size: 8 3/4" x 11 3/4".
Model stitched over 2 threads on 30 or 35 Ct. "linen" colored linen with Weeks Dye Works Pea Coat or DMC 336. Stitch Count: 290x277. If stitched on 30 Ct. fabric, the finished size is 19.5" x 18.5" and will required 10 skeins of Weeks Dye Works floss or 6 DMC. If stitched on 35 Ct.... Read more
Model stitched over two threads on 32 Ct. Antique White Belfast linen with Classic Colorworks, Weeks Dye Works floss and DMC floss(or all DMC 818, 962, 600, 3053, 3052, 469, 935, 862, white). Stitch Count: 86W x 133H. Finished size: 5.4" x 8.3".
Model stitched on 14 Ct./28 Ct. Fairy Dreams Jobelan from Polstitches (or fabric of your choice) with DMC floss, Kreinik #4 Braid and Mill Hill beads. Stitch Count: 153W x 185W. Finished size: 10 7/8" x 13 1/8".
801-495-0908
⇅
Cart
Wishlist
