This is a companion piece for the Ann Harper 1839 sampler. It includes charts for the Pin Drum and Pin Cushions, as well as full instructions for constructing the Pin Drum. Pin Drum Stitch Count 270w X 105h. The model was stitched on Fox and Rabbit 36ct Desert Taipan Linen using DMC and Weeks Dye Works threads.
Dreaming of Daisies is an original sampler. Stitch Count 215w X 159h. The sampler was stitched on Fox and Rabbit 40 Count Saltbush linen, using Colour and Cotton threads not listed (Coal, Chestnuts Roasting, Snowflake, Tree Lot, Tulle, Witches Brew, Bobbins, Tadpole). DMC alternatives provided.
Where There Are Bees There Are Flowers is an original sampler, combining Karen's love of big houses and bees. Stitch count 235w X 238h. The sampler was stitched on Fox and Rabbit 40 count Saltbush linen, using Colour and Cotton threads not listed (Bumblebee, Coal, Chestnuts Roasting, Iron,... Read more
Continuing our insect series, They Come at Night celebrates Lunar Moths. Stitch Count 185w X 185h. The model was stitched on Fox and Rabbit 40ct Black Swan linen using DMC threads.
Pattern is stitched on 40 count Black Swan linen ( suggested fabric listed) using DMC threads. Stitch count is 185 x 185.
Strawberry Dream is third in the series, From Trudy's Kitchen. The stitch count is 81 wide by 96 high. The model was stitched in DMC (Needlepoint Silk conversions are provided) on 32ct Needle Bling Designs & Hand Dyed Linens' Shrekie's Tan. Stitch count is 81 x 96.
Cross Stitch pattern from Cosford Rise Stitchery featuring a joyful spring scene with frolicking rabbits!
Model stitched using Roxy Floss, two strands over two, on 32 count Panettone linen by Roxy Floss Co. DMC conversion included. Stitch count is 130W x 162H
Cross Stitch pattern from Cosford Rise Stitchery featuring a sampler with flowers and the phrase "O, My love is like the melody. That's sweetly play'd in tune"!
Model stitched using The Gentle Arts thread, two strands over two, on 36 count Cocoa linen by Weeks Dye Works. DMC conversion included. Stitch count: 141W x 339H.
About the Sampler: Given the few clues provided, a scattering of initials and a year only, it is impossible to know more about the stitcher of this lovely sampler with its motifs of delicately arching floral stems, oval leafed cartouche, paired birds and potted florals. The motifs themselves are... Read more
The initials appearing on the sampler, SI, in two places, may perhaps indicate the school where the sampler was stitched, and not the initials of the stitcher. The Suir Island Quaker School (SI) was a boarding and finishing school for girls established in 1787 in Clonmel in County Tipperary by... Read more
Jane Hornibrook completed her sampler in March of 1806. She painstakingly stitched in cross stitch the tenets of the Catholic Faith over one and two threads of finely woven 52 count linen. The lettering for the large letters leads one to determine this to be of Irish origin, based on the Benezet... Read more
An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
This sampler is an original design based on the layout of eighteenth century Irish Quaker samplers with the lettering and sampler motifs taken from a Mountmellick Irish Quaker sampler in the collection of Cross Stitch Antiques, Elizabeth Martin circa 1789. The town names at the bottom are the... Read more
Now in a private collection, this sampler was stitched in Lacolle, a southern municipality in Quebec, Canada in 1846 by Emeline Hotchkiss, aged 11. Research reveals an Emeline Hotchkiss was baptized in nearby Laprairie St. Luke's Anglican Church in 1834, around the year our stitcher would have been... Read more
This sampler's appeal was its similarity to Bristol orphanage motifs, bands and alphabets. While clearly not a Bristol school sampler, as it was stitched at Daglingworth School, curiosity leads one to wonder why similar motifs? Daglingworth lies only fifty miles from Bristol, England. It has been... Read more
Several girls named Sarah Welch appear in the historical records born in the year1756, in Devon and Berkshire, England, and so without more information it is hard to say which Sarah stitched this sampler at the age of eight in 1764. History does chronicle what was happening in England at that time:... Read more
This chart contains all sixteen pattern pages from a tiny paper pattern album passed out as a souvenir in 1851 at Prince Albert's Crystal Palace Great Exhibition. They were mass produced inexpensively but are rarely found today due to the nature of the flimsy paper and the effects of time. Other... Read more
The proud image of the lion is everywhere in Venice; gazing down from buildings, looking out from the keystone of an archway, or standing on fluted columns. The more you look, the more you see: no one knows how many there are. There are plenty of Lions throughout Venice for Leo lovers to enjoy. Best... Read more
Proverbs 31:19- "She Layeth her hands to the spindle and her hands hold the distaff"
A distaff is a tool used in spinning. It is designed to hold the unspun fibers, keeping them untangled and thus easing the spinning process. It is most commonly used to hold flax and wool, but can... Read more
Note from designer: I have designed these patterns to honor the sacrifices the Jewish people endured during the Spanish Inquisition. Includes both designs.
Pattern is stitched on 18ct Colleen by Grace Notes Fabrics using Weeks Dye Works with DMC conversions. Stitch count is "Here I Am" 143 x 91 "Biscornu" 61 x 61
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
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