Cross Stitch pattern from Silver Creek Samplers featuring a lovely needle case with the phrase "Carpe Acus. Seize the needle"!
Stitched on 'Latte' 18ct Aida by Fiber on a Whim using Treenway Silks. DMC alternatives provided. Stitch counts are 36 x 57 and 43 x 17. Finished pouch size on 18 count is 5" x 3 1/4".
Cross Stitch pattern from Silver Creek Samplers featuring a beautiful sun or moon!
Moon stitched on 'Sapphire' 18ct Aida from Fiber on a Whim.
Sun stitched on 'Cornflower' 18ct Aida from Fiber on a Whim.
Stitch count is 77 x 77. Finished Size: 4 1/4" x 4 1/4"
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
This is a beautiful sampler from Norwich (Norfolk, United Kingdom), possibly stitched at a school run by one Mrs. Wright or her descendent (hence the initials "MW" below Elizabeth's name in the attribution). A list of teachers in Norwich in 1783 includes Wright, Massey, and Cheetleburgh. The... Read more
Note from the designer - "Although there has not been the extensive research and study of English Quaker samplers as there has been of their American counterparts, we believe that this sampler was created under the tutelage of a Quaker sewing instructress in England. The fine bleached linen and... Read more
Note from the designer - "Samplers depicting children - particularly such large children - are uncommon. Not only the children make this an outstanding sampler, but also the multi-floral border, the charming verse, the scene at the top with its menagerie of creatures, and the beautiful... Read more
Note from the designer - "This wonderful English sampler has to be an original inspired composition by a very clever young girl with a singular artistic vision! Potbellied cherubs fly trumpeting alongside a doughy, asexual Adam and Eve, beneath whom perch an enormous plumed Bird of Paradise on a... Read more
Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15 1/2" x 12 1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71 by 62 squares on the graph,... Read more
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
The Temperance Movement of the early nineteenth century began in the United States prior to 1808. Preachers, most notably John Bartholomew Gough, promulgated a pledge of abstinence from members of his congregation. While temperance efforts have existed as long as spirits have, the movement was not... Read more
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
This English sampler features a three-sided floral border surrounding thirteen lines of alphabets, neatly cross-stitched in several different lettering styles. Mary Wagstaff was likely born in Huyton, Lancashire in 1809, completing this sampler when she was ten years old. She passed away in... Read more
This is an expansive English sampler with an unusual four-sided leafy branch and floral border, centering a very busy reserve filled with baskets of fruits and flowers, stylized trees and plants, birds, lions rampant, butterflies, rabbits, and stags. A large building/mansion/institution is at the... Read more
Here is a dainty and colorful mid-eighteenth-century English sampler executed entirely in cross and petit point stitches making it a suitable project for any skill level.
A four-sided arcaded border of daisies and dianthus surrounds three pious verses with delicate horizontal floral bands... Read more
This cross stitch pattern shows a lovely young witch with a long ponytail sitting and reading a book to her adorable little black kitten. Second design in my "The Magic of Books" series.
Pattern is stitched on 14 count White using DMC threads. Stitch count is 70 x 88.
Note from designer: I love decorating the Christmas tree and this ornament series is sure to please! Inspired by Victorian paper ornaments, these fun ornaments combine my love of stitching with my love of paper crafting. Once stitched, the excess perforated paper is carefully cut away, which gives... Read more
Part two in Summer House Stitche Workes 10 Year Anniversary Fragments in Time series. The design features a historic stone house situated amongst apple trees.
Pattern is stitched on 40 ct. Colonial Parchment from Fabrics by Stephanie. Individual Fragments stitch counts are 51 x 51. Stitched with border pattern: 245 (w) x 125 (h)
Number Three is the home of my great-great grandmother. She became one of my stitching inspirations when I found a little snippet of linen with the tiniest cross stitches when I was a girl. How did she ever see to stitch them? It is tucked under the model in the image.
Note from the designer: Number Five is an elegant Victorian brick house on the banks of the Susquehanna River. My great, great aunt & uncle resided here. My uncle was a composer and they met while they were both attending the Boston Conservatory of Music. My aunt was from a wealthy family, so... Read more
Note from the designer: Number Six features my husband's great grandparents home. It is the only one in the series that lies outside of Central PA and is in New Jersey. We have a portrait of his great grandmother hanging in our living room. She was a quilter and we are fortunate enough to have... Read more
Cross stitch pattern from Sister Lou Stitches featuring the phrase "Espresso yourself, Stay grounded. Better latte than never, Take life one cup at a time, Take time to smell the coffee"!
Pattern is stitched on 18 Count Vintage Stormy Clouds with DMC Floss. Stitch count is 120 x 120.