An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
Note from the designer: A marking sampler reproduction featuring an optional verse, this is part of my marking sampler series and includes another collectible full-color alphabet card. Louisa used a soothing color palette with interesting dividing bands - it's a unique and lovely sampler.
Where There Are Bees There Are Flowers is an original sampler, combining Karen's love of big houses and bees. Stitch count 235w X 238h. The sampler was stitched on Fox and Rabbit 40 count Saltbush linen, using Colour and Cotton threads not listed (Bumblebee, Coal, Chestnuts Roasting, Iron,... Read more
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
Cross Stitch pattern from Lucy Beam Love in Stitches featuring a sampler with the alphabet!
The model was stitched on 36ct. Small Potatoes from Lapin Loops, fabric suggestion listed using Weeks Dye Works and Gentle Arts threads. Stitch count is 139 x 245.
This pattern from Little Robin Designs features two elements from an old sampler by Grace Gill in 1838.
Pattern is stitched on 40 ct Tobias from Seraphim using Classic Colorworks, Gentle Arts, and Weeks Dye Works threads. Stitch counts are 65 x 57 and 71 x 65.
This sampler features a house, trees, flowers and the saying "In books, or work or healthful play, let my first years be past that I may give for every day some good account at last."
Pattern is stitched on 40 Count Beige, suggested fabric listed, using Classic Colorworks and Gentle Arts and Weeks Dye Works threads. Stitch count is 237 x 201.
Sampler design from Teresa Kogut featuring the phrase "Remembrance is the sweetest flower of all this world's perfuming. Memory guards it sun and shower. Love keeps it blooming"!
Pattern is stitched on 40 ct Legacy by Picture This Plus using Classic Colorworks and DMC threads. Stitch Count 173 x 193.
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more
Cross stitch pattern from My Sister's Samplers featuring a sampler!
Pattern is stitched on 46 ct Winter Woolens by Seraphim Fabrics using Gloriana Silk with DMC conversion. Gloriana Silk not listed: Peach Mimosa and Tudor Silk Northern Lights. Stitch count is 267 x 370.
Cross stitch pattern from My Sister's Samplers featuring a sampler!
Pattern is stitched on 36 ct Over the Moon from Colour and Cotton. Colour and Cotton threads not listed: Solstice, Spring Moss, Maize, Adobe(2), and Tusk(3). DMC conversion included. Stitch count is 211 x 228.
Cross stitch pattern from My Sister's Samplers featuring a sampler!
Pattern is stitched on 35 ct Dark Cappicciono from R&R Reproductions using Gloriana Silk threads (Swamp Grass). Stitch count is 179 x 185. If stitching on a lower count, two skeins of floss would be needed.
Cross stitch pattern from NeedleWorkPress featuring a sampler with the phrase "Life, He lives long that lives well and time misspent is not lived but lost"!
Model is stitched on 36 count Saltbush linen by Fox and Rabbit using Classic Colorworks threads. Stitch count is 126 x 162
Hannah Alexander, a Sweet Little Sampler, is my first reproduction sampler
Hannah Alexander is stitched on 36 count Hawthorne by Needle and Flax, fabric suggestion is listed, using Au Ver A Soie threads. Stitch Count is 106 x 131
I am delighted to share this antique with you. It is from 1840 of Dutch origin. The sampler had lots of great motifs and I loved the top rows of crowns and shields, but the composition did not please me, it had large blank spots on it. I saw this piece as more enjoyable in the vertical format as... Read more