Reproduction Samplers Cross Stitch Patterns Page 17

Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more about Fanny Peachey Circa 1810 - Cross Stitch Pattern

Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more about Frances B Jones 1817 - Cross Stitch Pattern

What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more about Frances Marshall 1838 - Cross Stitch Pattern

Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more about Freelove Hazard 1792 - Cross Stitch Pattern

Note from the designer: "Who would love this world or prize whats in it that gives and takes and chops and changes every minute.

This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more about Grace Catlin 1719 - Cross Stitch Pattern

"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."

Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more about Grazing Sheep circa 1810 - Cross Stitch Pattern

Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:

... Read more about Hannah Breed 1756 - Cross Stitch Pattern

Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more about Hannah Mosher 1798 - Cross Stitch Pattern

Note from the designer: "A beautiful meandering four-sided floral border in an unusually rich color palette surrounds this traditional Scottish sampler, also featuring a beautiful arcaded floral band at the top and a substantial mansion house in the lower register. Trees, tulips and flying birds... Read more about Helen Vertue 1812 - Cross Stitch Pattern

Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more about A German Sampler Dated 1704 "IES" - Pattern

Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more about Isabella Robeson circa 1809 - Cross Stitch Pattern

Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more about Janet Burnet 1830 - Cross Stitch Pattern

This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more about Katie Sym 1769 - Cross Stitch Pattern

Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more about Katharine Mitchel circa 1785 - Cross Stitch Pattern

Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more about Rose Shenamon Mitchell 1816 - Cross Stitch Pattern

Agnes Binnie was born in Stirlingshire, Scotland, on March 22, 1808, to Robert Binnie and Mary Addie. She married James Barclay on March 16, 1832, in Falkirk, Stirlingshire. The couple had at least six sons and three daughters. Around 1870 they emigrated to Scotland Township in McDonough, Illinois.... Read more about Agnes Binnie 1824 - Cross Stitch Pattern

This wonderfully symmetrical English sampler features a pair of silky floating swans and large twin sunflowers, executed in a rich natural palette of color. Birds fly over the tops of three flower-trees in the top third. A sumptuous basket of fruit is stitched between the golden swans, and towering... Read more about Jane Smith 1814 - Cross Stitch Pattern

This is a reproduction of an English sampler made in Bradford, Yorkshire, that shows distinct influences of Scottish needlework traditions, particularly in the illuminated alphabets. The bold primary colors were reproduced from the front of the original sampler, which retains its amazing... Read more about Sarah Hutchinson 1762 - Cross Stitch Pattern

This design was excerpted from the top of an early nineteenth-century English sampler. It features an unusual and amusing hunting scene with a solo hunter on horseback pursuing a single hapless stag with a pack of ten spotted hounds on its trail.

The verse reads: Give me O Lord thy early... Read more about Mary Randal 1803 - Cross Stitch Pattern

This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."

The work is extremely fine and accomplished,... Read more about Elizabeth Ginger 1735 - Cross Stitch Pattern

This mid-eighteenth-century Scottish band sampler features many classic seventeenth-century patterns, executed in cross, eyelet, double running, counted satin, back, and queen stitches.

The virtually unfaded color was reproduced from the front of the sampler. Six pattern bands precede... Read more about MS Dated 1752 - Cross Stitch Pattern

Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more about Susan Weeks Marking Sampler - Cross Stitch Pattern

This sampler is an adaptation from a sampler in my collection.

Model stitched on 36 ct Straw from Weeks Dye Works using Weeks Dye Works threads. Stitch count is 298w x 366h. Finished size is 16.56" x 20.33".

Not only do I love the colors Agness used to stitch her sampler but I love how she ran out of room to stitch the date 1844 so she moved the last 4 up to another line.

Pattern is stitched on 28 ct Vintage Sand Dune from Lakeside Linen using Gentle Arts threads. Stitch count is 176 x 238. Finished size is 12.6" x 17".

"Lord give me wisdom to direct my ways I ask not riches nor yet for Length of Drop. From rocks and sands And stormy weather Pray God Protect John Negus for ever". "My dear friends I will Bless and praise for giving me learning in My Early days Catherine Negus her Sampler finished... Read more about Catherine Negus 1810 - Cross Stitch Pattern

I love the simplicity of this little sampler. Eliza was 10 years old when she completed her sampler and beautifully hem stitched the edges.

Pattern is stitched on 40 ct Vintage Buttercream from Lakeside Linens using Gentle Arts threads with DMC conversion. Stitch count is 127 x 120. Finished size is 6" x 5.75".

This is an outstanding sampler with the verse "Jesus permit thy gracious name to stand As the first effort of an infants hand And while her fingers oer the canvas move Engage her tender heart to seek thy love With the dear children may she have a part And write thy name thyself upon her... Read more about Jane Portues 1837 - Cross Stitch Pattern

This sampler can either be done in mainly cross stitch (there are a couple of stitches in the alphabet but even those could be done in cross stitch) or have fun playing and fill in with Stem Stitch. I love the look of Stem Stitch, it is kind of like painting with thread. "Lord what is... Read more about Love in the Garden - Cross Stitch Pattern

Maria is a personal favorite. Her design and colors are peaceful and very relaxing to stitch. The floral bands are beautiful.

Pattern is stitched on 40 ct Vintage Buttercream from Lakeside Linens using NPI threads. Stitch count is 324 x 396. Finished size is 16.2" x 19.8".

"Why this in haste sweet boy so soon To go. And leave in tears thy weeping Friends below. Some heavenly voice Dear object of their love calld hence Thy soul to dwell in realms above Scarce hadst thou learnt the good from All to know Nor yet had drank the Bitter cup of woe. When heaven ordaind no... Read more about Mary Ann Crumley 1829 - Cross Stitch Pattern

"Few to good breeding make a just pretence Good breeding is the blossom of good sense. The last result of an accomplished mind. With outward grace the bodys virtue joined". I love the bands and motifs Mary Ann used in this sampler. The colors in this sampler are beautiful... the mix of blue... Read more about Mary Ann Robey 1810 - Cross Stitch Pattern

This sampler was brought to me by Stephanie Jirak of Lincoln University, PA. She is the Great Great Great Granddaughter of Nancy Anne Cassell. The family history is included in the chart.

Pattern is stitched on 28 ct Vintage Buttercream using Gloriana and Classic Colorworks threads. Stitch count is 162 x 152. Finished size is 11.6" x 10.9".

"By this work You may see My parents Love to me". Such a sweet sampler, I love the little verse.

Pattern is stitched on 40 ct Vintage Buttercream from Lakeside Linens using Classic Colorworks, NPI, and Gloriana threads. Stitch count is 298 x 293. Finished size is 15" x 14.8".

"Teach me to feel another's woe To hide the fault I see That mercy I to others show That mercy show to me." The saying on this sampler was written by Alexander Pope (1688-1744) who is considered to be one of the greatest English poets of the 18th century. Sarah stitched this sampler on... Read more about Sarah Ann Kiddy 1860 - Cross Stitch Pattern

"The Miracle" by L.H. Bailey, "Yesterday the twig was brown and bare Today the glint of green is there, Tomorrow will be leaflets spare, I know no thing so wondrous fair, No miracle so strangely rare, I wonder what will next be there".

Pattern is stitched on 36 ct Vintage... Read more about Springtime in My Garden - Cross Stitch Pattern

This pattern from Stacy Nash is an adaptation of an antique sampler and shown finished as a pocket.

The model was stitched on 36 Ct. Tobias linen by Serpahim with Weeks Dye Works floss. Stitch Count: 124x157

This is a revised version of an old design (#113). The original 2015 design has been out of print and I decided to rework it. JABC buttons are included. A cardinal is perched atop a basket of winterberry leaves berries.

Pattern is stitched on Fog Cashel using DMC threads. Stitch count is 80 x 112.

Cross stitch pattern from Teresa Kogut featuring a lovely 1850's antique sampler!

Pattern is stitched on 36 ct Cocoa from Weeks Dye Works using Classic Colorworks, DMC, and Weeks Dye Works threads. Stitch count is 139 x 207.

Model was stitched over 2 threads on 30 Ct. Mocha Weeks Dye Works linen with Weeks Dye Works, Valdani and DMC floss (Optional Thread DMC 754). Stitch Count: 82 X 118. Finished size: 5.25" X 8".

Model stitched 2 over 2 on 30 Ct. Chocolate linen using Weeks Dye Works & DMC floss. Stitch Count: 132 x 200. Design Size: 8" x 12.5".

Model stitched one over two on 40 Ct. Straw Linen using Classic Colorworks, DMC floss, and Weeks Dye Works. Stitch Count: 264W x 320H. Design Size: 13 1/4" x 16"

Sarah Burleigh's Sampler, 1824-2024 is a reproduction pattern of an antique cross stitch celebrating its special 200th birthday this year.

It was stitched on 40 count linen with Soie D'alger Silk threads. Stitch count is 310w x 89h. Finished size is 7.5" x 13.75".

Sesquicentennial Alphabet in Blue, 1874-2024 is a reproduction pattern of an antique cross stitch celebrating its special 150th birthday this year.

It was stitched on 36 count linen with Classic Colorworks threads. Stitch count is 310 x 89. Finished size is 17 1/4" x 5".

Red Haven #6 - Mary Fielding is a reproduction pattern of an antique cross stitch.

It was stitched on 40 count linen. Stitch count: 177w x 178h. Finished size 9" x 9".

Cross stitch design from Twin Peak Primitives featuring 4 primitive stocking patterns with mice. Recommended fabric: 14ct Ecru Aida, or 28ct Row Linen. Stitched with DMC threads.

Stitch counts:
Checkered Stocking - 59x129
Red Stocking - 60x135
Stocking With Holly - 64x135
Stripe Stocking - 58x128

Cross stitch sampler design from Twin Peak Primitives featuring birds, trees, plants and more.

Pattern is stitched on 20 or 40 ct Cappuccino from Fiber on a Whim using DMC floss. Stitch count is 445 x 307. Finished size is 22.25" x 15.35 on 40 count. Skeins of DMC vary depending on fabric count.

Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more about Elsie Glennie Watt - Cross Stitch Pattern