This Irish Quaker sampler features an alphabet at the tope, verse, bands, and flowers. The verse reads "Great Almighty God above plant in my heart a fund of love, that I my mercies may adore and bless and praise thee evermore."
Model is stitched on 40 ct linen using either cotton or silk floss. Stitch count is 181 x 477.
Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "This is a very graceful and finely stitched sampler, an unusual combination for the late date. Nine ethereal female figures, like penitents in an Edward Gorey cartoon, march solemnly about the sampler, paying homage to the house. The huge house appears to be welcoming... Read more
Note from the designer - "This is a beautifully balanced, intensely stitched transitional sampler. Worked originally in brightly colored silk threads on a fine tammy (wool) ground, it features a repeating, four-sided carnation border, surrounding five horizontal bands interspersed by lines of... Read more
Note from the designer - "As the purpose for making samplers evolved over the decades and the centuries, so did its form. This beautiful early 18th century English band sampler retains the shape of her predecessors, but has clearly changed into a form distinctly recognizable as a product of her... Read more
This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more
Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more
Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
"Hope, adore, rejoice, sing, peace, glory, joy, love, Christmas". Model stitched on 32 count Vintage Light Examplar from Lakeside Linens with Weeks Dye Works and The Gentle Arts Sampler Threads. Stitch count is 212W x 204H.
"We were more precious each to each other than any thing. Mary H Feilden - John W Whittaker Feniscowles Hall 1824." Model stitched on 32 Ct. Heartstring Blend linen by R&R Reproductions with Weeks Dye Works floss, Classic Colorworks floss, and Gentle Art Sampler threads. Stitch Count: 253x183. Design Size: 16" x 12"
Model stitched on 36 Ct. Wren by Picture this Plus using one strand over two linen threads. Stitched with Weeks Dye Works and Gentle Art Sampler threads. Stitch Count: 113W x 143H
Model stitched on 32 Ct. Old Farmhouse linen by Notforgotten Farm. Stitch counts are 46 x 37 (x2) and 35 x 43. Approximate sizes are 3" x 2.5" (x2), 2.25" x 2.75". Stitch using DMC floss.
Model stitched over two threads on 36 Ct. Chocolate Milk linen using Gentle Art Sampler threads, Weeks Dye Works and DMC floss. Stitch Count: 150W x 98H
Model stitched over two on 32 Ct. Cream Belfast linen using Gentle Arts threads. Stitch Count for Ornament: 94 x 57. Finished Size: 6" x 4". Stitch Count for Pin keep: 123 x 97. Finished Size: 8" x 6".
Model stitched over 2 threads on 36 Ct. Buttercream by Lakeside Linens with Classic Colorworks Belle Soie Silk floss, Gloriana Silk floss, and Needlepoint Inc silks. Stitch Count: 496W x 202H. Finished size approximately 27.7" x 11.3".
Model stitched over two threads on 40 Ct. Heritage by Picture This Plus using Needlepoint Silk and Thread Gatherer Silk n Colors. Stitch count 145x136.
Models stitched over 2 threads on 36 Ct. Vintage Light Examplar by Lakeside Linens with DMC floss. Stitch count for each design is approximately 43x49.
Model stitched over 2 threads on 36 Ct. Legacy linen by Picture This Plus with Weeks Dye Works floss, DMC floss, and Gentle Art Sampler threads. Stitch Count: 126W x 165H
Model stitched on two different fabrics. One is 36 Ct. Cornsilk by Weeks Dye Works and the other on 36 Ct. Straw by Weeks Dye Works. Stitched using Weeks Dye Works floss. Stitch Count for Left Side: 37x98. Design Size: 2" x 5". Stitch Count for Right Side: 34x97. Design Size: 2" x 5".
"Satan their Prince soon laid a snare for Adam and Eve, that happy pair. They sinned against their God's advic, and lost the sweets of paradise."
Model stitched over 2 threads on 36 Ct. Apple Butter linen by Dixie Sampler (or fabric of your choice) with Weeks Dye Works floss and Gentle Art Sampler threads. Stitch Count: 239W x 239H.
Model stitched over 2 threads on 40 Ct. Vintage Meadow Rue by Lakeside Linens with Gentle Art Sampler threads. Stitch Count: 219W x 264H. Some portions of the design are stitched over one thread - design not suitable for Aida.
"Jesus, My God to thee I fly. Thou art a refuge ever nigh when heart shall fail. When life is past, thou wilt receive my soul at last." Model stitched 28 Ct. Vintage Meadow Rue with DMC floss. Also required, but not listed above, DMC 3880 (can be found in the DMC 2013 New Colors Floss Pack). Specialty Stitches: One over One, Satin. Stitch Count: 172W x 281H. Design Size: 13" x 21"
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