Note from the designer - "At the age of fourteen, Mary Lee stitched this beautiful band sampler with a good assortment of flowers, birds, swans, squirrels, and other traditional motifs. Worked into the center of a band in tight, precise stitches, is the cautionary aphorism "In thy youth... Read more
Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15 1/2" x 12 1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71 by 62 squares on the graph,... Read more
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
Note from the designer: "Who would love this world or prize whats in it
that gives and takes and chops and changes every minute.
This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more
"Happy would it be for me, if in the rising bloom of youth, I did devote my life to thee, O thou the God of love and truth."
Jane Freebairn is another colorful Scottish sampler from approximately the same time period. Neither of the girls dated their samplers, but we can tell from... Read more
Hannah Cummins stitched her sampler in Stockton, England in 1828 when she was 9 years old. A photo of the antique sampler is included in the package. "My thoughts before they are my own are to my God distinctly known. He knows the words I mean to speak ere from opning lips they break.
Ada Mary Hornsey of Wellingborough, England stitched her sampler at age 10. "My father, my mother I know I cannot your kindness repay, but I hope that, as older I grow, I shall learn your commands to obey."
The model was stitched over 2 threads on 40 Ct Light Sand linen with Needlepoint Inc Silks. Stitch Count: 184W x 238H. Finished Size: 9 1/8" x 12".
All that is known of the sampler are the stitcher's initial - ES. The sampler appears to be English and from around the mid 19th Century.
The model was stitched over 2 threads on 36 Ct. Light Sand linen with Needlepoint Inc Silks (DMC conversions are provided). Stitch Count: 114W x 164H. Finished Size: 5 5/8" x 8 1/8"
The model was stitched over 2 threads on 32 Ct. Summer Khaki linen with Soie d'Alger silks and silk chenille. Stitch Count: 204W x 278H. Finished size: 12 3/4" x 17 3/8" Stitches used: cross stitch, satin stitch, queen stitch, double running stitch, outline stitch, chain stitch, and stitching over one. Stitch diagrams are included.
This sampler is an accurate reproduction of an American Quaker sampler from Montgomery County, Pennsylvania. A small image of the antique and a brief family genealogy are included in the package of this sweet sampler.
Model stitched on 36 ct. Straw by Weeks Dye Works using Needlepoint Inc. thread with DMC substitutions listed. Stitch count is 143 x 132.
Alphabet Medley is stitched as one grand piece with 12 blocks, each featuring alphabet letters surrounded by intricate motifs and symbols.
However, that's not all. As a special bonus, you will also receive a 12-page booklet, with each block charted separately and given its own unique border.... Read more
This sampler design by Hello From Liz Mathews features flowers, trees, and "Youth and vigor soon will flee. Blooming beauty lose it's charms. All that's mortal soon will be enclosed in death's cold arms." A second chart combines a collection of the motifs from the large sampler... Read more
This set of designs by JBW Designs features 5 different antique samplers from 5 different stitchers: Olive Rowley, Helene Schnoor, Edith Isherwood, Ada Padoan, and Monica Marshall.
Five antique samplers are included with this collection. Select a fabric and thread of your choice.
Olive... Read more
Note from the designer: This tiny petite sampler was acquired at an estate sale in Michigan. The simplicity of the piece is the charming "as Hannah stitched her sampler in 1822 at the Faringdon Subscription School near Oxford, England."
Over two model was stitched over 1 thread on... Read more
This reproduction sampler from Jeannette Douglas features "Let the sweet work of prayer and praise employ my youngest breath, thus I'm prepared for longer days or fit for early death. Remember thy creator in the days of thy youth. Ann Perrin finished this sampler in the 14th year of her age... Read more
I am delighted to share this antique with you. It is from 1840 of Dutch origin. The sampler had lots of great motifs and I loved the top rows of crowns and shields, but the composition did not please me, it had large blank spots on it. I saw this piece as more enjoyable in the vertical format as... Read more
Antonia Rosel y Garcia 1886 is a reproduction of an antique Spanish sampler.The Faded model is stitched on 40 ct Antique Lace by Seraphim Hand-dyed Fabrics using one strand of the silks over two linen threads. The Bright is stitched on 36 ct Affogato by Fibers on a Whim using one strand of silk over... Read more
Birds on the Temple is a reproduction of a sweet little antique sampler. While there is a set of initials and a year on the sampler, what really stood out to me was the birds sitting on the temple. I decided to use The Gentle Arts Simply Wool again for this one. It's such a joy to stitch with.... Read more
Elisabeth LeConte, 1786 is a reproduction of an antique sampler I found here in Maryland. This was a teaching piece at the 2023 Sunshine Stitchers Retreat in Florida last spring.
My reproduction is stitched on 40-Count Hawthorne linen from Fiber on a Whim using Needlepoint Silks. The stitch count is 197 Wide by 167 High.
Simple blocks connect to create a traditionally pieced garden of delights. A Hope Blooms Layer Cake provides all the colorful prints to make your garden bloom. Lucy's Garden lap quilt kit includes a Hope Blooms Layer Cake, fabric for quilt front & binding and pattern. Lucy's Garden king quilt kit includes a Hope Blooms fat 1/8 bundle, fabric for quilt top & binding and pattern.
Our barn raising setting is perfect for an easy Layered Patchwork block that mimics piecing. Instructions include traditional piecing options for 2 lap quilts plus king quilt. Project Size: 70" x 70" or 104 x 104 for King.
Celebrate your love by stitching this sweet sampler. Model stitched over two threads on 36 Ct. Meadow Lark Linen using Gentle Art Sampler Threads. Stitch count: 41W x 59H. Design Size: 3" x 4"
Model stitched over 2 threads on 40 Ct. Onyx linen by Weeks Dye Works with Classic Colorworks and Weeks Dye Works floss. Stitch Count: 89W x 81H. Finished size is 4.45 in wide X 4.05 in high.
Model stitched over 2 threads on 32 Ct. Raw Natural linen with DMC floss. Stitch Count 115x53. Finished size of drum: 4 1/2" x 3 1/2". Finishing instructions included.
Models stitched over 2 threads on 36 Ct. Vintage Light Examplar by Lakeside Linens with DMC floss. Stitch count for each design is approximately 43x49.
⇅
801-495-0908
Cart
Wishlist
