"Be still my soul. The hour is hastening on when we shall be forever with the Lord. When disappointment, grief, and fear are gone, sorrow forgot, love's purest joys restored. Be still my soul when change and tears are past. All safe and blessed we shall meet at last."
"This design is a combination of cross stitch and many specialty stitches, with stitch diagrams and instructions provided for all stitches."
Model stitched on 32 count Bisque from Lakeside Linens, using Soie d'Alger silks. Dinky Dyes and DMC conversions are also provided. Stitch count is 144w x 288h.
This design features a cute little red house surrounded by flowers, birds and on the word "Garden."
The model was stitched over 2 threads on 36 Ct. Hemingway by Needle and Flax with Classic Colorworks, Weeks Dye Works, and Gentle Art Sampler threads. A DMC conversion is provided. Stitch Count: 118W x 108H.
Note from the designer - "Reproduction of a French sampler dated 1888.
Claudia was 8 years old when she embroidered her sampler. A very elegant monochrome sampler."
Model stitched on 40ct Linen using Soie d'Alger thread.
Stitch Count: 259 x 260.
Note from the designer - "Rhode Island samplers were among the first American schoolgirl embroideries to be recognized by serious collectors and textile scholars as a distinctive group with extraordinary visual appeal. The Sheffield sampler is delicately worked with an unusually pleasing... Read more about Elizabeth Sheffield 1784 - Cross Stitch Pattern
Note from the designer - "This design was inspired by an early eighteenth century English picture executed in tent stitch." The designs features a lion, a leopard and a parrot surrounded by bright flowers.
This Irish Quaker sampler features an alphabet at the tope, verse, bands, and flowers. The verse reads "Great Almighty God above plant in my heart a fund of love, that I my mercies may adore and bless and praise thee evermore."
Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more about Elizabeth Masterton 1838 - Cross Stitch Pattern
Note from the designer - "This picture was originally designed to be used as a cushion or footstool cover, or perhaps as a decorative vignette inserted into the top of a wooden box for storing precious objects. Executed entirely in cross stitch, its most prominent characters are a large squirrel... Read more about Elizabeth's Squirrel - Cross Stitch Pattern
Note from the designer - This is the most symmetrical, balanced, counted thread sampler that we have ever charted from. It is also one of the most satisfying, challenging, and beautiful samplers in the world. Originally worked on a fine wool ground, the colors of our reproduction have been matched... Read more about Dorcas Haynes 1720 - Cross Stitch Pattern
This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more about Elizabeth Cheetham 1824 - Cross Stitch Pattern
Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15 1/2" x 12 1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71 by 62 squares on the graph,... Read more about Country Life Sampler 1783 - Cross Stitch Pattern
This is a reproduction of an English sampler that features a four-sided carnation border, centering many intricate organic petit point motifs. The large mansion house dominates the central reserve, standing above an extensive pasture occupied by two very large and cockeyed sheep. These imaginative... Read more about Elizabeth Lilly 1801 - Cross Stitch Pattern
Note from the designer: "This band sampler was designed after a piece in the collection of the Fitzwilliam Museum, most remarkable for the colorful, solidly filled geometric and floral sections. It also features double running stitch sections found on Italian embroideries of the sixteenth and... Read more about Elizabeth Pain 1667 - Cross Stitch Pattern
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more about Elizabeth Topham 1727 - Cross Stitch Pattern
What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more about Frances Marshall 1838 - Cross Stitch Pattern
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more about Grazing Sheep circa 1810 - Cross Stitch Pattern
Note from the designer: "This original design blends a mid-18th century floral sampler border with a late 18th century lettering and cartouche style, and a mid-19th century sentiment. Instructions are provided for working the sampler in a different color scheme (red, blues, greens) on a neutral... Read more about Home Sweet Home Sampler - Cross Stitch Pattern
Note from the designer: "The figures depicted on this original design were derived from wood block engravings of the 17th, 18th and 19th centuries. The format of the hornbook follows actual examples from the late 18th century. Hornbooks functioned as primers, used to teach young children their... Read more about Hornbook Bestiary - Cross Stitch Pattern
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more about Janet Burnet 1830 - Cross Stitch Pattern
This sampler was made in Scotland and includes many of the traditional motifs associated with samplermaking in this region. Firstly, Janet has included many initials of family members. However the initials at the center- G R 3 -refer to the then-reigning monarch, King George III. The flowering... Read more about Janet Carsels 1787 - Cross Stitch Pattern
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more about Katharine Mitchel circa 1785 - Cross Stitch Pattern
This collection by Teresa Kogut has 3 different designs! Each design features a different gathering of flora and fauna, and uses the same color threads and symbols. "ABC 123" and "Sally Emerson" do not use DMC 435, 611, 822, and 3781.
Cross stitch sampler design from Twin Peak Primitives featuring birds, trees, plants and more.
Pattern is stitched on 20 or 40 ct Cappuccino from Fiber on a Whim using DMC floss. Stitch count is 445 x 307. Finished size is 22.25" x 15.35 on 40 count. Skeins of DMC vary depending on fabric count.
Ada Mary Hornsey of Wellingborough, England stitched her sampler at age 10. "My father, my mother I know I cannot your kindness repay, but I hope that, as older I grow, I shall learn your commands to obey."
The model was stitched over 2 threads on 40 Ct Light Sand linen with Needlepoint Inc Silks. Stitch Count: 184W x 238H. Finished Size: 9 1/8" x 12".
The model was stitched over one thread on 32 Ct. Meadow Rue from Lakeside Linens with The Gentle Art Sampler threads. DMC conversions are provided. Stitch Count: 131W x 204H. Finished size: 8.18" x 12.75"
"Adorn they heart, adorn they mind with knowledge of the purest kind."
The model was stitched over 2 threads on 32 Ct. Summer Khaki with Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 111W x 349H. Finished size: 7" x 21.8".
Cross stitch pattern from Reflets de Soie featuring a beautiful Virgin Mary surrounded by colored motifs.
Pattern is stitched on 40 ct linen using Soie D'Alger silk floss. Stitch count is 312 x 235. Required Au Ver A Soie Soie d'Alger 2928 and 3996 have been discontinued.
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Note: Fabric listed is with a 3 inch border
This pattern features two designs - a small sampler worked in red, and two prairie girls by a home with "Home Sweet Home". Instructions in French.
Model can be stitched on 35 ct. or 32 ct. tea colored linen using DMC thread. Stitch count is 85 x 85.