Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "This is a very graceful and finely stitched sampler, an unusual combination for the late date. Nine ethereal female figures, like penitents in an Edward Gorey cartoon, march solemnly about the sampler, paying homage to the house. The huge house appears to be welcoming... Read more
Note from the designer - "This is a beautifully balanced, intensely stitched transitional sampler. Worked originally in brightly colored silk threads on a fine tammy (wool) ground, it features a repeating, four-sided carnation border, surrounding five horizontal bands interspersed by lines of... Read more
Note from the designer - "As the purpose for making samplers evolved over the decades and the centuries, so did its form. This beautiful early 18th century English band sampler retains the shape of her predecessors, but has clearly changed into a form distinctly recognizable as a product of her... Read more
This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more
Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more
Note from the designer: "This sampler is a fine example of work done by Pennsylvania German girls in the early-to-mid nineteenth century. Similar motifs appear on the show towels that decorated kitchen and bedroom doors in these immigrant German households. It is thought that while the show... Read more
Note from the designer: "A gift from the collection of Rosalind and Edwin Miller to the museum. Emma Lerch was born in Northampton County, Pennsylvania, in 1830, and she stitched this sampler in her thirteenth year. It is a very simple work, with a lovely meandering floral border. While perhaps... Read more
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more
Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
Note from the designer: "Samplers worked with black backgrounds are unique to New England, and this one is designed after a late 18th century Massachusetts piece. A portly clergyman is depicted strolling between a fashionable lady under a parasol, and a church or meeting -house; with a frisky... Read more
"Come to the Garden. Thy senses shall be overjoyed."
Model stitched one over two on 40 Ct. Colonial Parchment Linen from Handmade by Stephanie using DMC floss, Classic Colorworks, Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 225x295. Design Size: 11.25" x 14.25".
Model stitched two over two on 32 Ct. Cornsilk using DMC floss, Classic Colorworks and Weeks Dye Works. Stitch Count: 198x198. Design Size: 12 3/4" x 13".
The model was stitched over 2 threads on 32 Ct. Parchment linen with Classic Colorworks threads, Weeks Dye Works floss, and Gentle Art Sampler threads. Stitch Count: 156W x 153H. Finished size: 9 3/4" x 9 1/2".
Hang this beautiful design in you home to make it safe by night and day. This bell pull sampler is timeless and can also be personalized with your name and year completed. It makes a lovely housewarming gift for someone you love. Stitch Count 95w X 228h, finished size on 14 ct, 6-3/4" X... Read more
Model stitched over two threads on 32 Ct. Antique White Belfast linen with Classic Colorworks, Weeks Dye Works floss and DMC floss(or all DMC 818, 962, 600, 3053, 3052, 469, 935, 862, white). Stitch Count: 86W x 133H. Finished size: 5.4" x 8.3".
Model stitched on 14 Ct./28 Ct. Fairy Dreams Jobelan from Polstitches (or fabric of your choice) with DMC floss, Kreinik #4 Braid and Mill Hill beads. Stitch Count: 153W x 185W. Finished size: 10 7/8" x 13 1/8".
Good friends are the perennials in the garden of life. The road to a friend's house is never long. Butterflies and flowers highlight this tender message that is written between letters of the alphabet. This chart pack comes with full color image, easy-to-read chart and a list of DMC floss color numbers. Stitch Count 149w X 188h. Design stitched on 14 Count White Aida.
12 Country ornaments, each a tiny sampler in its own right, are gathered together into one charming collection. Santa feels right at home surrounded by blackbirds, checks and hearts galore. These delightful ornaments will enhance any country decor.
Each chart pack comes with a full color... Read more
Scenes of winter birds, squirrels and plants surround a napping kitty in this seasonal sampler. Stitch Count 113w X 224h, finished size 14 ct: 8" X 16". Design stitched on 14 Count White Aida. Design by Nancy Rossi.
We always say "Love makes a house a home" and this charming Bless Our Home Sampler by designer Barbara Baatz Hillman is filled "chock a block" with adorable little houses of every size and style. The variety of homes illustrated include a tee pee, lighthouse, castle and log cabin.... Read more
Our Folk Art Christmas Sampler is packed full of every Christmas motif you can think of. This country folk art style design by Barbara Baatz Hillman will be an heirloom for generations to come. Peace, Love, Noel, Santa's and Snowmenthese little motifs can be used separately on small projects or all... Read more
A schoolgirl sampler that exemplifies the distinctive style indicative of the Mary Balch School, from the architectural arrangement to the moral sentiments expressed right down to the authentic stitches used.
This design appeared in Treasures in Needlework: Spring 1993, Vol. II, No. 1 and... Read more
Whether you call him Kris Kringle or pre Nol, Santa is beloved all over the world. Watch him up on the roof top or as he dashes away in his sleigh. There's a design for everyone in this beautiful sampler by Sandy Orton. Stitch count 169w X 224h. Finished size on 14-ct fabric 12" X 16".
Model stitched on 14 Count White Aida
Inspired by the hues of autumn's changing colors, this elegant sampler brings fall magic to any home. Look forward to harvest and Halloween; school and Thanksgiving; bright foliage and fruit. Colorful themed ribbons and leaves tie together many fall motifs, stirring memories of special autumn days.... Read more
This charming wall art makes a warm addition to your home's decor. Features easy-to-stitch simple heartfelt messages all finished in red. Make this piece for a wedding, holiday or just because! "Joy to the heart", "Peace to your home", "Love to your family".
Stitch count... Read more
801-495-0908
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