Reproduction Cross Stitch Patterns Page 5

This sampler features a lion, a camel, and large colorful flowers. The design was stitched over 2 threads on 40 Ct. linen and is suitable for all skill levels. The stitch count for each design is 244 W x 230 H. The finished piece will measure approximately 12-1/2″ x 11-1/2″.

This 19th century American reproduction sampler features a brown bird on a tree branch. Rated for beginners. Model stitched on 35 count hand dyed linen using either cotton or silk thread. Two versions of the sampler graph have been furnished: one executed with a drawn partially freehand split and... Read more about Bird in Bough - Cross Stitch Pattern

Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more about Mary Bailey 1818 - Cross Stitch Pattern

This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more about Eunice Morton 1794 - Cross Stitch Pattern

Amelia Boyce's pictorial sampler demonstrates two popular art forms of the early 19th century manifested in the sampler mode: the image of an architectural engraving, and the influence of Berlin patterns in the naturalistic (rather than nave or stylized) floral patterns. A widely mixed floral... Read more about Amelia Boyce 1829 - Cross Stitch Pattern

Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more about Ann Scutt circa 1675 - Cross Stitch Pattern

Note from the designer - This is the most symmetrical, balanced, counted thread sampler that we have ever charted from. It is also one of the most satisfying, challenging, and beautiful samplers in the world. Originally worked on a fine wool ground, the colors of our reproduction have been matched... Read more about Dorcas Haynes 1720 - Cross Stitch Pattern

This English sampler was made in Sheffield, South Yorkshire, featuring the Sheffield General Infirmary, a verse, a fashionably dressed man and woman, and a collection of animals in the lawn in front (sheep, fox, squirrels, rabbit, dog), all surrounded by a four sided berry border.

The... Read more about Elizabeth Gray 1832 - Cross Stitch Pattern

Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more about Elizabeth Eaton 1712 - Cross Stitch Pattern

This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more about Elizabeth Topham 1727 - Cross Stitch Pattern

Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more about Fanny Peachey Circa 1810 - Cross Stitch Pattern

Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more about Frances B Jones 1817 - Cross Stitch Pattern

Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more about Freelove Hazard 1792 - Cross Stitch Pattern

"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."

Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more about Grazing Sheep circa 1810 - Cross Stitch Pattern

Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:

... Read more about Hannah Breed 1756 - Cross Stitch Pattern

Note from the designer: "The flight into Egypt is a biblical event described in the Gospel of Matthew. Soon after Mary and Jesus were visited by the Magi, who had learned that King Herod intended to kill the male infants in that region, an angel appeared to Joseph in a dream telling him to flee... Read more about Harriot Ringrose 1852 - Christian Cross Stitch Pattern

Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more about Isabella Robeson circa 1809 - Cross Stitch Pattern

This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more about Katie Sym 1769 - Cross Stitch Pattern

Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more about Katharine Mitchel circa 1785 - Cross Stitch Pattern

Hannah Cummins stitched her sampler in Stockton, England in 1828 when she was 9 years old. A photo of the antique sampler is included in the package. "My thoughts before they are my own are to my God distinctly known. He knows the words I mean to speak ere from opning lips they break.

... Read more about Hannah Cummins - Cross Stitch Pattern

Pattern by Scarlett House featuring a bluebird and flower design with the date 1835.

Model stitched on 35 Ct. Alabaster linen from R&R Reproductions with Gentle Art Sampler threads. Stitch Count: 142 x 103 and the finished size is 8.11" x 5.89".

Pattern by Scarlett House featuring an antique design reproduction from 1847 with trees and stars.

Model stitched over 2 threads on 46 Ct. Vintage Sand Dune from Lakeside Linens with Classic Colorworks Belle Soie Silk floss and Dinky Dyes Silks. Stitch Count: 153W x 102H and the finished size is 6.65" x 4.43".

Model stitched over two on 40 Ct. Beige by Weeks Dye Works using Kreinik Silk Mori (4073,4096, 4166e, 4204a, 4214, 7025 Needlepoint Inc. Classic Colorworks. Stitch Count: 186W x 424H. Finished size is approx 9.3 in wide X 21.2 in high.

Model stitched over 2 threads on 32 Ct. Examplar linen with Needlepoint Inc silks. Stitch Count: 230W x 379H and the finished size is 14.38" x 23.69".

Pattern by Pineberry Lane features an antique sampler reproduction and pinkeep pattern from a young girl named Sarah Platt originally stitched in 1811.

Model stitched over two on 36 Ct. linen using Weeks Dye Works and Gentle Arts threads. Stitch count: 102 x 151 and the finished size is 5.67" x 8.39".

Model stitched on 32 Ct. Ale Linen using Gentle Art Sampler Threads and Weeks Dye Works threads. Stitch count is 135W x 131H.

Model stitched over 2 threads on 36 Ct. Parchment linen by Weeks Dye Works with DMC floss. Stitch Count: 221W x 223H.

Model stitched over 2 threads on 36 Ct. Aspen linen by Picture This Plus with Classic Colorworks floss and Weeks Dye Works floss. Stitch Count: 123H x 255W. Finished Size: 7" x 15"

"See the kind shepherd Jesus stands and calls his sheep by name gathers the feeble in his arms and feeds each tender lamb. Sarah Stewart Hardman Work Age 7 1824"

Model stitched on 28 Ct. Vintage Light Examplar using Classic Colorworks. Also can be stitched with Tudor Silk. Stitch... Read more about Sarah Stewart Hardman 1824 - Cross Stitch Pattern

Model stitched on 40 Ct. Sand Dune using Soie d'Alger. Specialty stitches used are satin stitch and eyelets. Stitch count is 333W x 386H. Finished size is 16.65" x 19.3"

Pattern by Scarlett House featuring a vintage inspired sampler design originally stitched by Elizabeth Hunter in 1853.

Model stitched one over two on 40 Ct. Sand Dune from Lakeside Linens using Classic Colorworks and Weeks Dye Works. Stitch count: 191W x 197H. Design size is 9 1/2" x 9 3/4"

Model stitched on 46 Ct. Straw linen using Soie d'Alger threads. Stitch Count: 263W x 181H. Finished Size: 11.43" x 7.87"

Model stitched over two on 40 Ct. Vintage Sand Dune using Glorianna Silk. Stitch Count: 246W x 280H. Finished Size: 18.3" x 20"

Model was reversibly stitched over two and three threads on 36 Ct. linen of your choice using Soie d'Alger. Specialty Stitches Used. Stitch Count: 258W x 304H. Finished Size: 7.78" X 27.22"

"Yea though I walk through the valley of the shadow of death I will fear no evil for thou art with me."

Model stitched over two on 40 Ct. Parchment from Weeks Dye Works, using Au Ver A Soie - Soie d'Alger. Soie 100.3 and DMC equivalents given. Stitch Count: 303W x 324H. Design Size: 15.15" x 16.20"

Model stitched one over two on 36 Ct. Vintage Sand Dune linen from Lakeside Linens using Au Ver A Soie. Also required, but not listed above #2578, #945 from Au Ver A Soie. Stitch Count: 249W x 250H. Design Size: 15.56" x 15.62"

Model stitched one over two on 36 Ct. Wren using Dinky Dyes Silk, Classic Colorworks Belle Soie, and Glorianna Silks. Stitch Count: 155W x 130H. Design Size: 8.5" x 7.25"

Model stitched over 2 threads on 40 Ct. Meadow Rue by Lakeside Linens with DMC floss. Stitch Count: 110W x 98H. Finished size: 5 1/2" x 4 7/8".

Pattern by Hands Across the Sea Samplers featuring an antique reproduction originally from 1835.

Model stitched over two on 46 ct. Straw with one strand Au Ver A Soie Silk from their D'Alger Range. There are also conversions for the Au Ver A soie 100.3 range together with DMC. Soie 100.3 #245 discontinued. Stitch count 201 x 246 and the finished size is 8.74" x 10.7".

Patterns by From the Heart featuring a vintage reproduction of Hannah's Sampler. Includes three designs, Hannah's Sampler, Hannah's flowers, and Hannah's mini sampler.

Models stitched on 36 ct. Cocoa linen or 36 ct. Faun linen using Dinky Dyes Silk floss, Gloriana Silks, and Weeks Dye... Read more about Hannah Hetherington - Cross Stitch Pattern

Model stitched one over two on 36 Ct. Parchment using DMC floss and Weeks Dye Works. Stitch Count: 300W x 126H. Design Size: 17" x 7" Frame by Huneywwod #3462.

Model stitched one over two on 36 Ct. Straw using Weeks Dye Works. Stitch Count: 147W x 221H. Design Size: 8" x 12.5"

Model stitched one over two on 36 Ct. Straw using Needlepoint Inc Silk. Stitch Count: 270W x 272H. Design Size: 15" x 15.11".

A schoolgirl sampler that exemplifies the distinctive style indicative of the Mary Balch School, from the architectural arrangement to the moral sentiments expressed right down to the authentic stitches used.

This design appeared in Treasures in Needlework: Spring 1993, Vol. II, No. 1 and... Read more about American Antique Sampler - Cross Stitch Pattern

"I sigh not for beauty nor languish for wealth but grant me kind Providence, virtue and health. Then richer thankings and more happy than they, my days shall pass sweetly and swiftly away. Elizabeth Hancock 1831." Model stitched on 30 count Straw Linen with Classic Color Works Bella Soie Silk floss. Stitch count is 271 x 237.

Model stitched on 30 Ct. "Linen" by Weeks Dye works with Gentle Art Sampler threads (or DMC 844, 975, 640, 738, 310, 611). Stitch Count: 133W x 193H. Design Size: 9" x 13".

Model stitched on 35 Ct. Creek Bed Brown Linen by R&R Reproductions with Gentle Art Sampler threads. Stitch Count: 215W x 177H. Design Size: 12" x 10".