The model was stitched over 2 threads on 40 Ct. "linen" colored linen from Weeks Dye Works with Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 318W x 350H. Finished size: 16" x 17 1/2". Specialty stitch used - Satin Stitch.
The model was stitched over 2 threads on 35 Ct. Beige linen from Weeks Dye Works with Gentle Art Sampler threads. Stitch Count: 180x158. Finished size: 10"x9".
The model was stitched over 2 threads on 40 Ct. Parchment linen from Weeks Dye Works with Gentle Art Sampler threads. Stitch Count: 162x153. Finished size: 9" x 8.6".
The model was stitched over 2 threads on 35 Ct. "linen" colored linen from Weeks Dye Works with DMC floss. Stitch Count: 292W x 311H. Finished size: 16 3/4" x 17 3/4".
The model was stitched over 2 threads on 35 Ct. Cocoa linen from Weeks Dye Works with Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 139x150. Finished size: 8" x 8 1/2".
The model was stitched over 2 threads on 40 Ct. Cocoa linen from Weeks Dye Works with Gentle Art Sampler threads and Classic Colorworks floss. There is the original "faded" colors and an alternate, brighter floss version. Stitch Count: 338W x 269H. Finished size: 17" x 13 1/2".
"The last great day is drawing nigh when Christ the judge shall come with all the armies of the sky to call His children home." Model stitched over 2 threads on 35 Ct. Beige linen from Weeks Dye Works with Gentle Art Sampler threads. Stitch Count: 259 x 240. Finished size: 15" x 14".
The model was stitched over 2 threads on 35 Ct. linen from Weeks Dye Works with Gentle Art Sampler threads. The stitch count is 545 x 437 for a finished size of 31" x 25".
The model was stitched over 2 threads on 36 Ct. Cocoa linen by Weeks Dye Works with DMC floss. The stitch count is 152W x 240H for a finished size of 8.5" x 13.5".
The model was stitched over 2 threads on 35 or 40 Ct. fabric of your choice with Classic Colorworks floss and Gentle Art Sampler threads. Stitch Count: 225x190. Finished size on 35 Ct. fabric - 13"x11". Finished size on 40 Ct. fabric - 11.5" x 9.5".
Model stitched on 36 Ct. "beige" colored linen from Weeks Dye Works usong Weeks Dye Works threads with DMC conversions. Stitch Count: 287W x 295H. Finished size 16" x 16.5".
The Antique: Amelia stitched her sampler at the age of seventeen while living at the North Wing, 3 New Orphan House, Ashley Down, Bristol, in 1868. The original sampler's stitched area measures 13.5 inches wide by 15.25 inches high on a cream cotton ground fabric measuring 76 threads to the inch,... Read more
Model stitched over two on 28 Ct. Bluebell Hand Dyed Jobelan using DMC floss, Mill Hill Beads and Mill Hill Treasures. Also required, but not listed above Mill Hill Beads #02075. Stitch Count: 98w x 111h. Design Size: 7" x 8"
Model stitched over two on 28 Ct. Bluebell Hand Dyed Jobelan using DMC or Anchor floss. Mill Hill Beads and Mill Hill Treasures. Also required, but not listed above, Mill Hill Beads (2) #12290 and (1) #02075. Stitch Count: 98w x 116h. Design Size: 7" x 8"
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
Note from designer: George Wishart Creighton was born 22 June 1856 in Philadelphia, Pennsylvania. The words Native American (with emphasis on the capitalization of the N and A) on the sampler refer not to George's lineage but rather to a group of Protestants. We believe that the motif immediately to... Read more
Note from designer: The only part I left off of the reproduction is the section just below the alphabet. This sampler does have a lot of over 1 & eyelets.
Pattern is stitched on 36 ct Baked Clay from Fox and Rabbit using Classic Colorworks and DMC. Stitch Count 140 x 240. Finished size is 7.78 in wide X 13.33 in high.
Cross stitch pattern from Sambrie Stitches featuring a vintage sampler with the phrase "The Lord is my shepherd I shall not want. He Maketh me lie down in green pastures he leadeth me besides the still waters. Come unto me all ye that labour and are heavy laden and I will give you rest. Prepare... Read more
Cross stitch pattern from Scarlett House featuring an antique reproduction of a sampler from the "Wesleynn School".
Pattern is stitched on 40 ct. linen with Weeks Dye Works and Classic Colorworks floss (includes DMC Conversion). Stitch count is 167 x 162. Finished size is 8.35" x 8.1".
Note from the designer - "Acquired in England, one might assume that this classic Quaker motif sampler was made at the Ackworth School in Yorkshire. However the influence of the designs promulgated by the Quaker School needleworkers stretched far beyond the confines of the school's walls. This... Read more
This 19th century American reproduction sampler features a brown bird on a tree branch. Rated for beginners. Model stitched on 35 count hand dyed linen using either cotton or silk thread. Stitch count is 110 x 150. Finished size: 6-1/4" x 8-1/2".
This Irish Quaker sampler features an alphabet at the tope, verse, bands, and flowers. The verse reads "Great Almighty God above plant in my heart a fund of love, that I my mercies may adore and bless and praise thee evermore."
Model is stitched on 40 ct linen using either cotton or silk floss. Stitch count is 181 x 477.
Note from the designer - "Eleanor Parr created this amazing and unique sampler some time before 1835. The border of birds encircled by vines and leaves is unprecedented. Fleurs de lys embellish each of the four corners surrounding a central reserve containing a traditional verse, floral sprays... Read more
Note from the designer - "In 1779, the Quaker Friends School at Ackworth, Yorkshire, was established for the purpose of educating young people of both sexes, and instilling the values of their Society; equality, simplicity, peace. Girls received nearly the same instruction as boys. Out of this... Read more
Note from the designer - "An intensely stitched and well-planned sampler, this unusual piece probably originated in Pennsylvania. The allegorical figure hovering over the house could represent Liberty. The unconnected border of floating honeysuckle is unique, as well as the little pastoral vignettes in the lower register." Rated for beginners.
Note from the designer - "At age nine in 1818, Sarah Dutnel created this unusual "tree of life" sampler. A traditional carnation and tulip border in subtle, earthy shades of gold, brown, and cream surrounds the tree. Dogs, deer, birds, stars, potted plants, trees and flowers flank the... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "Designed after an early eighteenth century tent stitched picture, this expansive needlework scene depicts many episodes in the life of an affluent English family including its elaborate parterre and gardens, a stately brick and stone house, domestic, exotic and wild... Read more
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more
This is a beautiful sampler from Norwich (Norfolk, United Kingdom), possibly stitched at a school run by one Mrs. Wright or her descendent (hence the initials "MW" below Elizabeth's name in the attribution). A list of teachers in Norwich in 1783 includes Wright, Massey, and Cheetleburgh. The... Read more
A RED BRICK MANSION HOUSE is at the center of this wildly engaging English sampler featuring a small
zoo/conservatory/aviary of flora and fauna as interpreted by an exceptionally talented young
woman of the early nineteenth century. The verse is common enough on nineteenth-century samplers, unlike... Read more
Note from the designer - "ANN WHITTAKER created an almost comically theatrical sampler depicting Adam and Eve, angels, pious verses, and elaborate meandering vines beneath dramatic multi-colored draperies and tassels. Hovering over the verse which is framed by large columns, are two angels with... Read more
Note from the designer - "Few samplers were stitched on this unusual dark green linsey woosey fabric that combines linen and wool to create a dramatic dark background color to highlight brightly colored floss. Most of these samplers were made in the coastal towns of Massachusetts up to New... Read more
Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more
This sampler could possibly have been made in Connecticut but the surname is quite common throughout New England. Abigail was ten years old when she made her sampler. The original was stitched on unbleached homespun linen using silk threads, and the reproduction very closely approximates the size of... Read more
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more
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