Cross stitch pattern from Modern Folkart Embroidery featuring a truly cheerful and colourful sampler. In The Garden of Holland has been charted in detail from an original Dutch sampler from 1857.
Stitched over two threads on 32ct linen (or 16ct Aida), it would measure approximately 16... Read more
Cross stitch pattern from Modern Folkart Embroidery featuring a charming traditional Scottish sampler featuring a house, garden, carnation border and sets of alphabets and initials.
Stitched on 32ct linen (or 16ct aida) it would measure approximately 12 1/2" by 9 1/8" (31.5 by... Read more
Heika Hazelhoff worked her sampler to commemorate her wedding to Addo Jans de Boer. This charming sampler is in the traditional style of Groningen samplers and features many floral ornaments and a beautiful decorative border. The sampler features only full crosses and has no specialty stitches.... Read more
This charming sampler was worked by Gerritje Broekhuis in 1848, who also worked a sampler in 1857 (which is also available here). The sampler features only full crosses and has no specialty stitches, and can be worked on any material (linen, aida etc).
Pattern is stitched on 32 ct linen using DMC floss. Stitch count: 169w x 213h.
This is the 28-page booklet for the 2022 MFE SAL based on an antique sampler from Groningen. The pattern features mainly full crosses. Some areas have some backstitching, but there are alternative versions in full crosses included in the booklet. This pattern is suitable monochrome and is suitable... Read more
Model is stitched on 40 ct. Cafe Au Lait by Zweigart using Classic Colorworks, The Gentle Arts, Weeks Dye Works and DMC floss. Stitch count is 404 x 404.
Has it been a year already since this sampler was released as a club piece? It was released in a very muted version, however, my original vision of the sampler was a bit brighter. So now you have the option of both. The title is the brainchild of my friend Lisa Duffin, who is great with coming up... Read more
Caroline College 1823 is a stunning sampler from the collection of Myriam Riley, who also stitched the sampler. I can't tell you how much I love this one. The organic border had me hook line and sinker. I have been a bad influence on Myriam as she now owns a number of samplers.
Mary Fosh 1821 has been an eight month stitch along for the Tudor Rose Sampler Guild, and she has a beautiful palette, and despite being English she looks like American Folk Art to me. She was so enjoyable to stitch, and I am so excited to share her with you.
A large sampler inspired by Berlin woolwork and other antique sampler motifs. It contains a quote from the Bible, various animal motifs and floral ornaments. An alphabet chart is added for personalization. "He will alson send you rain for the seed you sow in the ground and the food that comes... Read more
Cross stitch pattern from Samplers And Primitives featuring a sampler with butterflies!
Pattern is stitched on an aged/stained, "vintage", neutral linen or evenweave using DMC, The Gentle Arts Sampler threads, The Gentle Arts Simply Shaker, Classic Colorworks, Weeks Dye Works,... Read more
Cross stitch pattern from Samplers And Primitives featuring two patriotic-themed pincushion designs!
Pattern is stitched on 36 count neutral colored linen using DMC, Weeks Dye Works and Classic Colorworks floss. Stitch counts are 87w x 82h and 63w x 62h. Finished sizes are 4.8" x 4.6" and 3.5" x 3.44" on 36 count fabric.
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
The stitching in this beautiful sampler with the sacred hearts includes the name Malvina Roisset and the date 1891. I think Marie Louise Malvina Roisset, who would have been 10 years old in 1891, could very well be the stitcher.
Pattern is stitched on 36ct linen using Caron Impressions. Stitch count is 166 x 172. Finished size is 10" x 10".
Cross stitch pattern from SamBrie Stitches featuring the phrase "If they can get along, why can't we?"
Pattern is stitched on 18 ct Eucalyptus from Fox and Rabbit Aida using Bestitchme Silks, 1 Gloriana, 1 Weeks Dye Works, Accentuate & Wisper threads. Stitch count is 136 X 166. Finished size is 7.56 in wide X 9.22 in high.
From Diane Jourdan, a traditional Quaker sampler stitched on 34 Ct. Cream Devonshire linen with Vikki Clayton Hand Dyed Fibers (45 yds of Rouge) or DMC (listed in the box), or Au Ver a Soie (946). Stitch Count: 196W x 247H.
Cross stitch pattern from Scarlett House featuring an original sampler design and bonus reversible pin keep charts!
Pattern is stitched on 40 ct Steinbeck linen from Needle and Flax using Classic Colorworks threads with DMC and NPI Silk conversions. Stitch count is 343 x 145.
Cross stitch pattern from Scarlett House featuring a reproduction sampler chart!
Pattern is stitched on 40 Ct Dusty Road from Seraphim using Classic Colorworks Belle Soie Silk with DMC conversions. Also required but not listed: Classic Colorworks Belle Soie Silk:Tree Trunk. Stitch count is 144 x 136.
Cross stitch pattern from Scarlett House featuring an antique sampler reproduction chart!
Pattern is stitched on 40 ct Saltbush by Fox and Rabbit using Weeks Dye Works and Classic Colorworks threads with DMC conversions. Stitch count is 122 x 126.
Model stitched on 14 Ct. fabric of your choice using DMC floss. Stitch count 101x127. Design Size: 7" x 9". (NOTE: for blue version change 309 to 311, 355 to 322 and 3326 to 3325)
Note from the designer - "Acquired in England, one might assume that this classic Quaker motif sampler was made at the Ackworth School in Yorkshire. However the influence of the designs promulgated by the Quaker School needleworkers stretched far beyond the confines of the school's walls. This... Read more
This 19th century American reproduction sampler features a brown bird on a tree branch. Rated for beginners. Model stitched on 35 count hand dyed linen using either cotton or silk thread. Stitch count is 110 x 150. Finished size: 6-1/4" x 8-1/2".
Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more
Note from the designer - "This picture was originally designed to be used as a cushion or footstool cover, or perhaps as a decorative vignette inserted into the top of a wooden box for storing precious objects. Executed entirely in cross stitch, its most prominent characters are a large squirrel... Read more
Note from the designer - "This finely stitched German sampler begins with a single row of alphabets above an immensely intricate collection of symbolic cross stitched motifs, including battling angels, the figure of Justice with her scales, the spies of Canaan, the crucifixion, Adam and Eve... Read more
Note from the designer - "In 1779, the Quaker Friends School at Ackworth, Yorkshire, was established for the purpose of educating young people of both sexes, and instilling the values of their Society; equality, simplicity, peace. Girls received nearly the same instruction as boys. Out of this... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "Designed after a mid-eighteenth century New Hampshire sampler, this piece is delightfully naive with its oversized animals, insects, and birds. Around 1760, the New-Hampshire Gazette began publishing advertisements for girls' schools, placed by female instructresses,... Read more
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more