No clues have been provided by the stitcher as to her name, year of origin, or place where she stitched her sampler. The only clue as to place might be in the lettering she used itself, giving one an indication it was stitched in Ireland. "A slightly surprising source of lettering which became... Read more
Jane Hornibrook completed her sampler in March of 1806. She painstakingly stitched in cross stitch the tenets of the Catholic Faith over one and two threads of finely woven 52 count linen. The lettering for the large letters leads one to determine this to be of Irish origin, based on the Benezet... Read more
An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
This sampler is an original design based on the layout of eighteenth century Irish Quaker samplers with the lettering and sampler motifs taken from a Mountmellick Irish Quaker sampler in the collection of Cross Stitch Antiques, Elizabeth Martin circa 1789. The town names at the bottom are the... Read more
Now in a private collection, this sampler was stitched in Lacolle, a southern municipality in Quebec, Canada in 1846 by Emeline Hotchkiss, aged 11. Research reveals an Emeline Hotchkiss was baptized in nearby Laprairie St. Luke's Anglican Church in 1834, around the year our stitcher would have been... Read more
This sampler's appeal was its similarity to Bristol orphanage motifs, bands and alphabets. While clearly not a Bristol school sampler, as it was stitched at Daglingworth School, curiosity leads one to wonder why similar motifs? Daglingworth lies only fifty miles from Bristol, England. It has been... Read more
Several girls named Sarah Welch appear in the historical records born in the year1756, in Devon and Berkshire, England, and so without more information it is hard to say which Sarah stitched this sampler at the age of eight in 1764. History does chronicle what was happening in England at that time:... Read more
I love Roses and you can find them scattered throughout this chart. I sure did enjoy designing and stitching this one!
Model was stitched on 32ct "Sand Dollar" laguna linen from Be Stitch Me using floss from Colour and Cotton, Weeks Dye Works, Cottage Garden Threads, Classic Colorworks threads, and The Gentle Art. Stitch count is 190 x 233.
Model was stitched on 32ct "Cold Foam" linen from Be Stitch Me using threads from Classic Colorworks, Weeks Dye Works, and Colour and Cotton. We trimmed the model with "Birds Nest" ric rac from Lady Dot
The handcrafted wooden star button is included with the chart. Stitch count is 119 x 119.
Bessie is grazing in the Bluebells with her little calf while their Shepherdess watches the butterflies. The chart is encircled by a delicate white rose border with a sampler of numbers at the bottom. My friend Maria from Mystic Meadow Creations turned this chart into a lovely project bag but you... Read more
Model is stitched on 40 ct. Cafe Au Lait by Zweigart using Classic Colorworks, The Gentle Arts, Weeks Dye Works and DMC floss. Stitch count is 404 x 404.
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
Cross Stitch pattern from Silver Creek Samplers featuring a campfire with the phrase "Crisp cool air, moonlit night, warm bonfire, stars so bright, dancing flames, ancient lore, embers glowing, make a smore"!
Stitched on 'Hamlet' 18ct Aida by Under the Sea Fabrics, with DMC threads. Stitch count: 73 x 189.
Note from designer: I bought the original sampler two years ago at market from Dawn Lewis of The Needle's Work Antiques. I fell in love immediately with the organic nature of the sampler. My reproductions come with a page inside where I talk about the sampler, things I noticed, elements that are... Read more
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more
This is a revised version of an old design (#113). The original 2015 design has been out of print and I decided to rework it. JABC buttons are included. A cardinal is perched atop a basket of winterberry leaves berries.
Pattern is stitched on Fog Cashel using DMC threads. Stitch count is 80 x 112.
Sampler design from Teresa Kogut featuring the phrase "Remembrance is the sweetest flower of all this world's perfuming. Memory guards it sun and shower. Love keeps it blooming"!
Pattern is stitched on 40 ct Legacy by Picture This Plus using Classic Colorworks and DMC threads. Stitch Count 173 x 193.
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more
"Happy would it be for me, if in the rising bloom of youth, I did devote my life to thee, O thou the God of love and truth."
Jane Freebairn is another colorful Scottish sampler from approximately the same time period. Neither of the girls dated their samplers, but we can tell from... Read more
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