Hannah Alexander, a Sweet Little Sampler, is my first reproduction sampler
Hannah Alexander is stitched on 36 count Hawthorne by Needle and Flax, fabric suggestion is listed, using Au Ver A Soie threads. Stitch Count is 106 x 131
This cross stitch pattern by Quaint Rose Needle Arts is a re-imagined reproduction. The original was stitched mostly in eyelets, this designer went weight using the Smyrna cross and added motifs.
Model stitched on 36 count linen using Valdani floss. the stitch count is 211w x 211h and the finished size is 11.67" x 11.67".
An accurate reproduction of a Quaker sampler from Plymouth Meeting, Montgomery Co., PA. Model stitched on 32 Ct. Vintage Examplar by Lakeside Linens with NPI Silk. Stitch Count: 135x200.
A reproduction sampler from Saybrook Village, Middlesex County, Connecticut. "Jannette Kirtland, aged 11 years, Remember thy Creator. Sweet is the dream, divinely sweet, when absent friends in fancy meet."
The pattern was stitched on 40 count Fox & Rabbit linen, color - Saltbush using NPI silks. Stitch count: 274 tall x 196 wide. Finished size: 13.7" x 9.8" wide.
A Reproduction of a sampler from Stanford, Dutchess, County, New York.
The pattern was stitched on 40 count Zweigart linen, color - Cafe' au Lait using NPI silks. Stitch count: 235 tall x 232 wide. Finished size: 11.75" high x 11.6" wide.
This design by Reflets de Soie features an alphabet and number sampler with lots of flower. The bottom of the design reads "Marie Soulard Cholet Annee 1896".
Model stitched on 40ct Linen of your choice using Gloriana thread.
Stitch count: 455 x 432.
Cross stitch pattern from Reflets De Soie featuring a sampler with different vases of flowers.
Pattern is stitched on 40 ct linen using Au Ver a Soie with DMC Conversion. Also required but not listed for Au Ver a Soie option: 95 and 607. Stitch count is 249 x 236.
Cross stitch pattern from Reflets De Soie featuring a French sampler reproduction! The translation could be:
Little birds, adornment of the earth,
Sweet messengers and smiles of heaven,
Send me your most joyful cries:
I want to sing my Mother
Whom I would like, by a divine mystery,
To have the lute... Read more about Marie Louise Rathge 1898 - Cross Stitch Pattern
This chart is an antique reproduction sampler, with options for the stitcher to customize. I have charted three options for the stitcher to choose from. The last line of this sampler is where the custom choices are. Three options include; the original antique version Prepare to meet thy God", a... Read more about Mary Sidgwick - Cross Stitch Pattern
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
Note from designer: George Wishart Creighton was born 22 June 1856 in Philadelphia, Pennsylvania. The words Native American (with emphasis on the capitalization of the N and A) on the sampler refer not to George's lineage but rather to a group of Protestants. We believe that the motif immediately to... Read more about George W. Creighton - Cross Stitch Pattern
Note from designer: The only part I left off of the reproduction is the section just below the alphabet. This sampler does have a lot of over 1 & eyelets.
Pattern is stitched on 36 ct Baked Clay from Fox and Rabbit using Classic Colorworks and DMC. Stitch Count 140 x 240. Finished size is 7.78 in wide X 13.33 in high.
Cross stitch pattern from Sambrie Stitches featuring a vintage sampler with the phrase "The Lord is my shepherd I shall not want. He Maketh me lie down in green pastures he leadeth me besides the still waters. Come unto me all ye that labour and are heavy laden and I will give you rest. Prepare... Read more about Mary Ann Tunbridge 1860 - Cross Stitch Pattern
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more about Huswife Circa 1780 - Cross Stitch Pattern
Note from the designer - "ANN WHITTAKER created an almost comically theatrical sampler depicting Adam and Eve, angels, pious verses, and elaborate meandering vines beneath dramatic multi-colored draperies and tassels. Hovering over the verse which is framed by large columns, are two angels with... Read more about Ann Whittaker 1790 - Cross Stitch Pattern
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more about Abigail Gould's Sampler 1796 - Cross Stitch Pattern
Note from the designer - "Although there has not been the extensive research and study of English Quaker samplers as there has been of their American counterparts, we believe that this sampler was created under the tutelage of a Quaker sewing instructress in England. The fine bleached linen and... Read more about Amelia Pewmer 1782 - Cross Stitch Pattern
Note from the designer - "So many unusual and enigmatic features were left by Ann Carbutt on her sampler, made when she was sixteen years old, very likely in the West Riding of Yorkshire. The surname "Carbutt" is first found in Cheshire after the... Read more about Ann Carbutt 1830 - Christian Cross Stitch Pattern
Note from the designer - "This is a very graceful and finely stitched sampler, an unusual combination for the late date. Nine ethereal female figures, like penitents in an Edward Gorey cartoon, march solemnly about the sampler, paying homage to the house. The huge house appears to be welcoming... Read more about Ann Cottee 1848 - Cross Stitch Pattern
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more about Ann Forrest 1757 - Cross Stitch Pattern
In the upper register of this finely stitched English sampler there is featured an unusual vignette of Adam and Eve beneath the tree of life (with a menacing black faced serpent) flanked by mirror image brick cottages, followed by a pious verse:
Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more about Elizabeth Mansfield 1792 - Cross Stitch Pattern
According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more about Elizabeth Mitchell 1828 - Cross Stitch Pattern
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more about EN 1657 A 17th Century Band Sampler - Cross Stitch Pattern
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more about FAK-MEK 1779 - Cross Stitch Pattern
Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more about Rose Shenamon Mitchell 1816 - Cross Stitch Pattern
This design was excerpted from the top of an early nineteenth-century English sampler. It features an unusual and amusing hunting scene with a solo hunter on horseback pursuing a single hapless stag with a pack of ten spotted hounds on its trail.
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more about Susan Weeks Marking Sampler - Cross Stitch Pattern
This is an outstanding sampler with the verse "Jesus permit thy gracious name to stand As the first effort of an infants hand And while her fingers oer the canvas move Engage her tender heart to seek thy love With the dear children may she have a part And write thy name thyself upon her... Read more about Jane Portues 1837 - Cross Stitch Pattern
This sampler can either be done in mainly cross stitch (there are a couple of stitches in the alphabet but even those could be done in cross stitch) or have fun playing and fill in with Stem Stitch. I love the look of Stem Stitch, it is kind of like painting with thread. "Lord what is... Read more about Love in the Garden - Cross Stitch Pattern
"Why this in haste sweet boy so soon To go. And leave in tears thy weeping Friends below. Some heavenly voice Dear object of their love calld hence
Thy soul to dwell in realms above Scarce hadst thou learnt the good from
All to know Nor yet had drank the Bitter cup of woe. When heaven ordaind no... Read more about Mary Ann Crumley 1829 - Cross Stitch Pattern
"There is always music amongst the trees in the garden, but our hearts
must be very quiet to hear it."by Minnie Aumonier 1865-1952. First in the series of samplers with lots of fun stitches to enjoy!
Pattern is stitched on 36 ct Vintage Meadow Rue from Lakeside Linens using Gloriana and NPI threads. Stitch count is 164 x 167. Finished size is 9.3" x 9.6".
The verse on this sampler is from "O Christmas Tree" a German Christmas song written in 1824 by Ernst Anschutz. This song was based off a 16th century Silesian Folksong by Melchior Franck called Ach Tannenbaum. Third in the series of samplers with lots of fun stitches.
"Teach me to feel another's woe To hide the fault I see That mercy I to others show That mercy show to me." The saying on this sampler was written by Alexander Pope (1688-1744) who is considered to be one of the greatest English poets of the 18th century. Sarah stitched this sampler on... Read more about Sarah Ann Kiddy 1860 - Cross Stitch Pattern
"The Miracle" by L.H. Bailey, "Yesterday the twig was brown and bare
Today the glint of green is there, Tomorrow will be leaflets spare, I know no thing so wondrous fair, No miracle so strangely rare, I wonder what will next be there".