Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more about Ann Fleming - Cross Stitch Pattern
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more about Ann Forrest 1757 - Cross Stitch Pattern
Note from the designer - "This is a beautifully balanced, intensely stitched transitional sampler. Worked originally in brightly colored silk threads on a fine tammy (wool) ground, it features a repeating, four-sided carnation border, surrounding five horizontal bands interspersed by lines of... Read more about Ann Hair 1762 - Cross Stitch Pattern
In the upper register of this finely stitched English sampler there is featured an unusual vignette of Adam and Eve beneath the tree of life (with a menacing black faced serpent) flanked by mirror image brick cottages, followed by a pious verse:
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more about Dutch Sampler of 1773 - Cross Stitch Pattern
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more about Elizabeth Mansfield 1792 - Cross Stitch Pattern
Note from the designer: "A Pennsylvania German sampler that may not be, strictly speaking, a miniature, but is nonetheless small for its type. Typical Pennsylvania German folk culture motifs - birds, trees, hearts, flowers, crowns and stars - adorn it."
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more about FAK-MEK 1779 - Cross Stitch Pattern
Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more about Hannah Mosher 1798 - Cross Stitch Pattern
Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more about A German Sampler Dated 1704 "IES" - Pattern
Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more about Rose Shenamon Mitchell 1816 - Cross Stitch Pattern
This design was excerpted from the top of an early nineteenth-century English sampler. It features an unusual and amusing hunting scene with a solo hunter on horseback pursuing a single hapless stag with a pack of ten spotted hounds on its trail.
This mid-eighteenth-century Scottish band sampler features many classic seventeenth-century patterns, executed in cross, eyelet, double running, counted satin, back, and queen stitches.
This is a reproduction of a Quaker sampler made in Chester County, Pennsylvania consisting of alphabets, numerals, ligatures* and lineal patterns executed in a variety of stitches. The uppermost border with the dangling central flower is often seen on American Quaker samplers of this period (see... Read more about Ann Ward 1808 - Cross Stitch Pattern
A sampler from the collection of the Fitzwilliam Museum in Cambridge, England.
Skill and expertise in sampler-making did not necessarily peak in the mid-to-late seventeenth century and then wane during what is often called the "golden age" of English sampler-making. These skills... Read more about Rachel Jarratt circa 1760 - Cross Stitch Pattern
This is an expansive English sampler with an unusual four-sided leafy branch and floral border, centering a very busy reserve filled with baskets of fruits and flowers, stylized trees and plants, birds, lions rampant, butterflies, rabbits, and stags. A large building/mansion/institution is at the... Read more about Sarah Elizabeth Hollings 1825 - Cross Stitch Pattern
The canvaswork piece from which this bell pull was derived is a book cover, and dates to the first quarter of the 17th century. square tent stitched vignettes, reproduced here in the panels of the bell pull covered the book's spine vertically. It seems appropriate that the allegorical figures of... Read more about Wisdom and Innocence Bell Pull - Cross Stitch Pattern
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more about Susan Weeks Marking Sampler - Cross Stitch Pattern
Pattern is stitched on 36 ct Cocoa using Weeks Dye Works, Classic Colorworks and Southern Fried floss. Stitch count is 199 x 201.
Recommended Southern Fried Floss:Bay Leaf and Spiced Cider
Not only do I love the colors Agness used to stitch her sampler but I love how she ran out of room to stitch the date 1844 so she moved the last 4 up to another line.
Pattern is stitched on 28 ct Vintage Sand Dune from Lakeside Linen using Gentle Arts threads. Stitch count is 176 x 238. Finished size is 12.6" x 17".
A charming Autumn sampler done for a friend who doesn't like to go too Halloweeny!
Pattern is stitched on 36 ct Wren from Picture This Plus using Gentle Arts and Classic Colorworks threads. Stitch count is 192 x 180. Finished size is 10.7" x 10".
Pattern is stitched on 36 ct Vintage Pecan Butter from Lakeside Linen using Weeks Dye Works and Gentle Arts threads. Stitch count is 116 x 116. Finished size is 6.5" x 6.5".
"Lord give me wisdom to direct my ways I ask not riches nor yet for Length of Drop. From rocks and sands And stormy weather Pray God Protect John Negus for ever". "My dear friends I will Bless and praise for giving me learning in My Early days Catherine Negus her Sampler finished... Read more about Catherine Negus 1810 - Cross Stitch Pattern
I love the simplicity of this little sampler. Eliza was 10 years old when she completed her sampler and beautifully hem stitched the edges.
Pattern is stitched on 40 ct Vintage Buttercream from Lakeside Linens using Gentle Arts threads with DMC conversion. Stitch count is 127 x 120. Finished size is 6" x 5.75".
This is an outstanding sampler with the verse "Jesus permit thy gracious name to stand As the first effort of an infants hand And while her fingers oer the canvas move Engage her tender heart to seek thy love With the dear children may she have a part And write thy name thyself upon her... Read more about Jane Portues 1837 - Cross Stitch Pattern
"Why this in haste sweet boy so soon To go. And leave in tears thy weeping Friends below. Some heavenly voice Dear object of their love calld hence
Thy soul to dwell in realms above Scarce hadst thou learnt the good from
All to know Nor yet had drank the Bitter cup of woe. When heaven ordaind no... Read more about Mary Ann Crumley 1829 - Cross Stitch Pattern
"By this work You may see My parents Love to me". Such a sweet sampler, I love the little verse.
Pattern is stitched on 40 ct Vintage Buttercream from Lakeside Linens using Classic Colorworks, NPI, and Gloriana threads. Stitch count is 298 x 293. Finished size is 15" x 14.8".
Delicate and colorful sampler filled with insects, flowers and fruit! Standard DMC colors are used for this pattern. Pattern is shown in easy-to-read full color blocks with symbols. Stitch count is 96 x 99.
This cross stitch pattern from Stitchy Prose features a beautiful sampler with bees, beehives and the saying "Busy bees bustling to each fragrant flower, small honey craftsmen."
This super sweet sampler features three bright and happy flowers which are synonymous with springtime: a tulip, a daffodil, and a crocus. Along with a soft monotone grey for the letters and numbers, this design is sure to earn a spot in your cross stitch garden!
The Peace Sampler is a sweet little sampler featuring flowers, doves and an alphabet.
Pattern is stitched on 40 ct. Olde Massachusetts linen from the Primitive Hare using Weeks Dye Works threads. It was finished in a frame from Hobby Lobby. Stitch count is 103 W x 84 H. Finished size is 5.15" x 4.2".
Cross Stitch pattern from The Nebby Needle with a tree, flowers and alphaet."
The model was stitched over 2 threads on 36 Ct. fabric with Weeks Dye Works and Classic Colorworks floss. Stitch Count: 115W x 112H. Finished size: 6.3" x 6.2"
Cross stitch sampler design from Twin Peak Primitives featuring birds, trees, plants and more.
Pattern is stitched on 20 or 40 ct Cappuccino from Fiber on a Whim using DMC floss. Stitch count is 445 x 307. Finished size is 22.25" x 15.35 on 40 count. Skeins of DMC vary depending on fabric count.
Note from Designer: While working on these patterns, I also focused on the emotions that fill a stitcher's heart and thoughts that fill the brain when he/she picks up
a fabric and threads. As a result, these 7 patterns carry the essence of those emotions.
The Crazy Quilt Explosion is filled with color and fun for both cross stitchers and quilters alike!
Model stitched on 32 ct white linen using Dinky Dyes floss. Follow the charted colors, or use any color/scraps of your choice! Stitch count is 126x126.
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more about Elsie Glennie Watt - Cross Stitch Pattern
Sarah Watson 1859 is a reproduction of a mid 19th century cross stitch sampler from the private collection of Whilst Iris Naps Designs, originally stitched in the year Charles Darwin first published his 'On the Origin of Species'.
Ada Mary Hornsey of Wellingborough, England stitched her sampler at age 10. "My father, my mother I know I cannot your kindness repay, but I hope that, as older I grow, I shall learn your commands to obey."
The model was stitched over 2 threads on 40 Ct Light Sand linen with Needlepoint Inc Silks. Stitch Count: 184W x 238H. Finished Size: 9 1/8" x 12".