This 10-page booklet includes four fun designs for needlebook covers, a bookmark or extra borders, and two smalls to finish as scissor fobs or small ornaments.
Pattern is stitched on 28ct Platinum Linen using Weeks Dye Works floss. Stitch count is 144 X 252 stitches.
This leaflet size pattern includes numbers for personalizing y our piece and a lovely WELCOME HOME design! It is a fun fast stitch! Great as a hostess gift.
Pattern is stitched on 32 ct Parchment from Weeks Dye Works using DMC floss. Stitch count is 141 X 135 stitches. Finished Size is 8.81 in wide X 8.44 in high.
Cross stitch pattern from Rosewood Manor featuring a lovely sampler with Waterlilies! This 10-page booklet includes 3 borders or bookmarks, 1
needlebook cover or small pin pillow and 3 fun WELCOMES!
Pattern is stitched on 32 ct linen. Stitch count is 197 x 117 stitches. Finished size is 6.16 in wide X 3.66 in high.
Cross stitch pattern from Rosewood Manor featuring a lovely sampler with a red house! This 10-page booklet includes 3 bookmarks, 2 extra borders, plus another lovely WELCOME!
How Sweetly They Sing, Inspired by an antique sampler, this sampler celebrates all the beauty God has placed right in our backyards. The antique is available for stitching as well via a QR code included in the pattern.
Pattern is stitched on 40 ct. linen with NPI and Thread Gatherer Silk n Color floss. The stitch count is 230 x 157 and the finished size is 11.5" x 7.85".
Stitched Together, This sweet mattress is a perfect gift for a stitching friend. The verse reads, From near and far, we are stitched together. Finishing instructions are included.
Pattern is stitched on 40 count Chincilla with Weeks Dye Works floss. The stitch count is 88 x 88 and the finished size is 4.4" x 4.4".
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
The stitching in this beautiful sampler with the sacred hearts includes the name Malvina Roisset and the date 1891. I think Marie Louise Malvina Roisset, who would have been 10 years old in 1891, could very well be the stitcher.
Pattern is stitched on 36ct linen using Caron Impressions. Stitch count is 166 x 172. Finished size is 10" x 10".
Note from designer: George Wishart Creighton was born 22 June 1856 in Philadelphia, Pennsylvania. The words Native American (with emphasis on the capitalization of the N and A) on the sampler refer not to George's lineage but rather to a group of Protestants. We believe that the motif immediately to... Read more about George W. Creighton - Cross Stitch Pattern
Note from designer: The only part I left off of the reproduction is the section just below the alphabet. This sampler does have a lot of over 1 & eyelets.
Pattern is stitched on 36 ct Baked Clay from Fox and Rabbit using Classic Colorworks and DMC. Stitch Count 140 x 240. Finished size is 7.78 in wide X 13.33 in high.
Pattern is stitched on 40ct. Vintage Sand Dune from Lakeside Linen using Classic Colorworks and Weeks Dye Works floss. Stitch count is 210 x 148. DMC conversion included
Note from the designer - "An intensely stitched and well-planned sampler, this unusual piece probably originated in Pennsylvania. The allegorical figure hovering over the house could represent Liberty. The unconnected border of floating honeysuckle is unique, as well as the little pastoral... Read more about Rebecca Robinson 1821 - Cross Stitch Pattern
Note from the designer - "Designed after an early eighteenth century tent stitched picture, this expansive needlework scene depicts many episodes in the life of an affluent English family including its elaborate parterre and gardens, a stately brick and stone house, domestic, exotic and wild... Read more about The Manifesto - Cross Stitch Pattern
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more about Huswife Circa 1780 - Cross Stitch Pattern
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more about Eunice Morton 1794 - Cross Stitch Pattern
A unique four-sided geometric border is the highlight of this American sampler, consisting of nine rows of letters and numerals surrounded by a counted satin stitch sawtooth inner border. The design looks like something that might have inspired the Dutch artist Piet Mondrian. I have not been able... Read more about Emely C Newman 1831 - Cross Stitch Pattern
Note from the designer - "ANN WHITTAKER created an almost comically theatrical sampler depicting Adam and Eve, angels, pious verses, and elaborate meandering vines beneath dramatic multi-colored draperies and tassels. Hovering over the verse which is framed by large columns, are two angels with... Read more about Ann Whittaker 1790 - Cross Stitch Pattern
Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more about Abigail Ann Fleming 1816 - Cross Stitch Pattern
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more about Abigail Gould's Sampler 1796 - Cross Stitch Pattern
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more about Amanda Jewel 1816 - Cross Stitch Pattern
Note from the designer - "This unusual sampler is probably of Scottish origin. The distinctive French-inspired mansion house and the peacocks are commonly found on Scottish samplers. Adam and Eve are realistically stitched in the Garden, by effectively working two quite simple stitches together:... Read more about Ann Bowden 1811 - Cross Stitch Pattern
Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more about Ann Fleming - Cross Stitch Pattern
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more about Ann Forrest 1757 - Cross Stitch Pattern
Note from the designer - "This is a beautifully balanced, intensely stitched transitional sampler. Worked originally in brightly colored silk threads on a fine tammy (wool) ground, it features a repeating, four-sided carnation border, surrounding five horizontal bands interspersed by lines of... Read more about Ann Hair 1762 - Cross Stitch Pattern
Note from the designer - "This Dover, Massachusetts, sampler features an unusual border surrounding alphabetical and numerical tests, and a four-line verse often found on early 19th century American samplers. The colors are remarkably well preserved. The maker, Ann Harding (who was actually... Read more about Ann Harding 1821 - Cross Stitch Pattern
In the upper register of this finely stitched English sampler there is featured an unusual vignette of Adam and Eve beneath the tree of life (with a menacing black faced serpent) flanked by mirror image brick cottages, followed by a pious verse:
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more about Dutch Sampler of 1773 - Cross Stitch Pattern
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more about Elizabeth Mansfield 1792 - Cross Stitch Pattern
Note from the designer: "A Pennsylvania German sampler that may not be, strictly speaking, a miniature, but is nonetheless small for its type. Typical Pennsylvania German folk culture motifs - birds, trees, hearts, flowers, crowns and stars - adorn it."
Note from the designer: "A gift from the collection of Rosalind and Edwin Miller to the museum. Emma Lerch was born in Northampton County, Pennsylvania, in 1830, and she stitched this sampler in her thirteenth year. It is a very simple work, with a lovely meandering floral border. While perhaps... Read more about Emma Lerch 1843 - Cross Stitch Pattern
Note from the designer: "Mourning pictures were not an uncommon art form in England and America during the late eighteenth and early nineteenth centuries. Evolving from European commemorative art honoring deceased heroes, mourning pictures were a cherished way to remember loved ones, designed to... Read more about Four Angels Mourning Sampler - Cross Stitch Pattern
Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more about Hannah Mosher 1798 - Cross Stitch Pattern
Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more about A German Sampler Dated 1704 "IES" - Pattern
This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more about Katie Sym 1769 - Cross Stitch Pattern
Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more about Rose Shenamon Mitchell 1816 - Cross Stitch Pattern
This is a reproduction of an English sampler made in Bradford, Yorkshire, that shows distinct influences of Scottish needlework traditions, particularly in the illuminated alphabets. The bold primary colors were reproduced from the front of the original sampler, which retains its amazing... Read more about Sarah Hutchinson 1762 - Cross Stitch Pattern
This design was excerpted from the top of an early nineteenth-century English sampler. It features an unusual and amusing hunting scene with a solo hunter on horseback pursuing a single hapless stag with a pack of ten spotted hounds on its trail.
This mid-eighteenth-century Scottish band sampler features many classic seventeenth-century patterns, executed in cross, eyelet, double running, counted satin, back, and queen stitches.