Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more about Ann Fleming - Cross Stitch Pattern
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more about Ann Forrest 1757 - Cross Stitch Pattern
In the upper register of this finely stitched English sampler there is featured an unusual vignette of Adam and Eve beneath the tree of life (with a menacing black faced serpent) flanked by mirror image brick cottages, followed by a pious verse:
Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more about Ann Scutt circa 1675 - Cross Stitch Pattern
There is so much going on in this fascinating English sampler that it's hard to know where to begin looking. Apart from the somewhat conventional Adam and Eve at the top center, adorable flying cherubs flank them and the apple tree, bearing gold rings and sprays of flowers. The verse is as... Read more about Catharine Metcalf 1836 English Pictorial
This English sampler was made in Sheffield, South Yorkshire, featuring the Sheffield General Infirmary, a verse, a fashionably dressed man and woman, and a collection of animals in the lawn in front (sheep, fox, squirrels, rabbit, dog), all surrounded by a four sided berry border.
Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more about Elizabeth Mansfield 1792 - Cross Stitch Pattern
Note from the designer: "This sampler is a fine example of work done by Pennsylvania German girls in the early-to-mid nineteenth century. Similar motifs appear on the show towels that decorated kitchen and bedroom doors in these immigrant German households. It is thought that while the show... Read more about Elizabeth Wisler 1845 - Cross Stitch Pattern
Note from the designer: "Adapted from a mid eighteenth century English sampler. The combination of several unusual stitch techniques with bold primary colors, makes this sampler outstandingly beautiful and a rewarding project to stitch.
While the majority is done in cross stitch, large... Read more about Emily Lucille - Cross Stitch Pattern
The Temperance Movement of the early nineteenth century began in the United States prior to 1808. Preachers, most notably John Bartholomew Gough, promulgated a pledge of abstinence from members of his congregation. While temperance efforts have existed as long as spirits have, the movement was not... Read more about Drunkenness by Emma George 1842 - Cross Stitch Pattern
Note from the designer: "A gift from the collection of Rosalind and Edwin Miller to the museum. Emma Lerch was born in Northampton County, Pennsylvania, in 1830, and she stitched this sampler in her thirteenth year. It is a very simple work, with a lovely meandering floral border. While perhaps... Read more about Emma Lerch 1843 - Cross Stitch Pattern
"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."
Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:
Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more about Hannah Mosher 1798 - Cross Stitch Pattern
Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more about Harriet Boardman 1804 - Cross Stitch Pattern
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more about Isabella Robeson circa 1809 - Cross Stitch Pattern
Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more about Rose Shenamon Mitchell 1816 - Cross Stitch Pattern
This is a reproduction of an English sampler made in Bradford, Yorkshire, that shows distinct influences of Scottish needlework traditions, particularly in the illuminated alphabets. The bold primary colors were reproduced from the front of the original sampler, which retains its amazing... Read more about Sarah Hutchinson 1762 - Cross Stitch Pattern
This design was excerpted from the top of an early nineteenth-century English sampler. It features an unusual and amusing hunting scene with a solo hunter on horseback pursuing a single hapless stag with a pack of ten spotted hounds on its trail.
This is a reproduction of a Quaker sampler made in Chester County, Pennsylvania consisting of alphabets, numerals, ligatures* and lineal patterns executed in a variety of stitches. The uppermost border with the dangling central flower is often seen on American Quaker samplers of this period (see... Read more about Ann Ward 1808 - Cross Stitch Pattern
This English sampler features a three-sided floral border surrounding thirteen lines of alphabets, neatly cross-stitched in several different lettering styles. Mary Wagstaff was likely born in Huyton, Lancashire in 1809, completing this sampler when she was ten years old. She passed away in... Read more about Mary Wagstaff 1819 - Cross Stitch Pattern
Pattern by Shakespeare's Peddler featuring an antique sampler design with the words "Virtues the chiefelt beauty of the mind. The Noblest ornament of human kind. Virtues our safeguard and our guiding star. That stirs up reason when our senses".
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more about Susan Weeks Marking Sampler - Cross Stitch Pattern
Pattern is stitched on 36 ct Vintage Pecan Butter from Lakeside Linen using Weeks Dye Works and Gentle Arts threads. Stitch count is 116 x 116. Finished size is 6.5" x 6.5".
I love the simplicity of this little sampler. Eliza was 10 years old when she completed her sampler and beautifully hem stitched the edges.
Pattern is stitched on 40 ct Vintage Buttercream from Lakeside Linens using Gentle Arts threads with DMC conversion. Stitch count is 127 x 120. Finished size is 6" x 5.75".
"Lord what is life tis like a flower That blofsoms and is gone We see it flourish for an hour With all its beauty on". This sampler is dated December 24, 1834. I was told this sampler was a Christmas gift to Louisa's parents. Louisa was 9 years old when she completed this brightly... Read more about Louisa Dodd 1834 - Cross Stitch Pattern
"Few to good breeding make a just pretence Good breeding is the blossom of good sense. The last result of an accomplished mind. With outward grace the bodys virtue joined". I love the bands and motifs Mary Ann used in this sampler. The colors in this sampler are beautiful... the mix of blue... Read more about Mary Ann Robey 1810 - Cross Stitch Pattern
"Teach me to feel another's woe To hide the fault I see That mercy I to others show That mercy show to me." The saying on this sampler was written by Alexander Pope (1688-1744) who is considered to be one of the greatest English poets of the 18th century. Sarah stitched this sampler on... Read more about Sarah Ann Kiddy 1860 - Cross Stitch Pattern
"The Miracle" by L.H. Bailey, "Yesterday the twig was brown and bare
Today the glint of green is there, Tomorrow will be leaflets spare, I know no thing so wondrous fair, No miracle so strangely rare, I wonder what will next be there".
Delicate and colorful sampler filled with insects, flowers and fruit! Standard DMC colors are used for this pattern. Pattern is shown in easy-to-read full color blocks with symbols. Stitch count is 96 x 99.
This cross stitch pattern from Stitchy Prose features a beautiful sampler with bees, beehives and the saying "Busy bees bustling to each fragrant flower, small honey craftsmen."
A pattern inspired by a certain little person my son! This bell pull is the perfect stitch for anyone welcoming new life or wanting to decorate a nursery (especially if it is woodland themed like ours).
This super sweet sampler features three bright and happy flowers which are synonymous with springtime: a tulip, a daffodil, and a crocus. Along with a soft monotone grey for the letters and numbers, this design is sure to earn a spot in your cross stitch garden!
This is a revised version of an old design (#113). The original 2015 design has been out of print and I decided to rework it. JABC buttons are included. A cardinal is perched atop a basket of winterberry leaves berries.
Pattern is stitched on Fog Cashel using DMC threads. Stitch count is 80 x 112.
"The best thing about the future is it comes one day at a time." Model stitched on over 2 threads on 28 Ct. Bramble linen with Weeks Dye Works, Classic Colorworks and DMC floss. Stitch Count: 137W x 137H. Finished Size: 9.25" x 8.75"
Model stitched one over two on 40 Ct. Straw Linen using Classic Colorworks, DMC floss, and Weeks Dye Works. Stitch Count: 264W x 320H. Design Size: 13 1/4" x 16"
Sampler design from Teresa Kogut featuring the phrase "Remembrance is the sweetest flower of all this world's perfuming. Memory guards it sun and shower. Love keeps it blooming"!
Pattern is stitched on 40 ct Legacy by Picture This Plus using Classic Colorworks and DMC threads. Stitch Count 173 x 193.
Cross Stitch pattern from The Nebby Needle with a tree, flowers and alphaet."
The model was stitched over 2 threads on 36 Ct. fabric with Weeks Dye Works and Classic Colorworks floss. Stitch Count: 115W x 112H. Finished size: 6.3" x 6.2"
Note from Designer: While working on these patterns, I also focused on the emotions that fill a stitcher's heart and thoughts that fill the brain when he/she picks up
a fabric and threads. As a result, these 7 patterns carry the essence of those emotions.