Julia Rachel De La Mare, 1849, A Fuersney, Channel Island Sampler.
The Antique: This lovely vibrant sampler is in the style common to the time called Berlin Woolwork, named such after the printed patterns originating from Berlin where individual motifs such as florals, birds, the center... Read more
On the back of this framed antique, was found a very aged handwritten note: "This Sampler was worked by Mary Coleby of Kelvedon, Essex when Eleven years of age at Ackworth School Yorkshire. Born 1792 - married in 1814 to Edward Gripper of Layer Breton Hall, Essex - had thirteen children - died... Read more
Ann Hunt inscribed the town she stitched her sampler in as Nailsea in 1805. Nailsea is a town in Somerset, England. Research does not reveal the existence of a Quaker school there, although at least one other very similar polychrome Quaker medallion sampler has been discovered stitched a year... Read more
Mary Garrett stitched her fine sampler at Claverton school in 1854 at age fifteen. It is a remarkable piece of needlework, incorporating five different alphabets all stitched meticulously over two on 72 count linen. More history is included on the chart.
This page from an Antique Pattern Album made in Germany contains common motifs used in Bristol samplers and English day schools. These pattern booklets from France, England and Germany were published widely and used for embellishing samplers. The motifs on this particular page appear on The Amelia... Read more
Lydia's sampler is an example of a more decorative Quaker marking sampler containing four different alphabets, six dividing bands, and an often seen swan and birds motif, as well as a floral spray. The colors are muted as in the Quaker style, copying those found in nature. Lydia was a talented young... Read more
This sampler is an original design based on the layout of eighteenth century Irish Quaker samplers with the lettering and sampler motifs taken from a Mountmellick Irish Quaker sampler in the collection of Cross Stitch Antiques, Elizabeth Martin circa 1789. The town names at the bottom are the... Read more
No clues have been provided by the stitcher as to her name, year of origin, or place where she stitched her sampler. The only clue as to place might be in the lettering she used itself, giving one an indication it was stitched in Ireland. "A slightly surprising source of lettering which became... Read more
"Jesus, My God to thee I fly. Thou art a refuge ever nigh when heart shall fail. When life is past, thou wilt receive my soul at last." Model stitched 28 Ct. Vintage Meadow Rue with DMC floss. Also required, but not listed above, DMC 3880 (can be found in the DMC 2013 New Colors Floss Pack). Specialty Stitches: One over One, Satin. Stitch Count: 172W x 281H. Design Size: 13" x 21"
Model stitched one over two on 36 Ct. Vintage Sand Dune linen from Lakeside Linens using Au Ver A Soie. Also required, but not listed above #2578, #945 from Au Ver A Soie. Stitch Count: 249W x 250H. Design Size: 15.56" x 15.62"
Cross stitch pattern from Cross Stitch Antiques featuring a sampler with the phrase "When house and land is gone and spent, learning is most excellent"!
Model stitched on 40 ct. Vintage Examplar by Lakeside Linens using DMC thread. Stitch count is 131 x 185.
Cross stitch pattern from Cross Stitch Antiques featuring a poem from Elizabeth Topham.
Believed to be an English girl, Elizabeth adorned her sampler with three decorative floral pots flanking the verse, the lowest of the three stitched partly over one. This pot has been modified so that... Read more
Cross stitch pattern from Cross Stitch Antiques featuring a sampler with a floral border!
Model stitched on 40 ct. Light Hazelnut using NPI thread with DMC conversion listed as well. Stitch count is 239 x 258.
Cross stitch pattern from Cross Stitch Antiques featuring a sampler with many flowers!
Model stitched on 40ct. Tickerty-Boo by Tabbycat Linen using NPI thread with DMC conversions listed. Stitch count is 216 x 218.
Cross stitch pattern from Cross Stitch Antiques featuring two adorable turtle doves!
Model stitched on 38 ct. Fullers Teasel by Legacy Linens using DMC thread. Stitch count is 63 x 57.
About the Sampler: No name or year appears on this beautiful sampler to offer a clue about the maker. It is adorned with numerous Christian motifs and symbols. The sampler is representative of an Italian sampler style, as evidenced by the existence of other similar Italian
samplers, done in rows of... Read more
About the Sampler: With only her name and date, nothing could be found about our Isabella who tells us she finished her sampler on November 21, 1834 at the age of eleven. A typical red marking sampler, it could be of English or American origin. Isabella used red cotton threads on a loosely woven... Read more
About the Sampler: Given the few clues provided, a scattering of initials and a year only, it is impossible to know more about the stitcher of this lovely sampler with its motifs of delicately arching floral stems, oval leafed cartouche, paired birds and potted florals. The motifs themselves are... Read more
The initials appearing on the sampler, SI, in two places, may perhaps indicate the school where the sampler was stitched, and not the initials of the stitcher. The Suir Island Quaker School (SI) was a boarding and finishing school for girls established in 1787 in Clonmel in County Tipperary by... Read more
Jane Hornibrook completed her sampler in March of 1806. She painstakingly stitched in cross stitch the tenets of the Catholic Faith over one and two threads of finely woven 52 count linen. The lettering for the large letters leads one to determine this to be of Irish origin, based on the Benezet... Read more
An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
Now in a private collection, this sampler was stitched in Lacolle, a southern municipality in Quebec, Canada in 1846 by Emeline Hotchkiss, aged 11. Research reveals an Emeline Hotchkiss was baptized in nearby Laprairie St. Luke's Anglican Church in 1834, around the year our stitcher would have been... Read more
This sampler's appeal was its similarity to Bristol orphanage motifs, bands and alphabets. While clearly not a Bristol school sampler, as it was stitched at Daglingworth School, curiosity leads one to wonder why similar motifs? Daglingworth lies only fifty miles from Bristol, England. It has been... Read more
Several girls named Sarah Welch appear in the historical records born in the year1756, in Devon and Berkshire, England, and so without more information it is hard to say which Sarah stitched this sampler at the age of eight in 1764. History does chronicle what was happening in England at that time:... Read more
This chart contains all sixteen pattern pages from a tiny paper pattern album passed out as a souvenir in 1851 at Prince Albert's Crystal Palace Great Exhibition. They were mass produced inexpensively but are rarely found today due to the nature of the flimsy paper and the effects of time. Other... Read more
A Prequel to the Carter House Sampler, Franklin, Tennessee, The Sampler of Fountain Branch Carter's Mother, For the Battle of Franklin Trust, An Antique Sampler Reproduction.
Pattern is stitched on 36 count Hemingway by Needle and Flax. Stitch Count: 171 stitches wide x 224 stitches high.... Read more
The Antique: Amelia stitched her sampler at the age of seventeen while living at the North Wing, 3 New Orphan House, Ashley Down, Bristol, in 1868. The original sampler's stitched area measures 13.5 inches wide by 15.25 inches high on a cream cotton ground fabric measuring 76 threads to the inch,... Read more
This beautiful sampler was obtained from the collection of Stephen and Carol Huber. The framed antique contained handwritten notes on the genealogy of Sarah which was written on the back in ink on the sealing paper. It contained the lineage of Sarah Hewes, and the names of her children. Extensive... Read more
This sampler was obtained from the M. Finkel and Daughter antique collectors who describe this sampler in their catalog as follows: "Documented Irish samplers are rare, and this one offers strong visual appeal with excellent color and composition. A fine, large alphabet, little house, pots of... Read more
Ireland: Elizabeth Martin, circa 1789, a Mountmellick Irish Quaker Sampler
Guernsey: Julia Rachel De La Mare, 1849, A Guernsey, Channel Island Sampler
Wales: Sarah Williams, Holyhead, Wales 1864
Scotland: Jean Donaldson, 1826, a Scottish Sampler and Anne Phillip, Edinburgh 1818
... Read more
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