Julia Rachel De La Mare, 1849, A Fuersney, Channel Island Sampler.
The Antique: This lovely vibrant sampler is in the style common to the time called Berlin Woolwork, named such after the printed patterns originating from Berlin where individual motifs such as florals, birds, the center... Read more
About the Sampler: Given the few clues provided, a scattering of initials and a year only, it is impossible to know more about the stitcher of this lovely sampler with its motifs of delicately arching floral stems, oval leafed cartouche, paired birds and potted florals. The motifs themselves are... Read more
Ann Hunt inscribed the town she stitched her sampler in as Nailsea in 1805. Nailsea is a town in Somerset, England. Research does not reveal the existence of a Quaker school there, although at least one other very similar polychrome Quaker medallion sampler has been discovered stitched a year... Read more
"Jesus, My God to thee I fly. Thou art a refuge ever nigh when heart shall fail. When life is past, thou wilt receive my soul at last." Model stitched 28 Ct. Vintage Meadow Rue with DMC floss. Also required, but not listed above, DMC 3880 (can be found in the DMC 2013 New Colors Floss Pack). Specialty Stitches: One over One, Satin. Stitch Count: 172W x 281H. Design Size: 13" x 21"
Ireland: Elizabeth Martin, circa 1789, a Mountmellick Irish Quaker Sampler
Guernsey: Julia Rachel De La Mare, 1849, A Guernsey, Channel Island Sampler
Wales: Sarah Williams, Holyhead, Wales 1864
Scotland: Jean Donaldson, 1826, a Scottish Sampler and Anne Phillip, Edinburgh 1818
... Read more
The initials appearing on the sampler, SI, in two places, may perhaps indicate the school where the sampler was stitched, and not the initials of the stitcher. The Suir Island Quaker School (SI) was a boarding and finishing school for girls established in 1787 in Clonmel in County Tipperary by... Read more
An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
Mary Garrett stitched her fine sampler at Claverton school in 1854 at age fifteen. It is a remarkable piece of needlework, incorporating five different alphabets all stitched meticulously over two on 72 count linen. More history is included on the chart.
S is for Sampler Stitcher With logo from Cross Stitch Antiques
Pattern is stitched on 46 ct. Dirty Teacup by Needle and Flax with Painters Threads Soie 100/3. The stitch count is 48 x 63 and the finished size is 2.08" x 2.74".
Adelaide Underwood 1846 - A Norfolk Antique Sampler Reproduction
Pattern is stitched on 46 ct. Vintage Buttercream by Lakeside Linens with 100/3 silks. The stitch count is 300 x 462 with a finished size of 13.04" x 20.09".
SS Harris is Sarah Sylyina Harris who stitched her sampler in the thirteenth year of her life. With no year and no place provided it is difficult to find out more about her. What we do know from the way she carried her thread and misspelled a word or two, perhaps even her middle name, is that she... Read more
Little Alice, An Original Design - Taken from Alice Clark, 1844. I Had A Father Kind & True. Honor Alice and yourself as you stitch her lovely border surrounding your initials and year stitched.
Pattern is stitched on 46 ct. linen using Au Ver a Soie 100/3 silks floss. The stitch count is 89 x 85 and the finished size is 3.87" x 3.70".
The Sandery Sisters Samplers - Sarah aged 8, September 1837 and Mary aged 10, 1846. Sarah Sandery Model (over two threads) Graph to stitch as antique looks over two and over one thread included in Pattern as well as Muted Color tone Thread Legend Alternate.
Mary and Meribah Chandler Sisters Samplers - New Jersey and Massachusetts Bay Colony Connections circa 1810.
Mary's Verse: "Tho' griefs unnumbered throng thee round, Still in thy God confide, Whose finge marks the seas their bound, And curbs the headlong tide."
The Sandery Sisters Samplers - Sarah aged 8, September 1837 and Mary aged 10, 1846. Mary Sandery Model (over one version) Graph to stitch completely over two Included in Pattern as well as Muted Color Tone Thread Legend Alternate
Pattern is stitched on 46 ct. Dirty Teacup by Needle and... Read more
Mary and Meribah Chandler Sisters Samplers - New Jersey and Massachusetts Bay Colony Connections circa 1810.
Meribah's Verse: "Let no fond love for earth exact a sigh; No doubts divit our steady steps aside: Nor let us long to live, nor dread to die: Heaven is our hope, and Providence... Read more
Pattern is stitched on 40 ct. Dirty Teacup by Needle and Flax with 100/3 silks by Au Ver a Soie. The stitch count is 145 x 173 and the finished size is 7.25" x 8.65".
Model stitched one over two on 36 Ct. Vintage Sand Dune linen from Lakeside Linens using Au Ver A Soie. Also required, but not listed above #2578, #945 from Au Ver A Soie. Stitch Count: 249W x 250H. Design Size: 15.56" x 15.62"
Cross stitch pattern from Cross Stitch Antiques featuring a sampler with the phrase "When house and land is gone and spent, learning is most excellent"!
Model stitched on 40 ct. Vintage Examplar by Lakeside Linens using DMC thread. Stitch count is 131 x 185.
Cross stitch pattern from Cross Stitch Antiques featuring a sampler with a floral border!
Model stitched on 40 ct. Light Hazelnut using NPI thread with DMC conversion listed as well. Stitch count is 239 x 258.
Cross stitch pattern from Cross Stitch Antiques featuring a sampler with many flowers!
Model stitched on 40ct. Tickerty-Boo by Tabbycat Linen using NPI thread with DMC conversions listed. Stitch count is 216 x 218.
Cross stitch pattern from Cross Stitch Antiques featuring two adorable turtle doves!
Model stitched on 38 ct. Fullers Teasel by Legacy Linens using DMC thread. Stitch count is 63 x 57.
About the Sampler: No name or year appears on this beautiful sampler to offer a clue about the maker. It is adorned with numerous Christian motifs and symbols. The sampler is representative of an Italian sampler style, as evidenced by the existence of other similar Italian
samplers, done in rows of... Read more
Lydia's sampler is an example of a more decorative Quaker marking sampler containing four different alphabets, six dividing bands, and an often seen swan and birds motif, as well as a floral spray. The colors are muted as in the Quaker style, copying those found in nature. Lydia was a talented young... Read more
No clues have been provided by the stitcher as to her name, year of origin, or place where she stitched her sampler. The only clue as to place might be in the lettering she used itself, giving one an indication it was stitched in Ireland. "A slightly surprising source of lettering which became... Read more
Jane Hornibrook completed her sampler in March of 1806. She painstakingly stitched in cross stitch the tenets of the Catholic Faith over one and two threads of finely woven 52 count linen. The lettering for the large letters leads one to determine this to be of Irish origin, based on the Benezet... Read more
This sampler is an original design based on the layout of eighteenth century Irish Quaker samplers with the lettering and sampler motifs taken from a Mountmellick Irish Quaker sampler in the collection of Cross Stitch Antiques, Elizabeth Martin circa 1789. The town names at the bottom are the... Read more
Now in a private collection, this sampler was stitched in Lacolle, a southern municipality in Quebec, Canada in 1846 by Emeline Hotchkiss, aged 11. Research reveals an Emeline Hotchkiss was baptized in nearby Laprairie St. Luke's Anglican Church in 1834, around the year our stitcher would have been... Read more
This sampler's appeal was its similarity to Bristol orphanage motifs, bands and alphabets. While clearly not a Bristol school sampler, as it was stitched at Daglingworth School, curiosity leads one to wonder why similar motifs? Daglingworth lies only fifty miles from Bristol, England. It has been... Read more
Several girls named Sarah Welch appear in the historical records born in the year1756, in Devon and Berkshire, England, and so without more information it is hard to say which Sarah stitched this sampler at the age of eight in 1764. History does chronicle what was happening in England at that time:... Read more
This chart contains all sixteen pattern pages from a tiny paper pattern album passed out as a souvenir in 1851 at Prince Albert's Crystal Palace Great Exhibition. They were mass produced inexpensively but are rarely found today due to the nature of the flimsy paper and the effects of time. Other... Read more
A Prequel to the Carter House Sampler, Franklin, Tennessee, The Sampler of Fountain Branch Carter's Mother, For the Battle of Franklin Trust, An Antique Sampler Reproduction.
Pattern is stitched on 36 count Hemingway by Needle and Flax. Stitch Count: 171 stitches wide x 224 stitches high.... Read more
The Antique: Amelia stitched her sampler at the age of seventeen while living at the North Wing, 3 New Orphan House, Ashley Down, Bristol, in 1868. The original sampler's stitched area measures 13.5 inches wide by 15.25 inches high on a cream cotton ground fabric measuring 76 threads to the inch,... Read more
This page from an Antique Pattern Album made in Germany contains common motifs used in Bristol samplers and English day schools. These pattern booklets from France, England and Germany were published widely and used for embellishing samplers. The motifs on this particular page appear on The Amelia... Read more
On the back of this framed antique, was found a very aged handwritten note: "This Sampler was worked by Mary Coleby of Kelvedon, Essex when Eleven years of age at Ackworth School Yorkshire. Born 1792 - married in 1814 to Edward Gripper of Layer Breton Hall, Essex - had thirteen children - died... Read more