Cross stitch pattern from Hands Across The Sea Samplers featuring a sampler with a young girl!
Model can be stitched on 28 ct. or 32 ct. linen using DMC thread. Stitch count is 153 x 220. Finished size on 28 ct is 10.93" x 15.71" and on 32 ct 9.56"x 13.75".
Note from the designer - "This sweet English sampler is the first I've ever seen with a border made up of flying cherubs. It also features a "geode" (mosaic) parrot- a distinctively stylized bird that appears on other samplers made in England, New England, and the Netherlands throughout... Read more
Note from the designer - "Rhode Island samplers were among the first American schoolgirl embroideries to be recognized by serious collectors and textile scholars as a distinctive group with extraordinary visual appeal. The Sheffield sampler is delicately worked with an unusually pleasing... Read more
This Irish Quaker sampler features an alphabet at the tope, verse, bands, and flowers. The verse reads "Great Almighty God above plant in my heart a fund of love, that I my mercies may adore and bless and praise thee evermore."
Model is stitched on 40 ct linen using either cotton... Read more
Note from the designer - "In 1779, the Quaker Friends School at Ackworth, Yorkshire, was established for the purpose of educating young people of both sexes, and instilling the values of their Society; equality, simplicity, peace. Girls received nearly the same instruction as boys. Out of this... Read more
Note from the designer - "Designed after a mid-eighteenth century New Hampshire sampler, this piece is delightfully naive with its oversized animals, insects, and birds. Around 1760, the New-Hampshire Gazette began publishing advertisements for girls' schools, placed by female instructresses,... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
Amelia Boyce's pictorial sampler demonstrates two popular art forms of the early 19th century manifested in the sampler mode: the image of an architectural engraving, and the influence of Berlin patterns in the naturalistic (rather than nave or stylized) floral patterns. A widely mixed floral... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 902, 355, 3752, 221, 422, 224, 3768, 369, 3830, 3778, 543, 3823, 728, 3853, 3770, 321, 502, 3011). Stitch Count: 307x240. Design Size on 32 Ct. Design size 19" x 15"
"If solid happiness we prize within our breast this jewel lies, and they are fools who roam the world has nothing to bestow, from our own selves our joys must flow and that dear hut our home."
Model stitched on 35 Ct. Gray linen by Weeks Dye Works with Needlepoint Inc Silks. Stitch Count: 286w x 257h.
Pattern by Scarlett House featuring a bluebird and flower design with the date 1835.
Model stitched on 35 Ct. Alabaster linen from R&R Reproductions with Gentle Art Sampler threads. Stitch Count: 142 x 103 and the finished size is 8.11" x 5.89".
Model stitched over two on 40 Ct. Beige by Weeks Dye Works using Kreinik Silk Mori (4073,4096, 4166e, 4204a, 4214, 7025 Needlepoint Inc. Classic Colorworks. Stitch Count: 186W x 424H. Finished size is approx 9.3 in wide X 21.2 in high.
"See the kind shepherd Jesus stands and calls his sheep by name gathers the feeble in his arms and feeds each tender lamb. Sarah Stewart Hardman Work Age 7 1824"
Model stitched on 28 Ct. Vintage Light Examplar using Classic Colorworks. Also can be stitched with Tudor Silk. Stitch... Read more
Model stitched on 36 Ct. Vintage Meadow Rue using Soie d'Alger. Specialty stitches used are satin stitch, four sided stitch and 2 different variations of a rice stitch. Stitch count is 240W x 271H. Finished Size is 13.33" x 15.06" Color Chart.
Model stitched on 40 Ct. Sand Dune using Soie d'Alger. Specialty stitches used are satin stitch and eyelets. Stitch count is 333W x 386H. Finished size is 16.65" x 19.3"
Model stitched two over two on 40 Ct. Espresso from R&R Reproductions using Classic Colorworks and DMC floss. Stitch Count: 426W x 186H. Design Size: 21 1/4" x 9 1/4"
Model was reversibly stitched over two and three threads on 36 Ct. linen of your choice using Soie d'Alger. Specialty Stitches Used. Stitch Count: 258W x 304H. Finished Size: 7.78" X 27.22"
Model stitched over 2 threads on 36 Ct. Light Examplar with DMC floss (conversions provided for AVAS silk). Stitch Count: 281W x 380H. Finished size: 15.61" x 21.11".
This is a reproduction of a lovely English wool-work sampler. The model was stitched over 2 threads on 35 Ct. Mocha linen with Gentle Art Sampler threads, Weeks Dye Works floss, and Classic Colorworks floss. Stitch Count: 115W x 105H. Finished size: 6 1/2" x 6".
Model stitched on 40 ct Autumn Gold from Lakeside linen using Gloriana's, Dinky Dyes and Classic Colorworks silks. Shown on an Ackfeld Manufacturing hanger. Stitch Count: 292W x 388H and the finished size is 14.6" x 19.4".
I am pleased to introduce a new pattern! A French redwork marking sampler stitched by Rosalie Amphoux Vauvert. I love it for its small size and simple alphabets and numbers, some worked rather plainly and others quite prettily.
Pattern was stitched on 36 Alabaster from Weeks Dye Works using The Gentle Arts floss. Stitch count is 127w x 130h. Finished size is 7"w x 7.25"h.
"On the alone my Hope relies Beneath thy cross I fall thou art my life my sacrifice My Savior and My All don 1837". What a stunning English sampler! It was so much fun to stitch with all the motifs and bright colors. Not sure if the swans, bull, or parrot is my favorite... okay, maybe the... Read more
The verse on this sampler is from "O Christmas Tree" a German Christmas song written in 1824 by Ernst Anschutz. This song was based off a 16th century Silesian Folksong by Melchior Franck called Ach Tannenbaum. Third in the series of samplers with lots of fun stitches.
"How good is God to me Though he denies me wealth He gives me still a greater gift The precious gift of health My health I would devote To spread his praise abroad And would my youthful powers employ To love and serve my God". Sarah stitched this piece when she was 12 years old.
"One can no more approach people without love than one can approach bees without care" Leo Tolstoy 1828-1910. This piece is charted for cross stitch but instructions for a variety of stitches are included to stitch the bee skep and flowers.
Pattern is stitched on 36 ct Veldt from... Read more
"If I had a flower for every time I thought of you... I could walk in my garden forever." Alfred Lord Tennyson 1809-1892. A sweet little sampler to stitch for yourself, a friend, or a loved one.
Pattern is stitched on 40 ct Light Examplar from Lakeside Linens using Classic... Read more
nspired by an 1874 antique, this adaptation sampler has been beautifully reproduced in collaboration with Cherry Hill Stitchery. Bright florals, elegant birds, and a radiant central motif create a cheerful and timeless heirloom piece.
Pattern is stitched on 36 ct. linen with Treenway... Read more
This design was inspired by my collection of antique samplers, and several of the motifs were lovingly pulled from those treasured pieces. I wanted to capture that same timeless charm- simple motifs, a glorious red house, and a message that feels both comforting and enduring. The verse spoke to me:... Read more
M. Seckel is a sampler brimming with floral beauty. The color inspiration was taken from the unfaded back of the sampler. The second photo shows the front.
Stitched on 40 ct. linen with NPI silk floss (DMC conversion included). The stitch count is 234 x 229 and the finished size is 11.7" x 11.45".
S is for Sampler Stitcher With logo from Cross Stitch Antiques
Pattern is stitched on 46 ct. Dirty Teacup by Needle and Flax with Painters Threads Soie 100/3. The stitch count is 48 x 63 and the finished size is 2.08" x 2.74".
This bound book is a reproduction of an antique English sampler that I purchased in Franklin during the 2025 Nashville Needlework Market. The original sampler immediately stood out to me for its beautiful balance and lettering, and especially for its timeless verse, which feels just as meaningful... Read more