This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more
This sweet little American sampler features two little houses above alphabets and a short verse:
Would you be wise
Each moment prize
It is surrounded on four sides by a double sided satin stitched sawtooth border. Stitches used include cross, outline, stem filling, counted... Read more
Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more
This sampler features two uncommon verses taken from the book Sentences and Maxims Divine, Moral and Historical, in Prose and Instruction of Human Life: and Particularly for the Improvement of Youth in Good Sence and correct English by George Shelley, published in London in 1712.
Note from the designer: "Who would love this world or prize whats in it
that gives and takes and chops and changes every minute.
This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:
Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more
Note from the designer: "The flight into Egypt is a biblical event described in the Gospel of Matthew. Soon after Mary and Jesus were visited by the Magi, who had learned that King Herod intended to kill the male infants in that region, an angel appeared to Joseph in a dream telling him to flee... Read more
Note from the designer: "A beautiful meandering four-sided floral border in an unusually rich color palette surrounds this traditional Scottish sampler, also featuring a beautiful arcaded floral band at the top and a substantial mansion house in the lower register. Trees, tulips and flying birds... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more
Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more
Agnes Binnie was born in Stirlingshire, Scotland, on March 22, 1808, to Robert Binnie and Mary Addie. She married James Barclay on March 16, 1832, in Falkirk, Stirlingshire. The couple had at least six sons and three daughters. Around 1870 they emigrated to Scotland Township in McDonough, Illinois.... Read more
The original sampler, made in England in 1848, was stitched with cross, counted satin, petit point, and eyelet stitches on an extremely fine glazed linen of approximately fifty threads per inch.
It is unusual to find such a meticulously and finely stitched sampler at this late date, when... Read more
This design was excerpted from the top of an early nineteenth-century English sampler. It features an unusual and amusing hunting scene with a solo hunter on horseback pursuing a single hapless stag with a pack of ten spotted hounds on its trail.
The verse reads:
Give me O Lord thy early... Read more
This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."
The work is extremely fine and accomplished,... Read more
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more
Stitched on 28 count Americana Blend Linen with DMC floss and Classic Color Works threads. The stitch count is 103W x 125H. Finished size is 7.36 in wide X 8.93 in high.
"Let love and faithfulness never leave you." Model Stitched on 32 Ct. Vintage Buttercream Linen using Classic Colorworks, Weeks Dye Works and Gentle Art Sampler Threads. Stitch Count 130 x 150.
"Live in peace with all men" Model stitched on 32 Ct. Old english Linen from Niky's Creations using weeks Dye Works (or all DMC floss 610, 948, 319, 311, 3371). Stitch count is 206W x 110H.
Model stitched one over two on 40 Ct. Sand Dune from Lakeside Linens using Classic Colorworks and Weeks Dye Works (or all DMC floss white, 221, 434, 933, 730, 823, 829, 524, 3856, 3859, 3777). Stitch count: 191W x 197H. Design size is 9 1/2" x 9 3/4"
Model stitched two over two on your choice of antique linen such as: Heartland from Picture This Plus, Vintage Pecan Butter or Buttercream from Lakeside Linens or Vintage Country Mocha using Classic Colorworks and Weeks Dye Works (or all DMC floss 632, 3013, 839, 3857, 355, 936, 3041, 612, 152,... Read more
The original sampler was stitched over two on Antique White unevenweave fabric that is 70 threads per inch using one color of red thread. Suggested threads and amounts for stitching sampler using one ply of thread are Au Ver A' Soie 2945 or 2926. Stitch Count: 406W x 443H.
Note from designer: There is no fabric available today to stitch with 70 threads per inch.
Model was reversibly stitched over two and three threads on 36 Ct. linen of your choice using Soie d'Alger. Specialty Stitches Used. Stitch Count: 258W x 304H. Design Size: 7.78" X 27.22"
Model stitched one over two on 32 Ct. Straw linen using Classic Colorworks, Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 141W x 139H. Design Size: 8.81" x 8.68"
Model stitched one over two on 36 Ct. Vintage Sand Dune linen from Lakeside Linens using Au Ver A Soie. Also required, but not listed above #2578, #945 from Au Ver A Soie. Stitch Count: 249W x 250H. Design Size: 15.56" x 15.62"
Model stitched one over two on 40 Ct. Vintage Autumn Gold from Lakeside Linens using Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 100W x 231H. Design Size: 5" x 11 1/2"
Model stitched one over two on 36 Ct. Wren using Dinky Dyes Silk, Classic Colorworks Belle Soie, and Glorianna Silks (or DMC floss 3371, 300, 934, 642, 3064, 823, 3031, 400, 318, 3829, 640, 3022, 833, 869, ecru). Conversions for handy dyed floss also included. Stitch Count: 155W x 130H. Design Size: 8.5" x 7.25"
Model stitched over two on 46 Ct. Parchment using Dinky Dyes Silk (or DMC floss 451, 3052, 407, 3861, 3053, 738, 3371, 3821, 746). Over dyed cotton equivalents also provided. Stitch Count: 224W x 234H. Finished Size: 9.75" x 10"
Model stitched over 2 threads on 36 Ct. Gray linen by Weeks Dye Works with Gentle Art Sampler threads and DMC floss. Stitch Count: 105x233. Finished size: 6" x 13".
Model stitched one over two on 36 Ct. Straw linen using Classic Colorworks (or DMC floss 3687, 3859, 3031, 3803, 935, 842, 839, 921, 356, 312, ecru, 926/927). Also required, but not listed above Tartain Plaid from Classic Colorworks. Specialty Stitches Used: Algerian Eyelet, and Continental Stitch. Stitch Count: 194W x 93H. Design Size: 10.8" x 5.2"
"I must hear the judge pronounce my fate and fix my everlasting state." Model stitched two over two on 40 Ct. Beige using Gentle Art Sampler Threads and Weeks Dye Works. Specialty Stitches Used: Over One and Algerian Eyelet. Stitch Count: 236W x 221H. Design Size: 11 1/2" x 12 1/4"
Hannah's Sampler stitched over two on 36 Ct. Cocoa Linen using Dinky Dyes Silk. Stitch Count: 240W x 178H. Design Size: 13.33" x 9.88"
Hanna's Flowers and Hannah's Mini Sampler stitched over two on 36 Ct. Faun Linen using Gloriana Silks and Weeks Dye Works. Stitch Count for... Read more
Model stitched one over two on 36 Ct. Vintage Light Examplar using Classic Colorworks and Weeks Dye Works. Specialty Stitches Used. Stitch Count: 206W x 205W. Design Size: 11.2" x 11.2"
"Dark the night and wild the wave, Christ the boat is keeping, Trust in Him and have no fear, Though he seemeth sleeping." Included with the pattern are four color ways of floss that you can mix to get your perfect palette and four linens for you to choose from (not listed above: 28 count Cocoa, Cappuccino, and Mocha from Weeks Dye Works). Stitch Count: 155x193
Model stitched one over two on 36 Ct. Dolphin using Classic Colorworks (or DMC floss 400, 3828, 902, 838, 738, 3051, 372, 801, 3865). Stitch Count: 140W x 190H. Design Size: 7.75" x 10.5"
"This I have done to let you see how my parents did educated me. Amelia Prescott in the year 1824." Model stitched one over two on 40 Ct. Dapple using Needlepoint Inc. Silk. Stitch Count: 260W x 212H. Design Size: 13" x 10 1/2".
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