Note from the designer - "This unusual sampler is probably of Scottish origin. The distinctive French-inspired mansion house and the peacocks are commonly found on Scottish samplers. Adam and Eve are realistically stitched in the Garden, by effectively working two quite simple stitches together:... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "This is a very graceful and finely stitched sampler, an unusual combination for the late date. Nine ethereal female figures, like penitents in an Edward Gorey cartoon, march solemnly about the sampler, paying homage to the house. The huge house appears to be welcoming... Read more
Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more
Note from the designer - "This is a beautifully balanced, intensely stitched transitional sampler. Worked originally in brightly colored silk threads on a fine tammy (wool) ground, it features a repeating, four-sided carnation border, surrounding five horizontal bands interspersed by lines of... Read more
Note from the designer - "This Dover, Massachusetts, sampler features an unusual border surrounding alphabetical and numerical tests, and a four-line verse often found on early 19th century American samplers. The colors are remarkably well preserved. The maker, Ann Harding (who was actually... Read more
In the upper register of this finely stitched English sampler there is featured an unusual vignette of Adam and Eve beneath the tree of life (with a menacing black faced serpent) flanked by mirror image brick cottages, followed by a pious verse:
Note from the designer - "This Quaker sampler came from the vicinity of York, England, where a Quaker school existed at the same time as the more famous Ackworth School, not far from there. The Parnell name is still fairly common in the district, and the family was Quaker.
Linen count and finished size: 35-count 18-3/4" x 24"; or 40 count 16-1/2" x 21"
Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more
There is so much going on in this fascinating English sampler that it's hard to know where to begin looking. Apart from the somewhat conventional Adam and Eve at the top center, adorable flying cherubs flank them and the apple tree, bearing gold rings and sprays of flowers. The verse is as... Read more
Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more
Note from the designer: "This band sampler was designed after a piece in the collection of the Fitzwilliam Museum, most remarkable for the colorful, solidly filled geometric and floral sections. It also features double running stitch sections found on Italian embroideries of the sixteenth and... Read more
Note from the designer: "A Pennsylvania German sampler that may not be, strictly speaking, a miniature, but is nonetheless small for its type. Typical Pennsylvania German folk culture motifs - birds, trees, hearts, flowers, crowns and stars - adorn it."
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more
This sweet little American sampler features two little houses above alphabets and a short verse:
Would you be wise
Each moment prize
It is surrounded on four sides by a double sided satin stitched sawtooth border. Stitches used include cross, outline, stem filling, counted... Read more
Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more
Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more
This sampler features two uncommon verses taken from the book Sentences and Maxims Divine, Moral and Historical, in Prose and Instruction of Human Life: and Particularly for the Improvement of Youth in Good Sence and correct English by George Shelley, published in London in 1712.
"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."
Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more
This sampler was made in Scotland and includes many of the traditional motifs associated with samplermaking in this region. Firstly, Janet has included many initials of family members. However the initials at the center- G R 3 -refer to the then-reigning monarch, King George III. The flowering... Read more
This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more
Five antique samplers are included with this collection. Select a fabric and thread of your choice.
Abingdon 1878 Stitch Count: 190W x 158H. Berta Heinen Sampler 1904 Stitch Count: 166W x 171H. The Brkits L Sampler Stitch Count: 195W x 155H. The Greek Key Sampler Stitch Count: 114W x 108H. The Star Sampler Stitch Count: 191W x 139H.
Model stitched one over two on 36 Ct. Straw linen using Classic Colorworks (or DMC floss 3687, 3859, 3031, 3803, 935, 842, 839, 921, 356, 312, ecru, 926/927). Also required, but not listed above Tartain Plaid from Classic Colorworks. Specialty Stitches Used: Algerian Eyelet, and Continental Stitch. Stitch Count: 194W x 93H. Design Size: 10.8" x 5.2"
"Dark the night and wild the wave, Christ the boat is keeping, Trust in Him and have no fear, Though he seemeth sleeping." Included with the pattern are four color ways of floss that you can mix to get your perfect palette and four linens for you to choose from (not listed above: 28 count Cocoa, Cappuccino, and Mocha from Weeks Dye Works). Stitch Count: 155x193
"This I have done to let you see how my parents did educated me. Amelia Prescott in the year 1824." Model stitched one over two on 40 Ct. Dapple using Needlepoint Inc. Silk. Stitch Count: 260W x 212H. Design Size: 13" x 10 1/2".
Reproduction cross stitch pattern from Hands Across the Sea Samplers dated 1887.
The sampler has been rated as suitable for all levels of ability. The design is worked in cross stitch over one and two threads of linen and running stitch. The sampler could be stitched over 1 or 2 threads... Read more
I fell in love with the unique border on this diminutive antique sampler the moment I saw it. I've modified the border from the antique to bring what I loved most about it - the subtle gradation of greens - into greater... Read more
"When time who steals our years away
Shall steal our pleasures too
The memory of the past will stay
And half our joys renew
Then think no more of future gloom
These joys will always last
For hope will brighten days to come
And memory guild the... Read more
A collection of 3 designs sharing a similar schoolgirl theme. Alice Garner was stitched on 40 ct. Grey, Clara Beacher was stitched on 40 ct. Legacy or any cream linen, and Edith Greyson was stitched on 40 ct. Aztec Red.
Stitch counts:
Alice Garner: 109 x 70
Clara Beacher: 80 x 80
Edith Greyson: 117 x 61.
Eugenia is a lovely slip of a sampler that I am thrilled to have in my collection and to offer to you. Her name is shared with my grandmother (her middle name), and the sweet bird and poppies grabbed my attention as well, She was a very damaged antique, and had... Read more
Model stitched on 40 ct. Sheep's Straw linen using DMC and Weeks Dye Works thread. Stitch count is 234 x 314. Finished size is approx. 11.7 in wide X 15.7 in high on 40 ct.
The model was stitched using Foxtail Millett by Legacy Linen which is available in 45ct. The comparable colours in Legacy's Linen's range are Victoria Sponge Cake in 30ct, Corn Tassel in 37ct and Sycamore Seedpod in 53/63ct.The model was stitched using Soie 100.3 from Au Ver Soie. We have included below conversions for Soie d'Alger and DMC.
The model was stitched on Zweigart-based linen overdyed. We recommend that you stitch Amelia on your preferred colour, fabric, and count of fabric. Aida, Linaida, or linen can be used. Amelia's cheery sampler has been reproduced with a palette of only 8 colours from Au Ver Soie's range of Soie... Read more
Chart suggests 40 ct. linen in the color of your choice. Thread suggestion for both samplers: Soie d'Alger Rouge 946 (6 meters each). Stitch counts are 139 x 100 and 123 x 91.
This is a reproduction of an unfinished German sampler which bears typical characteristics of Saxon samplers. Uses cross stitch, back stitch, a few Algerian eyes, and Satin stitch. Model stitched over 2 threads on 40 Ct. "linen" colored linen from Weeks Dye Works with Gentle Art Sampler threads. Stitch Count: 237W x 670H. Finished size: 11.85" x 33.5".
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