This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."
The work is extremely fine and accomplished,... Read more
Armande stitched her sampler from 1888 to 1891, it is actually very finely stitched and the original measures only 37 cm x 34 cm (14.6 inch x 13.4 inch). Multiple motifs are inserted among the alphabets. Stitch count is 491 x 439.
Agnes Binnie was born in Stirlingshire, Scotland, on March 22, 1808, to Robert Binnie and Mary Addie. She married James Barclay on March 16, 1832, in Falkirk, Stirlingshire. The couple had at least six sons and three daughters. Around 1870 they emigrated to Scotland Township in McDonough, Illinois.... Read more
Made in Providence, Rhode Island, this sampler is a superb example of the work done at Miss Mary (Polly) Balch's school, one of the most important female learning institutions in America at that time. Combining sophisticated architectural, landscape and figural motifs with elaborate and unusual... Read more
This is a reproduction of an English sampler made in Bradford, Yorkshire, that shows distinct influences of Scottish needlework traditions, particularly in the illuminated alphabets. The bold primary colors were reproduced from the front of the original sampler, which retains its amazing... Read more
This mid-eighteenth-century Scottish band sampler features many classic seventeenth-century patterns, executed in cross, eyelet, double running, counted satin, back, and queen stitches.
The virtually unfaded color was reproduced from the front of the sampler. Six pattern bands precede... Read more
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 720, 554, 3753, 932, 3348, 3346, 745, 725, 945, 948, 818, 3831, white, 822, 369, 3756, 435, 801, 738, 310, 3865). Also required, but not listed above 3712 from Au Ver a Soie Soie d'Alger. Stitch Count: 271x214. Design Size on 32 Ct. Fabric: 17" x 13"
Eugenie Eudocxie Duval 1860 is not new, but I stitched it again over the Christmas holidays. Now the pattern is proposed with this new picture because the original was really very damaged. Stitch count is 368 x 265.
"She looketh well to the ways of her household and eateth not the bread of idleners." Model stitched on 30 count Cocoa Linen by Weeks Dye Works with Classic Colorworks Belle Soie. Stitch count: 132W x 144H.
This sampler design by Hello From Liz Mathews features flowers, trees, and "Youth and vigor soon will flee. Blooming beauty lose it's charms. All that's mortal soon will be enclosed in death's cold arms." A second chart combines a collection of the motifs from the large sampler... Read more
Model stitched over 2 threads on a 56 Ct. Velum linen by Foxglove and Lace Linens with Au Ver a Soie, Soie 100.3. Stitch Count: 87 x 257. Finished size over 2 on 56 Ct. linen is 3.11" x 9.18".
Model stitched on 36ct. Beige linen from Weeks Dye Works using Weeks Dye Works and DMC floss. The tiny pumpkin on the top was made using "Onion Skin" velveteen from Lady Dot Creates Stitch count is 170W x 78H.
A cross stitch reproduction sampler featuring lots of small motifs, red roses and a red house.
Model stitched on 46ct Weeks Straw Linen using Au Ver A Soie
Silk 100/3 Silk thread. Stitch count: 252w x 244h and the finished size is 10.96" x 1.04".
Model stitched on 46 ct. Weeks Dye Works Gray using Gloriana, Sinky Dyes, Au Ver A Soie
Silk 100/3 , Classic Colorworks Silks, and DMC thread. Stitch count is 314 x 359. Finished size: 13.7 x 15.6.
Note: Needed Gumnut Stars 989 Slate silk is not avaiable.
This design by Annie Beez Folk Art features an alphabet and number sampler, along with hearts, flowers, and birds! At the bottom the design reads "Margaret Robertson August 14 1855"
Model stitched on 40ct Vintage Examplar by Lakeside Linens using Classic Colorworks, Gentle Arts, and Weeks Dye Works thread.
Stitch count: 137w x 139h.
Model stitched on 32 ct hogbristle by Fox and Rabbit using Classic Colorworks, Weeks Dye Works, and DMC floss. Stitch count: 180w x 73h.
Finished size: 10 x 4.05.
The model was stitched using Foxtail Millett by Legacy Linen which is available in 45ct. The comparable colours in Legacy's Linen's range are Victoria Sponge Cake in 30ct, Corn Tassel in 37ct and Sycamore Seedpod in 53/63ct.The model was stitched using Soie 100.3 from Au Ver Soie. We have included below conversions for Soie d'Alger and DMC.
Cross stitch pattern from Hands Across The Sea Samplers featuring a sampler from Elizabeth Garrod Wells in 1799!
Pattern is stitched on the linen of your choice using either Soie 100.3, Soie SDA or DMC floss. can be stitched on Aida or linen. Stitch count is 127 x 110.
Model stitched over two on 40 Ct. Tin Roof by Weeks Dye Works using DMC, Needlepoint Inc. Silks and Avas- Soie D' Alger. Finished Size is 14.30 x 14.25. (words are stitched over one). Estimate Stitch count is 280 x 280.
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 336, 501, 500, 581, 834, 3820, 150, 3013, 225, 746, 819, 3862, 433, 3756, 712, 433, 3042, 310, 3865). Also required, but not listed above 3712, 3390, and 3996 from Soie d'Alger. Stitch Count: 348x359. Design Size on 32 Ct. Fabric: 22" x 22"
A reproduction sampler from Reflets de Soie, worked all in red, featuring 6 alphabets and "Emerence Van Shembrouck Ostende 1896."
Model stitched on 16 ct. Zweigart linen using DMC and Soie d' Alger thread. Stitch count is 293 x 307.
This sampler features a lion, a camel, and large colorful flowers. The design was stitched over 2 threads on 40 Ct. linen and is suitable for all skill levels. The stitch count for each design is 244 W x 230 H. The finished piece will measure approximately 12-1/2″ x 11-1/2″.
This 19th century American reproduction sampler features a brown bird on a tree branch. Rated for beginners. Model stitched on 35 count hand dyed linen using either cotton or silk thread. Two versions of the sampler graph have been furnished: one executed with a drawn partially freehand split and... Read more
Note from the designer - "An intensely stitched and well-planned sampler, this unusual piece probably originated in Pennsylvania. The allegorical figure hovering over the house could represent Liberty. The unconnected border of floating honeysuckle is unique, as well as the little pastoral vignettes in the lower register." Rated for beginners.
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "This unusual sampler is probably of Scottish origin. The distinctive French-inspired mansion house and the peacocks are commonly found on Scottish samplers. Adam and Eve are realistically stitched in the Garden, by effectively working two quite simple stitches together:... Read more
Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more
Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more