This sampler design by Hello From Liz Mathews features flowers, trees, and "Youth and vigor soon will flee. Blooming beauty lose it's charms. All that's mortal soon will be enclosed in death's cold arms." A second chart combines a collection of the motifs from the large sampler... Read more
Cross stitch pattern from Reflets de Soie featuring a beautiful Virgin Mary surrounded by colored motifs.
Pattern is stitched on 40 ct linen using Soie D'Alger silk floss. Stitch count is 312 x 235. Required Au Ver A Soie Soie d'Alger 2928 and 3996 have been discontinued.
Note from the designer - "This sweet English sampler is the first I've ever seen with a border made up of flying cherubs. It also features a "geode" (mosaic) parrot- a distinctively stylized bird that appears on other samplers made in England, New England, and the Netherlands throughout... Read more
A derivative 17th-century canvas work picture. The Adam and Eve legend was a more popular theme on samplers after the early eighteenth century so this example is quite unusual. The pair are not often seen on earlier needleworks, even though most illustrated bibles of the sixteenth and seventeenth... Read more
This Irish Quaker sampler features an alphabet at the tope, verse, bands, and flowers. The verse reads "Great Almighty God above plant in my heart a fund of love, that I my mercies may adore and bless and praise thee evermore."
Model is stitched on 40 ct linen using either cotton... Read more
Note from the designer - "In 1779, the Quaker Friends School at Ackworth, Yorkshire, was established for the purpose of educating young people of both sexes, and instilling the values of their Society; equality, simplicity, peace. Girls received nearly the same instruction as boys. Out of this... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "This Dover, Massachusetts, sampler features an unusual border surrounding alphabetical and numerical tests, and a four-line verse often found on early 19th century American samplers. The colors are remarkably well preserved. The maker, Ann Harding (who was actually... Read more
Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more
Note from the designer - This is the most symmetrical, balanced, counted thread sampler that we have ever charted from. It is also one of the most satisfying, challenging, and beautiful samplers in the world. Originally worked on a fine wool ground, the colors of our reproduction have been matched... Read more
Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more
Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more
This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Model stitched on 36 Ct. fabric of your choice with Classic Colorworks, Gentle Art Sampler threads, and Weeks Dye Works floss. Stitch Count: 154 x 83. Finished Size is 8.56 in wide X 4.61 in high.
Model stitched one over two on 36 Ct. Grey by Weeks Dye Works using Weeks Dye Works floss. Stitch Count for Pinkeep: 125 x 105. Finished Size: 7" x 6". Stitch Count for Ornament: 84 x 47. Finished Size: 5" x 3".
Pattern by Blackbird Designs featuring an antique reproduction of a pattern stitched by Leona Adams in November of 1946.
Model stitched on 32 Ct. Pearled Barley by Lakeside linens, using Gentle Arts Sampler Threads. Stitch count: 90W x 93H and the finished size is 5.63" x 5.81".
"Be Ye Thankful and Good." Model stitched on 36 Ct. Stars Hollow Blend by R&R Reproductions with Classic Colorworks, Gentle Art Sampler threads, and Weeks Dye Works floss. Stitch Count: 161W x 139H.
Model stitched on 20 Ct. Straw linen by Weeks Dye Works with one thread over two using with Classic Colorworks, Gentle Art Simply Wool & Sampler threads and Weeks Dye Works floss. Stitch Count: 182x224. Finished size: 18.2" x 22.4".
Model stitched on 18 Ct. Natural linen (no longer available) over two using DMC Perle Cotton, and Weeks Dye Works #5 Perle. Also required, but no longer available is Classic Colorworks Pearl Cotton #5 Black Coffee. We suggest Weeks Dye Works Perle Cotton #5 Mascara or DMC Perle Cotton #5 3799 or 310. Stitch Count: 117x170. Cut Size: 18" x 24".
Model stitched over 2 threads on 36 Ct. Buttercream by Lakeside Linens with Classic Colorworks Belle Soie Silk floss, Gloriana Silk floss, and Needlepoint Inc silks. Stitch Count: 496W x 202H. Finished size approximately 27.7" x 11.3".
Model stitched over two threads on 40 Ct. Heritage by Picture This Plus using Needlepoint Silk and Thread Gatherer Silk n Colors. Stitch count 145x136.
Model stitched over 2 threads on 40 Ct. Onyx linen by Weeks Dye Works with Classic Colorworks and Weeks Dye Works floss. Stitch Count: 89W x 81H. Finished size is 4.45 in wide X 4.05 in high.
Models stitched over 2 threads on 36 Ct. Vintage Light Examplar by Lakeside Linens with DMC floss. Stitch count for each design is approximately 43x49.
Model stitched over 2 threads on 36 Ct. Legacy linen by Picture This Plus with Weeks Dye Works floss, DMC floss, and Gentle Art Sampler threads. Stitch Count: 126W x 165H
Models all stitched over two on 36 Ct. Nantucket Brew by R&R Reproductions using Weeks Dye Works floss. Stitch Count for Pin Disk: 43 x 57. Design Size: 2" x 3". Stitch count for Needlebook: 76 x 43, 4" x 2". Stitch Count for Scissor Fob: 40 x 32, 2" x 2".