Note from the designer - "Rhode Island samplers were among the first American schoolgirl embroideries to be recognized by serious collectors and textile scholars as a distinctive group with extraordinary visual appeal. The Sheffield sampler is delicately worked with an unusually pleasing... Read more
Note from the designer - "This design was inspired by an early eighteenth century English picture executed in tent stitch." The designs features a lion, a leopard and a parrot surrounded by bright flowers.
The design is stitched over one thread on 35 Ct. linen. It uses cross stitch,... Read more
This Irish Quaker sampler features an alphabet at the tope, verse, bands, and flowers. The verse reads "Great Almighty God above plant in my heart a fund of love, that I my mercies may adore and bless and praise thee evermore."
Model is stitched on 40 ct linen using either cotton or silk floss. Stitch count is 181 x 477.
Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more
Note from the designer - "This picture was originally designed to be used as a cushion or footstool cover, or perhaps as a decorative vignette inserted into the top of a wooden box for storing precious objects. Executed entirely in cross stitch, its most prominent characters are a large squirrel... Read more
Note from the designer - "At age nine in 1818, Sarah Dutnel created this unusual "tree of life" sampler. A traditional carnation and tulip border in subtle, earthy shades of gold, brown, and cream surrounds the tree. Dogs, deer, birds, stars, potted plants, trees and flowers flank the... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "Designed after a mid-eighteenth century New Hampshire sampler, this piece is delightfully naive with its oversized animals, insects, and birds. Around 1760, the New-Hampshire Gazette began publishing advertisements for girls' schools, placed by female instructresses,... Read more
This is a beautiful sampler from Norwich (Norfolk, United Kingdom), possibly stitched at a school run by one Mrs. Wright or her descendent (hence the initials "MW" below Elizabeth's name in the attribution). A list of teachers in Norwich in 1783 includes Wright, Massey, and Cheetleburgh. The... Read more
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more
Note from the designer - "This Quaker sampler came from the vicinity of York, England, where a Quaker school existed at the same time as the more famous Ackworth School, not far from there. The Parnell name is still fairly common in the district, and the family was Quaker.
Linen count and finished size: 35-count 18-3/4" x 24"; or 40 count 16-1/2" x 21"
Note from the designer - This is the most symmetrical, balanced, counted thread sampler that we have ever charted from. It is also one of the most satisfying, challenging, and beautiful samplers in the world. Originally worked on a fine wool ground, the colors of our reproduction have been matched... Read more
This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more
What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "The flight into Egypt is a biblical event described in the Gospel of Matthew. Soon after Mary and Jesus were visited by the Magi, who had learned that King Herod intended to kill the male infants in that region, an angel appeared to Joseph in a dream telling him to flee... Read more
Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
All that is known of the sampler are the stitcher's initial - ES. The sampler appears to be English and from around the mid 19th Century.
The model was stitched over 2 threads on 36 Ct. Light Sand linen with Needlepoint Inc Silks (DMC conversions are provided). Stitch Count: 114W x 164H. Finished Size: 5 5/8" x 8 1/8"
The model was stitched over 2 threads on 32 Ct. Summer Khaki linen with Soie d'Alger silks and silk chenille. Stitch Count: 204W x 278H. Finished size: 12 3/4" x 17 3/8" Stitches used: cross stitch, satin stitch, queen stitch, double running stitch, outline stitch, chain stitch, and stitching over one. Stitch diagrams are included.
Model stitched one over two on 32 Ct. Straw linen using Classic Colorworks, Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 141W x 139H. Design Size: 8.81" x 8.68"
Model stitched two over two on 28 Ct. Summer Khaki using Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 76W x 120H. Design Size: 6" x 9"
Model stitched on 36 count Vintage Tarnished Silver using 1 strand of cotton over two linen threads. Uses Classic Color Works. Stitch count: 101W x 104H.
"Up the hill around the bend through the woods and home again." Model stitched on 30 Ct. Straw Linen with Classic Colorworks, Weeks Dye Works, Gentle Art Sampler Threads, and DMC floss. Stitch Count: 271W X 101H.
Model stitched on 36 Ct. Ligonier Latte by R&R Reproductions with Gentle Art Sampler threads. Stitch Count: 67W x 65H. Design shown finished in a 4.75" min tart pan tin.
Model stitched on 30 Ct. Parchment by Weeks Dye Works over two using Gentle Arts Sampler threads, Weeks Dye Works floss, and DMC floss (or all DMC 3047,841, 452, 3772, 3773, 317, 414, 3052) Stitch Count: 134W x 66H. Alphabet provided for personalization.
"When this you see remember me and keep me in your mind. Let all the world say what they will. Speak of me as you find." Model stitched on 40 Ct. Vintage Light Examplar from Lakeside Linens using Classic Colorworks silks. (DMC alternates are 370 730 3750 3031 3859 434 712 414 500 501 310 950 935) Stitch count 161x163.
"Be Ye Thankful and Good." Model stitched on 36 Ct. Stars Hollow Blend by R&R Reproductions with Classic Colorworks, Gentle Art Sampler threads, and Weeks Dye Works floss. Stitch Count: 161W x 139H.
"We were more precious each to each other than any thing. Mary H Feilden - John W Whittaker Feniscowles Hall 1824." Model stitched on 32 Ct. Heartstring Blend linen by R&R Reproductions with Weeks Dye Works floss, Classic Colorworks floss, and Gentle Art Sampler threads. Stitch Count: 253x183. Design Size: 16" x 12"
"A pledge of my affection." Model stitched on 32 Ct. Mocha linen by Weeks Dye Works with Classic Colorworks and Weeks Dye Works floss. Stitch Count: 91W x 79H. Design Size: 6" x 5"
Model stitched on 18 Ct. Natural linen (no longer available) over two using DMC Perle Cotton, and Weeks Dye Works #5 Perle. Also required, but no longer available is Classic Colorworks Pearl Cotton #5 Black Coffee. We suggest Weeks Dye Works Perle Cotton #5 Mascara or DMC Perle Cotton #5 3799 or 310. Stitch Count: 117x170. Cut Size: 18" x 24".
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