Reproduction Samplers Cross Stitch Patterns Page 6

This English sampler was made in Sheffield, South Yorkshire, featuring the Sheffield General Infirmary, a verse, a fashionably dressed man and woman, and a collection of animals in the lawn in front (sheep, fox, squirrels, rabbit, dog), all surrounded by a four sided berry border.

The... Read more about Elizabeth Gray 1832 - Cross Stitch Pattern

Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more about Elizabeth Eaton 1712 - Cross Stitch Pattern

This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more about Elizabeth Topham 1727 - Cross Stitch Pattern

Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more about Fanny Peachey Circa 1810 - Cross Stitch Pattern

Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more about Frances B Jones 1817 - Cross Stitch Pattern

Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more about Freelove Hazard 1792 - Cross Stitch Pattern

"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."

Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more about Grazing Sheep circa 1810 - Cross Stitch Pattern

Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:

... Read more about Hannah Breed 1756 - Cross Stitch Pattern

Note from the designer: "The flight into Egypt is a biblical event described in the Gospel of Matthew. Soon after Mary and Jesus were visited by the Magi, who had learned that King Herod intended to kill the male infants in that region, an angel appeared to Joseph in a dream telling him to flee... Read more about Harriot Ringrose 1852 - Christian Cross Stitch Pattern

Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more about Isabella Robeson circa 1809 - Cross Stitch Pattern

This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more about Katie Sym 1769 - Cross Stitch Pattern

Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more about Katharine Mitchel circa 1785 - Cross Stitch Pattern

Hannah Cummins stitched her sampler in Stockton, England in 1828 when she was 9 years old. A photo of the antique sampler is included in the package. "My thoughts before they are my own are to my God distinctly known. He knows the words I mean to speak ere from opning lips they break.

... Read more about Hannah Cummins - Cross Stitch Pattern

A schoolgirl sampler that exemplifies the distinctive style indicative of the Mary Balch School, from the architectural arrangement to the moral sentiments expressed right down to the authentic stitches used.

This design appeared in Treasures in Needlework: Spring 1993, Vol. II, No. 1 and... Read more about American Antique Sampler - Cross Stitch Pattern

Model stitched over two threads on 36 Ct. Vintage Beeswax by R&R Reproductions using Weeks Dye Works, Classic Colorworks and DMC. Stitch Count: 116x72.

Model stitched over two threads on 36 Ct. Vintage Lentil by Lakeside Linens using DMC floss. Stitch Count: 114x151.

Model stitched on 36 Ct Summer Khaki Edinburgh using DMC floss. Finished size is 7.5W x 4.5H.

Model stitched over 2 threads on 35 Ct. Gray linen with Weeks Dye Works floss. Stitch Count: 232W x 152H. Design Size: 13" x 9".

Model stitched on 32 Ct. Ale Linen using Gentle Art Sampler Threads and Weeks Dye Works threads. Stitch count is 135W x 131H.

Model stitched over 2 threads on 36 Ct. Parchment linen by Weeks Dye Works with DMC floss. Stitch Count: 221W x 223H.

Model stitched over 2 threads on 36 Ct. Aspen linen by Picture This Plus with Classic Colorworks floss and Weeks Dye Works floss. Stitch Count: 123H x 255W. Finished Size: 7" x 15"

"See the kind shepherd Jesus stands and calls his sheep by name gathers the feeble in his arms and feeds each tender lamb. Sarah Stewart Hardman Work Age 7 1824"

Model stitched on 28 Ct. Vintage Light Examplar using Classic Colorworks. Also can be stitched with Tudor Silk. Stitch... Read more about Sarah Stewart Hardman 1824 - Cross Stitch Pattern

Model stitched on 36 Ct. Beach Brew from R&R Reproduction using Weeks Dye Works. Stitch Count: 112W x 158H. Design Size: 6" x 9"

Model stitched on 40 Ct. Sand Dune using Soie d'Alger. Specialty stitches used are satin stitch and eyelets. Stitch count is 333W x 386H. Finished size is 16.65" x 19.3"

Model stitched two over two on 32 Ct. Colonial Parchment using Gentle Art Sampler Threads and Classic Colorworks. Also required for the chenille trim, but not listed above Lady Dot Creates Thundercloud. Stitch Count: 51W x 51H. Design Size: 3" x 3".

Pattern by Scarlett House featuring a vintage inspired sampler design originally stitched by Elizabeth Hunter in 1853.

Model stitched one over two on 40 Ct. Sand Dune from Lakeside Linens using Classic Colorworks and Weeks Dye Works. Stitch count: 191W x 197H. Design size is 9 1/2" x 9 3/4"

Model stitched on 46 Ct. Straw linen using Soie d'Alger threads. Stitch Count: 263W x 181H. Finished Size: 11.43" x 7.87"

Model stitched over two on 40 Ct. Vintage Sand Dune using Glorianna Silk. Stitch Count: 246W x 280H. Finished Size: 18.3" x 20"

Model was reversibly stitched over two and three threads on 36 Ct. linen of your choice using Soie d'Alger. Specialty Stitches Used. Stitch Count: 258W x 304H. Finished Size: 7.78" X 27.22"

"Yea though I walk through the valley of the shadow of death I will fear no evil for thou art with me."

Model stitched over two on 40 Ct. Parchment from Weeks Dye Works, using Au Ver A Soie - Soie d'Alger. Soie 100.3 and DMC equivalents given. Stitch Count: 303W x 324H. Design Size: 15.15" x 16.20"

Model stitched one over two on 36 Ct. Vintage Sand Dune linen from Lakeside Linens using Au Ver A Soie. Also required, but not listed above #2578, #945 from Au Ver A Soie. Stitch Count: 249W x 250H. Design Size: 15.56" x 15.62"

Model stitched one over two on 36 Ct. Wren using Dinky Dyes Silk, Classic Colorworks Belle Soie, and Glorianna Silks. Stitch Count: 155W x 130H. Design Size: 8.5" x 7.25"

Model stitched over 2 threads on 40 Ct. Meadow Rue by Lakeside Linens with DMC floss. Stitch Count: 110W x 98H. Finished size: 5 1/2" x 4 7/8".

Model stitched one over two on 40 Ct. Heartland using Gentle Art Sampler Threads. Stitch Count: 95W x 109H. Design Size: 4 3/4" x 5 3/8"

" The night forest wakes as the needles dance". Model stitched over two on 32 Ct. Linen using Classic Colorworks floss. Stitch Count: 97 x 133. Design Size: 6" x 8".

Pattern by Hands Across the Sea Samplers featuring an antique reproduction originally from 1835.

Model stitched over two on 46 ct. Straw with one strand Au Ver A Soie Silk from their D'Alger Range. There are also conversions for the Au Ver A soie 100.3 range together with DMC. Soie 100.3 #245 discontinued. Stitch count 201 x 246 and the finished size is 8.74" x 10.7".

Patterns by From the Heart featuring a vintage reproduction of Hannah's Sampler. Includes three designs, Hannah's Sampler, Hannah's flowers, and Hannah's mini sampler.

Models stitched on 36 ct. Cocoa linen or 36 ct. Faun linen using Dinky Dyes Silk floss, Gloriana Silks, and Weeks Dye... Read more about Hannah Hetherington - Cross Stitch Pattern

Model stitched over two on 36 Ct. Parchment using Gentle Art Sampler Threads. Stitch Count: 211x67. Design Size: 12" x 4"

Model stitched over two on 36 Ct. Creme Brulee from R&R Reproductions using Weeks Dye Works and DMC floss. Stitch Count: 87W x 87H. Fabric Size: 11" x 11". Finished size is approx 4.83 in wide X 4.83 in high.

Model stitched one over two on 36 Ct. Parchment using DMC floss and Weeks Dye Works. Stitch Count: 300W x 126H. Design Size: 17" x 7" Frame by Huneywwod #3462.

Model stitched one over two on 36 Ct. Straw using Weeks Dye Works. Stitch Count: 147W x 221H. Design Size: 8" x 12.5"

Model stitched one over two on 36 Ct. Straw using Needlepoint Inc Silk. Stitch Count: 270W x 272H. Design Size: 15" x 15.11".

This is a reproduction of an antique English sampler made by Hannah Hammond in 1845. Model stitched over 2 threads on 32 Ct. Cocoa linen with Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 192W x 206H. Finished size: 12" x 12 3/4".

A reproduction of an antique English wool work sampler. Model stitched over 2 threads on 35 Ct. Cocoa linen with Classic Colorworks, Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 368W x 332H. Finished size: 53 1/2" x 48 1/2".

This is an adapted reproduction of an antique English sampler, dated 1790. The sampler was embroidered by Maria Cooper in Hambledon.

The model was stitched over 2 threads on 40 Ct. Grey linen by Weeks Dye Works with Weeks Dye Works floss, Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 361W x 405H. Finished size: 18" x 20 1/4".

Reproduction of a lovely and colorful Scottish Sampler. The model was stitch over 2 threads on 40 Ct. Cocoa linen by Weeks Dye Works with Classic Colorworks floss, The Gentle Art Sampler threads, Weeks Dye Works floss and DMC floss. Stitch Count: 209W x 269H. Finished size; 10 1/2" x 13... Read more about Mary Forsyth/Mary Brown 1838 - Cross Stitch Pattern

The model was stitched over 2 threads on 40 Ct. "linen" colored linen from Weeks Dye Works with Gentle Art Sampler threads, Weeks Dye Works floss and Classic Colorworks floss. Stitch Count: 276W x 342H. Finished size: 13 3/4" x 17 1/4".