Scarlet Letter Samplers Cross Stitch Page 3

Agnes Binnie was born in Stirlingshire, Scotland, on March 22, 1808, to Robert Binnie and Mary Addie. She married James Barclay on March 16, 1832, in Falkirk, Stirlingshire. The couple had at least six sons and three daughters. Around 1870 they emigrated to Scotland Township in McDonough, Illinois.... Read more about Agnes Binnie 1824 - Cross Stitch Pattern

This wonderfully symmetrical English sampler features a pair of silky floating swans and large twin sunflowers, executed in a rich natural palette of color. Birds fly over the tops of three flower-trees in the top third. A sumptuous basket of fruit is stitched between the golden swans, and towering... Read more about Jane Smith 1814 - Cross Stitch Pattern

This is a reproduction of an English sampler made in Bradford, Yorkshire, that shows distinct influences of Scottish needlework traditions, particularly in the illuminated alphabets. The bold primary colors were reproduced from the front of the original sampler, which retains its amazing... Read more about Sarah Hutchinson 1762 - Cross Stitch Pattern

The original Scottish antique sampler had never been framed and so it was in excellent condition with the same vibrant, unfaded colors on the front as well as on the back. An unusual, elaborate four-sided undulating floral and leaf border surrounds a central reserve with a brief moral verse. Adam... Read more about Margaret Reid 1837- Cross Stitch Pattern

The original sampler, made in England in 1848, was stitched with cross, counted satin, petit point, and eyelet stitches on an extremely fine glazed linen of approximately fifty threads per inch.

It is unusual to find such a meticulously and finely stitched sampler at this late date, when... Read more about Emma Miles 1848 - Cross Stitch Pattern

This design was excerpted from the top of an early nineteenth-century English sampler. It features an unusual and amusing hunting scene with a solo hunter on horseback pursuing a single hapless stag with a pack of ten spotted hounds on its trail.

The verse reads: Give me O Lord thy early... Read more about Mary Randal 1803 - Cross Stitch Pattern

This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."

The work is extremely fine and accomplished,... Read more about Elizabeth Ginger 1735 - Cross Stitch Pattern

This mid-eighteenth-century Scottish band sampler features many classic seventeenth-century patterns, executed in cross, eyelet, double running, counted satin, back, and queen stitches.

The virtually unfaded color was reproduced from the front of the sampler. Six pattern bands precede... Read more about MS Dated 1752 - Cross Stitch Pattern

This is a reproduction of a Quaker sampler made in Chester County, Pennsylvania consisting of alphabets, numerals, ligatures* and lineal patterns executed in a variety of stitches. The uppermost border with the dangling central flower is often seen on American Quaker samplers of this period (see... Read more about Ann Ward 1808 - Cross Stitch Pattern

This English sampler features a three-sided floral border surrounding thirteen lines of alphabets, neatly cross-stitched in several different lettering styles. Mary Wagstaff was likely born in Huyton, Lancashire in 1809, completing this sampler when she was ten years old. She passed away in... Read more about Mary Wagstaff 1819 - Cross Stitch Pattern

A sampler from the collection of the Fitzwilliam Museum in Cambridge, England.

Skill and expertise in sampler-making did not necessarily peak in the mid-to-late seventeenth century and then wane during what is often called the "golden age" of English sampler-making. These skills... Read more about Rachel Jarratt circa 1760 - Cross Stitch Pattern

This is an expansive English sampler with an unusual four-sided leafy branch and floral border, centering a very busy reserve filled with baskets of fruits and flowers, stylized trees and plants, birds, lions rampant, butterflies, rabbits, and stags. A large building/mansion/institution is at the... Read more about Sarah Elizabeth Hollings 1825 - Cross Stitch Pattern

Here is a dainty and colorful mid-eighteenth-century English sampler executed entirely in cross and petit point stitches making it a suitable project for any skill level.

A four-sided arcaded border of daisies and dianthus surrounds three pious verses with delicate horizontal floral bands... Read more about Sarah Mitchell 1758 - Cross Stitch Pattern

The canvaswork piece from which this bell pull was derived is a book cover, and dates to the first quarter of the 17th century. square tent stitched vignettes, reproduced here in the panels of the bell pull covered the book's spine vertically. It seems appropriate that the allegorical figures of... Read more about Wisdom and Innocence Bell Pull - Cross Stitch Pattern

Characteristically ornate illuminated alphabets are featured on this classic Scottish sampler. Other stylistic elements indicating its origin include the peacock with seven tail feathers and three rows of initials of the maker's family. The illuminated alphabets on this particular sampler are... Read more about Margret Lawrance 1823 Scottish Sampler - Cross Stitch

Cross stitch pattern by Scarlet Letter that is a reproduction of a Dutch sampler from the German Sampler Museum.

Pattern is stitched on 35 ct linen using Soie d'Alger silk threads with DMC conversion. Stitch count is 276 x 255. Finished size is 15.77" x 14.57".

This is a very fine example of an early northern Dutch sampler called a letterndoek, or alphabet sampler. The illuminated letters are typical of northern Holland needleworks. Symbolic spot motifs include dogs, a stag, trees of life, and paired birds.

Pattern is stitched on the fabric of... Read more about The Letterndoek Sampler by IT 1697 - Cross Stitch Pattern