Rachel Jarratt circa 1760
Cross Stitch Pattern
Rachel Jarratt circa 1760 - Cross Stitch Pattern
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DMC Option
DMC 3685 Six Strand Floss - Very Dark Mauve Purple
DMC 934 Six Strand Floss - Black Avocado Green
DMC 729 Six Strand Floss - Medium Old Gold
DMC 775 Six Strand Floss - Very Light Baby Blue
DMC 3687 Six Strand Floss - Mauve Purple
DMC 738 Six Strand Floss - Very Light Tan
DMC 3346 Six Strand Floss - Hunter Green
DMC 500 Six Strand Floss - Very Dark Blue Green
DMC 831 Six Strand Floss - Medium Golden Olive Green
DMC 730 Six Strand Floss - Very Dark Olive Green
DMC 224 Six Strand Floss - Very Light Shell Pink
DMC 676 Six Strand Floss - Light Old Gold Yellow
DMC 3371 Six Strand Floss - Black Brown
DMC 829 Six Strand Floss - Very Dark Golden Olive Green
DMC 780 Six Strand Floss - Ultra Very Dark Topaz Yellow
DMC 931 Six Strand Floss - Medium Antique Blue
DMC 3750 Six Strand Floss - Very Dark Antique Blue
DMC 746 Six Strand Floss - Off White
Soie d'Alger Option
Au Ver A Soie - Soie d'Alger - 3026 Lie de Vin
Au Ver A Soie - Soie d'Alger - 3726 Vert Lys
Au Ver A Soie - Soie d'Alger - 2235 Bronze Vert
Au Ver A Soie - Soie d'Alger - 1721 Bleu Electrique
Au Ver A Soie - Soie d'Alger - 3013 Bruyere
Au Ver A Soie - Soie d'Alger - 4511 Biche
Au Ver A Soie - Soie d'Alger - 2126 Cigale
Au Ver A Soie - Soie d'Alger - 1846 Vert Troene
Au Ver A Soie - Soie d'Alger - 525 Olive
Au Ver A Soie - Soie d'Alger - 2226 Vert Tilleul
Au Ver A Soie - Soie d'Alger - 1012 Rose de Chine
Au Ver A Soie - Soie d'Alger - 2242 Feuilles Mortes
Au Ver A Soie - Soie d'Alger - 4136 Tabac
Au Ver A Soie - Soie d'Alger - 2236 Bronze Vert
Au Ver A Soie - Soie d'Alger - 2526 Or (Gold)
Au Ver A Soie - Soie d'Alger - 1745 Bleu Indien
Au Ver A Soie - Soie d'Alger - 1716 Bleu Henri II
Au Ver A Soie - Soie d'Alger - 2541 Bleu
123Stitch Fabric Suggestion
32 Count Lambswool Linen Fabric 27x36
Designer: Scarlet Letter
Item: SCTL-145
Type: Cross Stitch Patterns

A sampler from the collection of the Fitzwilliam Museum in Cambridge, England.

Skill and expertise in sampler-making did not necessarily peak in the mid-to-late seventeenth century and then wane during what is often called the "golden age" of English sampler-making. These skills and techniques survived and reemerged in samplers to the present day. This reproduction is a perfect example of skills transcending the centuries. It was a reproduction of sorts when it was first created. At first glance, it appears to have been made in the seventeenth century with its long, narrow shape and variety of stitches, but on closer inspection, one can detect some elements of later techniques. The floral and geometric pattern bands are not as intensely stitched are a bit broader and bolder and more open. It is a bit too studied and balanced (earlier band samplers were not necessarily intended for display, more as pattern records; hence, the patterns were not always symmetrical.) This sampler might have been made to be framed and displayed. The date, of course, is the giveaway. It was made in the 1760s, perhaps under the tutelage of a teacher who researched earlier samplers, admired the work, and inspired this respect and admiration in her pupil, Rachel Jarratt.

At the center is a peculiar variation of Adam and Eve, only instead of those familiar figures we have two "boxers" in their traditional pugnacious stance. Another interesting variation on a theme is the geometric counted satin stitched area toward the bottom- a traditional whitework design only here it has been executed in pink. Stitches used in the sampler include cross, counted thread satin, stem filling, detached buttonhole, double running, queen, bullion knots, and Florentine (bargello). The original sampler included a section of cut and drawn work and hollie point, which has not been reproduced.

The finished reproduction stitched on 32 count linen will measure approximately 6" x 27 1/2", and is recommended for more advanced needleworkers. It has been printed in a full color twenty page booklet. Stitch count is 94 x 441.

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